By Movie StarAlfred HitchcockAudrey HepburnAva GardnerBarbara StanwyckBasil RathboneBette DavisBilly WilderBob HopeBoris KarloffBurt LancasterBuster KeatonCarole LombardCary GrantCharlie ChaplinClara BowClark GableClaudette ColbertDana AndrewsDeanna DurbinDebbie ReynoldsDoris DayElizabeth TaylorErnst LubitschErrol FlynnEsther WilliamsFranchot ToneFred AstaireFred MacMurrayGary CooperGene KellyGeorge CukorGinger RogersGloria SwansonGrace KellyGreer GarsonGregory PeckGreta GarboHarold LloydHedy LamarrHenry FondaHoward HawksHumphrey BogartIda LupinoIngrid BergmanIrene DunneJack BennyJack LemmonJames CagneyJames StewartJane RussellJean ArthurJean HarlowJeanette MacDonaldJeanne CrainJoan CrawfordJoan FontaineJohn FordJohn WayneJudy GarlandKatharine HepburnKay FrancisKirk DouglasLana TurnerLauren BacallLillian GishLon ChaneyLoretta YoungLouise BrooksMae WestMarilyn MonroeMarion DaviesMarlene DietrichMary AstorMary PickfordMickey RooneyMiriam HopkinsMyrna LoyNatalie WoodNorma ShearerOlivia de HavillandOrson WellesPaul NewmanPaulette GoddardPreston SturgesRichard WidmarkRita HayworthRobert MitchumRudolph ValentinoShirley TempleSidney PoitierSpencer TracySteve McQueenTeresa WrightTyrone PowerVincent PriceVivien LeighWilliam HoldenWilliam PowellWilliam WylerWoody Allen By HolidayNew Year's DayPresident's DayValentine's DayEasterMother's DayFather's DayMemorial DayJuly 4thLabor DayColumbus DayHalloweenThanksgivingChristmasBlack History MonthWomen's History Month All Blogs4 Star Films (3500)50 Most Influential Disney Animators (58)A Person in the Dark (367)All Good Things (815)Backlots (412)Caf? Muscato (572)Caftan Woman (904)Carole & Co. (3081)Cary Grant Won't Eat You (490)Cinema Crossroads (42)Cinematic Catharsis (928)Cinematically Insane (268)CineMaven's Essays from the Couch (152)Classic Cinema Gold (319)Classic Film & TV Cafe (1283)Classic Film Review (14)Classic Movie Hub Blog (1959)Classic Movie Man (971)Classic Movies (3247)Classic Reel Girl (95)Comet Over Hollywood (1335)Creme de la Creme (32)Criterion Blues (770)Critica Retro (1462)Curtains (58)Durnmoose Movie Musings (1105)Film Reviews and Anything Else I Get Inspired by (27)Finding Franchot: Exploring the Life and Career of Franchot Tone (161)Flickers in Time (2221)GlamAmor (587)Hitchcock Master (146)Hollywood Revue (532)Hometowns to Hollywood (855)How Sweet It Was (86)In The Good Old Days Of Classic Hollywood (154)Lady Eve's Reel Life (733)Le Mot du Cinephiliaque (945)Love Letters to Old Hollywood (150)MacGuffin Movies (362)Movies Silently (1029)Noir and Chick Flicks (1998)Noirish (1273)Once Upon a Screen (420)Outspoken and Freckled (140)Phantom Empires (60)Pop Culture ImagineMDD (103)Serendipitous Anachronisms (82)Shadows and Satin (1005)Silver Scenes - A Blog for Classic Film Lovers (1929)Smum County (115)Stardust and Shadows (120)Studies in Cinema (118)The Baz (162)The Blonde At The Film (330)The Bogie Film Blog (147)The Cinema Dilettante (110)The Giddy Blog (152)The Great Katharine Hepburn (240)The Hitless Wonder Movie Blog (1758)The Jeanette MacDonald Blog (94)The Man on the Flying Trapeze (643)The Old Hollywood Garden (462)The Timothy Carey Experience (1181)The Vintage Cameo (134)The Wonderful World of Cinema (621)Timeless Hollywood (73)True Classics (573)Virtual Virago (1634)Where Danger Lives (136)Wolffianclassicmoviesdigest (640)

The finest compliment that can be paid to Blade Runner 2049 is that it is indubitably the most enigmatic film I have seen in ages. Typically, that’s newspeak for a film that probably deserves multiple viewings, because its intentions, much like Ridley Scott’s Blade Runner (1982) are not read more

Upon watching A Few Good Men for the first time, it was hard not to draw parallels with An Officer and a Gentlemen for some reason and it went beyond some cursory elements such as both films involving branches of the military. Perhaps more so than that is the intensity that manages to surge through read more

