By Movie StarAlfred HitchcockAudrey HepburnAva GardnerBarbara StanwyckBasil RathboneBette DavisBilly WilderBob HopeBoris KarloffBurt LancasterBuster KeatonCarole LombardCary GrantCharlie ChaplinClara BowClark GableClaudette ColbertDana AndrewsDeanna DurbinDebbie ReynoldsDoris DayElizabeth TaylorErnst LubitschErrol FlynnEsther WilliamsFranchot ToneFred AstaireFred MacMurrayGary CooperGene KellyGinger RogersGloria SwansonGrace KellyGreer GarsonGregory PeckGreta GarboHarold LloydHedy LamarrHenry FondaHoward HawksHumphrey BogartIda LupinoIngrid BergmanIrene DunneJack BennyJack LemmonJames CagneyJames StewartJane RussellJean ArthurJean HarlowJeanette MacDonaldJeanne CrainJoan BlondellJoan CrawfordJoan FontaineJohn FordJohn WayneJudy GarlandKatharine HepburnKay FrancisKirk DouglasLana TurnerLauren BacallLillian GishLon ChaneyLoretta YoungLouise BrooksLucille BallMae WestMarilyn MonroeMarion DaviesMarlene DietrichMary AstorMary PickfordMickey RooneyMiriam HopkinsMyrna LoyNatalie WoodNorma ShearerOlivia de HavillandOrson WellesPaul NewmanPreston SturgesRichard WidmarkRita HayworthRobert MitchumRudolph ValentinoShirley TempleSidney PoitierSpencer TracySteve McQueenTeresa WrightTyrone PowerVincent PriceVivien LeighWilliam HoldenWilliam PowellWilliam WylerWoody Allen By HolidayNew Year's DayPresident's DayValentine's DayEasterMother's DayFather's DayMemorial DayJuly 4thLabor DayColumbus DayHalloweenThanksgivingChristmasBlack History MonthWomen's History Month All Blogs4 Star Films (3492)50 Most Influential Disney Animators (58)A Person in the Dark (367)All Good Things (815)Backlots (412)Caf? Muscato (572)Caftan Woman (904)Carole & Co. (3081)Cary Grant Won't Eat You (489)Cinema Crossroads (42)Cinematic Catharsis (920)Cinematically Insane (268)CineMaven's Essays from the Couch (152)Classic Cinema Gold (319)Classic Film & TV Cafe (1278)Classic Film Review (14)Classic Movie Hub Blog (1942)Classic Movie Man (959)Classic Movies (3247)Classic Reel Girl (95)Comet Over Hollywood (1322)Creme de la Creme (32)Criterion Blues (770)Critica Retro (1453)Curtains (58)Durnmoose Movie Musings (1105)Film Reviews and Anything Else I Get Inspired by (27)Finding Franchot: Exploring the Life and Career of Franchot Tone (161)Flickers in Time (2221)GlamAmor (587)Hitchcock Master (140)Hollywood Revue (532)Hometowns to Hollywood (846)How Sweet It Was (86)In The Good Old Days Of Classic Hollywood (154)Lady Eve's Reel Life (733)Le Mot du Cinephiliaque (945)Love Letters to Old Hollywood (150)MacGuffin Movies (362)Movies Silently (1029)Noir and Chick Flicks (1998)Noirish (1273)Once Upon a Screen (420)Outspoken and Freckled (140)Phantom Empires (60)Pop Culture ImagineMDD (103)Serendipitous Anachronisms (82)Shadows and Satin (990)Silver Scenes - A Blog for Classic Film Lovers (1910)Smum County (115)Stardust and Shadows (120)Studies in Cinema (118)The Baz (161)The Blonde At The Film (329)The Bogie Film Blog (147)The Cinema Dilettante (110)The Giddy Blog (152)The Great Katharine Hepburn (240)The Hitless Wonder Movie Blog (1733)The Jeanette MacDonald Blog (94)The Man on the Flying Trapeze (643)The Old Hollywood Garden (459)The Timothy Carey Experience (1181)The Vintage Cameo (134)The Wonderful World of Cinema (607)Timeless Hollywood (73)True Classics (573)Virtual Virago (1633)Where Danger Lives (136)Wolffianclassicmoviesdigest (639)

Prior to the making and release of Monsieur Verdoux Charlie Chaplin had undoubtedly hit the most turbulent patch in his historic career and not even he could come out of scandal and political upheaval unscathed. To put it lightly his stock in the United States plummeted. You would think that he more read more

The glamour of limelight, from which age must pass as youth centers  A story of a ballerina and a clown…  In Limelight it quickly becomes evident that Charles Chaplin was well aware of his own legend and how couldn’t he be? For years he had been held in the highest regards, loved by the read more

