By Movie StarAlfred HitchcockAudrey HepburnAva GardnerBarbara StanwyckBasil RathboneBette DavisBilly WilderBob HopeBoris KarloffBurt LancasterBuster KeatonCarole LombardCary GrantCharlie ChaplinClara BowClark GableClaudette ColbertDana AndrewsDeanna DurbinDebbie ReynoldsDoris DayElizabeth TaylorErnst LubitschErrol FlynnEsther WilliamsFranchot ToneFred AstaireFred MacMurrayGary CooperGene KellyGeorge CukorGinger RogersGloria SwansonGrace KellyGreer GarsonGregory PeckGreta GarboHarold LloydHedy LamarrHenry FondaHoward HawksHumphrey BogartIda LupinoIngrid BergmanIrene DunneJack BennyJack LemmonJames CagneyJames StewartJane RussellJean ArthurJean HarlowJeanette MacDonaldJeanne CrainJoan CrawfordJoan FontaineJohn FordJohn WayneJudy GarlandKatharine HepburnKay FrancisKirk DouglasLana TurnerLauren BacallLillian GishLon ChaneyLoretta YoungLouise BrooksMae WestMarilyn MonroeMarion DaviesMarlene DietrichMary AstorMary PickfordMickey RooneyMiriam HopkinsMyrna LoyNatalie WoodNorma ShearerOlivia de HavillandOrson WellesPaul NewmanPaulette GoddardPreston SturgesRichard WidmarkRita HayworthRobert MitchumRudolph ValentinoShirley TempleSidney PoitierSpencer TracySteve McQueenTeresa WrightTyrone PowerVincent PriceVivien LeighWilliam HoldenWilliam PowellWilliam WylerWoody Allen By HolidayNew Year's DayPresident's DayValentine's DayEasterMother's DayFather's DayMemorial DayJuly 4thLabor DayColumbus DayHalloweenThanksgivingChristmasBlack History MonthWomen's History Month All Blogs4 Star Films (3523)50 Most Influential Disney Animators (58)A Person in the Dark (367)All Good Things (815)Backlots (412)Caf? Muscato (572)Caftan Woman (904)Carole & Co. (3081)Cary Grant Won't Eat You (496)Cinema Crossroads (42)Cinematic Catharsis (949)Cinematically Insane (268)CineMaven's Essays from the Couch (152)Classic Cinema Gold (319)Classic Film & TV Cafe (1300)Classic Film Review (14)Classic Movie Hub Blog (2012)Classic Movie Man (1007)Classic Movies (3247)Classic Reel Girl (95)Comet Over Hollywood (1367)Creme de la Creme (32)Criterion Blues (770)Critica Retro (1480)Curtains (58)Durnmoose Movie Musings (1105)Film Reviews and Anything Else I Get Inspired by (27)Finding Franchot: Exploring the Life and Career of Franchot Tone (161)Flickers in Time (2221)GlamAmor (587)Hitchcock Master (147)Hollywood Revue (532)Hometowns to Hollywood (897)How Sweet It Was (86)In The Good Old Days Of Classic Hollywood (154)Lady Eve's Reel Life (733)Le Mot du Cinephiliaque (945)Love Letters to Old Hollywood (150)MacGuffin Movies (362)Movies Silently (1029)Noir and Chick Flicks (1998)Noirish (1273)Once Upon a Screen (420)Outspoken and Freckled (140)Phantom Empires (60)Pop Culture ImagineMDD (103)Serendipitous Anachronisms (82)Shadows and Satin (1036)Silver Scenes - A Blog for Classic Film Lovers (1973)Smum County (115)Stardust and Shadows (120)Studies in Cinema (118)The Baz (166)The Blonde At The Film (333)The Bogie Film Blog (147)The Cinema Dilettante (110)The Giddy Blog (152)The Great Katharine Hepburn (240)The Hitless Wonder Movie Blog (1824)The Jeanette MacDonald Blog (94)The Man on the Flying Trapeze (643)The Old Hollywood Garden (467)The Timothy Carey Experience (1181)The Vintage Cameo (134)The Wonderful World of Cinema (647)Timeless Hollywood (73)True Classics (573)Virtual Virago (1639)Where Danger Lives (136)Wolffianclassicmoviesdigest (645)

Its title suggests that this film might be something like Lubitsch’s Heaven can Wait but The Devil and Miss Jones could easily hold the title as the original version of  Undercover Boss. Although its main function is on the romantic and comic planes, it also has a bit of a social message behin read more

Its title suggests that this film might be something like Lubitsch’s Heaven can Wait but The Devil and Miss Jones could easily hold the title as the original version of  Undercover Boss. Although its main function is on the romantic and comic planes, it also has a bit of a social message behin read more