Upon watching A Few Good Men for the first time, it was hard not to draw parallels with An Officer and a Gentlemen for some reason and it went beyond some cursory elements such as both films involving branches of the military. Perhaps more so than that is the intensity that manages to surge through read more

Granted you have star power but it’s easy to assume that The Big Steal will be a no name picture. A minor triumph at best. Not so! This film fares far better than countless of its bigger competitors. It proves to be a winking romp full of bedroom brawls, car chases, and twists and turns every read more

Granted you have star power but it’s easy to assume that The Big Steal will be a no name picture. A minor triumph at best. Not so! This film fares far better than countless of its bigger competitors. It proves to be a winking romp full of bedroom brawls, car chases, and twists and turns every read more

Depending on where you look Anthony Mann’s 1949 film comes under two different titles that are both equally apt. Reign of Terror denotes its roots in the French Revolution of the 1790s that saw the ousting of King Louis XVI and Marie Antoinette while putting Maximillien Robespierre at the hel read more

Depending on where you look Anthony Mann’s 1949 film comes under two different titles that are both equally apt. Reign of Terror denotes its roots in the French Revolution of the 1790s that saw the ousting of King Louis XVI and Marie Antoinette while putting Maximilien Robespierre at the helm read more

It essentially begins with a fourth wall break. That’s all you need to know. Because that gives you exactly an idea of what you’re in for with Hellzapoppin’ or rather it gives you no idea whatsoever what you’re in for but really they’re one in the same. I’ve seen read more

It essentially begins with a fourth wall break. That’s all you need to know. Because that gives you exactly an idea of what you’re in for with Hellzapoppin’ or rather it gives you no idea whatsoever what you’re in for but really they’re one in the same. I’ve seen read more

In style if not entirely in execution The Lineup exhibits some similarities to Murder by Contract from the same year. Both films choose to take hit men as their main characters and it becomes a surprisingly intriguing way to look at a crime. Because the killers are a certain brand of sociopath who read more

In style if not entirely in execution The Lineup exhibits some similarities to Murder by Contract from the same year. Both films choose to take hit men as their main characters and it becomes a surprisingly intriguing way to look at a crime. Because the killers are a certain brand of sociopath who read more

In my profession, there is neither good nor bad. There is innocence and guilt. That’s all. ~ Denis O’Dea as the Police Inspector What Carol Reed did so impeccably with The Third Man and here in Odd Man Out is developing a very specific atmosphere. He made the worlds of Vienna and in this read more

In my profession, there is neither good nor bad. There is innocence and guilt. That’s all. ~ Denis O’Dea as the Police Inspector What Carol Reed did so impeccably with The Third Man and here in Odd Man Out is developing a very specific atmosphere. He made the worlds of Vienna and in this read more

  Source: TIME   The caption from TIME Magazine read as follows: Audrey Hepburn and Grace Kelly Backstage, 1956. The two most elegant stars of their era are photographed backstage at the RKO Pantages Theatre, as they wait to present: Hepburn gave Best Picture to Marty, and Kelly awarded read more

Source: TIME The caption from TIME Magazine read as follows: Audrey Hepburn and Grace Kelly Backstage, 1956. The two most elegant stars of their era are photographed backstage at the RKO Pantages Theatre, as they wait to present: Hepburn gave Best Picture to Marty, and Kelly awarded the Best Actor read more

Patterns has little right to be any good. It takes place almost exclusively in interiors. Boardrooms, offices, hallways, at desks, and in elevators. But thanks to a fantastic teleplay from Twilight Zone mastermind Rod Serling, this little picture exceeds the meager expectations placed on it. In fact read more

Patterns has little right to be any good. It takes place almost exclusively in interiors. Boardrooms, offices, hallways, at desks, and in elevators. But thanks to a fantastic teleplay from Twilight Zone mastermind Rod Serling, this little picture exceeds the meager expectations placed on it. In fact read more

Whatever our criticisms of the previous generations, there’s still something within me that sees something uniquely compelling about films of old. Hollywood in the 30s and 40s could sugar coat, they could oversell the drama, but there was also a general decency that pervaded many of those film read more

Whatever our criticisms of the previous generations, there’s still something within me that sees something uniquely compelling about films of old. Hollywood in the 30s and 40s could sugar coat, they could oversell the drama, but there was also a general decency that pervaded many of those film read more

Most of what I know about riverboats can be gleaned from Mark Twain, Davy Crockett and the River Pirates, and that ever beloved Snoopy incarnation The World Famous River Boat Gambler. The 1936 musical Show Boat falls into that very same rich tradition but some clarification is in order. In truth, th read more