The glamour of limelight, from which age must pass as youth centers  A story of a ballerina and a clown…  In Limelight it quickly becomes evident that Charles Chaplin was well aware of his own legend and how couldn’t he be? For years he had been held in the highest regards, loved by the read more

That Man from Rio is a find. It’s a dazzling picture that’s as comedic as it is entertaining bursting with a Brazilian energy that brings to mind the Bossa Nova rhythms of Sergio Mendes somehow married with the world of James Bond. And it’s true, there’s without question a m read more

That Man from Rio is a find. It’s a dazzling picture that’s as comedic as it is entertaining bursting with a Brazilian energy that brings to mind the Bossa Nova rhythms of Sergio Mendes somehow married with the world of James Bond. And it’s true, there’s without question a m read more

There might be an initial predilection to call The Soft Skin Francois Truffaut’s most conventional film to date, but for me, it shows at this fairly early point in his career he seems to have grasped the main tenets of traditional filmmaking. Because his first films are full of life, energy, read more

There might be an initial predilection to call The Soft Skin Francois Truffaut’s most conventional film to date, but for me, it shows at this fairly early point in his career he seems to have grasped the main tenets of traditional filmmaking. Because his first films are full of life, energy, read more

Blanche Dubois and Stanley Kowalski. They’re both so iconic not simply in the lore of cinema history but literature and American culture in general. It’s difficult to know exactly what to do with them. Stanley Kowalski the archetypical chauvinistic beast. Driven by anger, prone to abuse, read more

Blanche Dubois and Stanley Kowalski. They’re both so iconic not simply in the lore of cinema history but literature and American culture in general. It’s difficult to know exactly what to do with them. Stanley Kowalksi the archetypical chauvinistic beast. Driven by anger, prone to abuse, read more

Cat People has one of those sensationalized B-picture premises and there are moments when its meager aspects let slip that this is a low-budget effort, but within those restrictions, it moves with a certain purpose and chilliness. It’s true that producer Val Lewton had a B-movie renaissance go read more

Cat People has one of those sensationalized B-picture premises and there are moments when its meager aspects let slip that this is a low-budget effort, but within those restrictions, it moves with a certain purpose and chilliness. It’s true that producer Val Lewton had a B-movie renaissance go read more

Themla & Louise hardly feels like typical Ridley Scott fare but then again, neither is this a typical movie. It pulls from numerous genres that have been depicted countless times before from buddy movies to caper comedies, road films, and the like. But perhaps the intrigue begins with the two le read more

Themla & Louise hardly feels like typical Ridley Scott fare but then again, neither is this a typical movie. It pulls from numerous genres that have been depicted countless times before from buddy movies to caper comedies, road films, and the like. But perhaps the intrigue begins with the two le read more

The last time I saw Hoosiers it was on VHS and I was only a boy and I hardly remember anything. Gene Hackman yelling. Dennis Hopper as a drunk. Jimmy the boy wonder, “The Picket Fence”, and of course Indiana basketball at its finest. But in those opening moments, as he drives into town a read more

The last time I saw Hoosiers it was on VHS and I was only a boy and I hardly remember anything. Gene Hackman yelling. Dennis Hopper as a drunk. Jimmy the boy wonder, “The Picket Fence”, and of course Indiana basketball at its finest. But in those opening moments, as he drives into town a read more

Despite my general reluctance to say that the Western in its classical form was on the way out, it’s hard not to make such an assertion looking at the landscape of the late 1960s. The Wild Bunch is a common marker of the seismic shift leading to the complete obliteration of the classic wester read more

Despite my general reluctance to say that the Western in its classical form was on the way out, it’s hard not to make such an assertion looking at the landscape of the late 1960s. The Wild Bunch is a common marker of the seismic shift leading to the complete obliteration of the classic wester read more

It’s no secret that Sam Fuller cut his teeth in the journalism trade at the ripe young age of 18 (give or take a year) and so Park Row is not just another delicious B picture from one of the best, it’s a passion project memorializing the trade that he revered so dearly. It’s also h read more

It’s no secret that Sam Fuller cut his teeth in the journalism trade at the ripe young age of 18 (give or take a year) and so Park Row is not just another delicious B picture from one of the best, it’s a passion project memorializing the trade that he revered so dearly. It’s also h read more

Apparently the name McLintock doesn’t come with the letter T. At least that’s the sense you get when the townsfolk send a salutation to the estimable cattle baron G.W. McLintock (John Wayne). Those who do pronounce that T are either out of towners, educated people, or probably the folks read more