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I never put much stock in a Hitchcock title out of force of habit or lack thereof because he never seemed to. But thinking on Notorious I came to the rather unextraordinary epiphany that it refers to lovely Ingrid Bergman as much as any Nazi, at least from a certain perspective. In the film, she pl read more

The Fault… is Not in Our Stars, But in Ourselves… — William Shakespeare It’s so easy to adore Ingrid Bergman and it’s no different in Spellbound. Yes, she starts off as an austere psychiatrist purely interested and invested in scientific thought and practices in psychoanalys read more

Rope’s title sequence is composed of your prototypically serene establishing shot. But really, you could not have a more unique and in some sense unnerving picture. It was Alfred Hitchcock’s first foray into Technicolor and it’s quite the looker as are the beautifully constructed read more

Entering into the latest Avengers blockbuster I felt like I was missing something thanks to a cold open that places us in an unfamiliar environment. That’s a feeling that has come upon me on multiple occasions previously. Not only because as a mild enthusiast I’ve missed a stray entry he read more

“It’s my duty as an American citizen to believe a man innocent until he is proven guilty.”  I stand corrected. Maybe Foreign Correspondent (1940) is not Alfred Hitchcock’s most patriotic movie. Maybe it’s Saboteur, made two years later. Or maybe they are both made by read more

I can’t even begin to comprehend what it’s like to get laid off in Tokyo. In any city, any place, any circumstance it’s one of the feelings which would instigate the formation of a lump in your throat. But Tokyo is swarming with so many people and so much competition; it seems lik read more

  Though director Anthony Mann later made a name for himself with a string of Westerns pairing him with James Stewart, it’s just as easy to enjoy him for some of the diverting crime pictures he helped craft. Everything from Raw Deal (1948) to T-Men (1947), He Walked by Night (1948), and read more

If Alfred Hitchcock had any contribution to the war effort then Foreign Correspondent would no doubt be it. Nazi Minister of Propaganda Joseph Goebbels was purported to have admired its qualities as a work of propaganda and that’s high praise coming from someone who was quite familiar with in read more

“Last night I dreamt I went to Manderley again…” ~ Joanne Fontaine in Rebecca  In normal circumstances, voice-over introductions rarely resonate but for some reason, the ethereal tones of Joan Fontaine opening Rebecca leave a lasting impact and that’s after well nigh 80 year read more

At first glance, this doesn’t seem like the type of picture suited for Steve McQueen and Natalie Wood. He was “The King of Cool.” She was a major player from childhood in numerous classics. Neither was what most people considered a serious actor. They were movie stars. They had cha read more

Bull Durham is actually a fairly religious film. The only catch is the fact that the religion in question is baseball with its multitude of superstitions, curses, annual rituals, and rites of passage performed daily by all those playing in the games or sitting in the bleachers cheering on their clu read more

For all intent and purposes, Psycho could be an episode of Alfred Hitchcock Presents and Hitchcock knew that better than anyone else. Foregoing the more lavish Technicolor tones he had used in Vertigo (1958) and North by Northwest (1959) and lacking the same type of studio backing, he shot this fil read more

There’s little doubt that To Catch a Thief is Hitchcock at his breeziest and with the once-in-a-lifetime pairing of Cary Grant and Grace Kelly the picture could coast on looks and charm alone. Not simply based on the attributes of its stars either but the extensive on location shooting boasti read more

There’s little doubt that To Catch a Thief is Hitchcock at his breeziest and with the once-in-a-lifetime pairing of Cary Grant and Grace Kelly the picture could coast on looks and charm alone. Not simply based on the attributes of its stars either but the extensive on location shooting boasti read more

We are met with the scourge of Hitler overrunning mainland Europe. It’s about that time. American isn’t involved in the war. Britain’s getting bombed to smithereens and the rest of Europe is tumbling like rows and rows of tin soldiers. Carol Reed always proved astute at setting the read more

Though he would make Jamaica Inn the following year, it’s undoubtedly The Lady Vanishes that situated Hitchcock for the move to Hollywood as his last great British film showcasing once more his immense aptitude as a storyteller no matter the resources on hand. At the beginning of the proceedi read more

It’s easy to assume that Picnic is a film that time had not been very kind to. If you do a cursory glance at contemporary reviews, the majority appear far from glowing and my own reason for returning to this romance was based on a mild interest in a cultural artifact rather than an actual inve read more

We meet the faces of a man and a woman bickering furiously. Another young man finds a limp body awash on the beach. He runs to get help but two young girls see his response of fleeing across the sand and believe what any normal person would believe. He’s leaving the scene of the crime. Their read more

Sabotage: Willful destruction of buildings or machinery with the object of alarming a group of persons or inspiring public uneasiness. It’s not exactly a titillating introduction but since this is precisely where this 1930s Hitchcock thriller commences so will I. Again, Hitch is collaborating read more

There’s little doubt that To Catch a Thief is Hitchcock at his breeziest and with the once-in-a-lifetime pairing of Cary Grant and Grace Kelly the picture could coast on looks and charm alone. Not simply the attributes of its stars but the extensive on location shooting boasting Cannes shorel read more