They Drive by Night is a surprisingly engrossing picture and I only mention it for its obvious relation to High Sierra. It came out a year earlier, helmed by Raoul Walsh starring George Raft, Ann Sheridan, Ida Lupino and, of course, Humphrey Bogart. The important fact is that if Walsh had gotten his read more

They Drive by Night is a surprisingly engrossing picture and I only mention it for its obvious relation to High Sierra. It came out a year earlier, helmed by Raoul Walsh starring George Raft, Ann Sheridan, Ida Lupino and, of course, Humphrey Bogart. The important fact is that if Walsh had gotten his read more

The film opens with a dead end drifter being ushered off a bus in the little every town of Walton, wedged somewhere between LA and SF. Although in actuality it was shot partially on location in Orange, California, serving up a perfect representation of quaint Middle America. You can almost hear read more

The film opens with a dead end drifter being ushered off a bus in the little every town of Walton, wedged somewhere between LA and SF. Although in actuality it was shot partially on location in Orange, California, serving up a perfect representation of quaint Middle America. You can almost hear read more

In his noted Crisis of Confidence Speech, incumbent president Jimmy Carter urged America that they were at a turning point in history: The path that leads to fragmentation and self-interest, down that road lies a mistaken idea of freedom. It is a certain route to failure. This also serves as a viabl read more

In his noted Crisis of Confidence Speech, incumbent president Jimmy Carter urged America that they were at a turning point in history: The path that leads to fragmentation and self-interest, down that road lies a mistaken idea of freedom. It is a certain route to failure. This also serves as a viabl read more

The whole thing turned on a freak accident. You’ve got to believe that Susan. The Prowler doesn’t waste a moment of time with its opening credits as we are privy to a woman shrieking from within her bathroom. Why is fairly obvious. There’s a voyeuristic prowler on the loose and the read more

The whole thing turned on a freak accident. You’ve got to believe that Susan. The Prowler doesn’t waste a moment of time with its opening credits as we are privy to a woman shrieking from within her bathroom. Why is fairly obvious. There’s a voyeuristic prowler on the loose and the read more

If you know what you want in life be sure of it and you can’t miss. I found that out early.  ~ Lawrence Tierney as Sam Wilde Reno was always a Hollywood euphemism. What it stood for, of course, was divorce, a dirty word given the sensibilities of the 40s and the 50s. But then again, being the read more

If you know what you want in life be sure of it and you can’t miss. I found that out early.  ~ Lawrence Tierney as Sam Wilde Reno was always a Hollywood euphemism. What it stood for, of course, was divorce, a dirty word given the sensibilities of the 40s and the 50s. But then again, being the read more

Aesthetically, Robert Siodmak’s roots in German Expressionism are crucial to the formation of the film-noir world as we know it today and Criss Cross has to be one of the most diverting additions to his repertoire. Once more he’s paired with his star from The Killers (1946) Burt Lancaste read more

Aesthetically, Robert Siodmak’s roots in German Expressionism are crucial to the formation of the film-noir world as we know it today and Criss Cross has to be one of the most diverting additions to his repertoire. Once more he’s paired with his star from The Killers (1946) Burt Lancaste read more

This was yet another pleasant surprise. Just when I think I’ve finally washed by hands of superhero movies the cineplexes are blessed by two pictures like Wonder Woman and then Spiderman: Homecoming. And they couldn’t be more different. Still, as much as Wonder Woman was invested in its read more

This was yet another pleasant surprise. Just when I think I’ve finally washed by hands of superhero movies the cineplexes are blessed by two pictures like Wonder Woman and then Spiderman: Homecoming. And they couldn’t be more different. Still, as much as Wonder Woman was invested in its read more

Every once and awhile when you dig through the treasure trove of cinema which includes the B film you can wade through the refuse and come upon something truly special — elevating itself from all the lesser offerings of the past decades. Murder by Contract is such a film. It’s not simply read more

Every once and awhile when you dig through the treasure trove of cinema which includes the B film you can wade through the refuse and come upon something truly special — delineating itself from all the lesser offerings of the past decades. Murder by Contract is such a film. It’s not simp read more

With its rather dreary title aside, The Big Clock is actually an enjoyable thriller that works like well-oiled clockwork. It’s true that oftentimes the most relatable noir heroes are not the hardboiled detectives, although they might be tougher and grittier, it’s the hapless everymen who read more

With its rather dreary title aside, The Big Clock is actually an enjoyable thriller that works like well-oiled clockwork. It’s true that oftentimes the most relatable noir heroes are not the hardboiled detectives, although they might be tougher and grittier, it’s the hapless everymen who read more