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Emma Stone portraying Billie Jean King was an idea that I had never entertained before but there’s a certain resilience to her coupled with that winsome go-getter attitude which shines through her brunette locks and iconic frames. Simultaneously Steve Carell feels like just about the perfect read more

On a surface level, Logan Lucky is diverting for the basic fact that it proves to be the utter antithesis of Steven Soderbergh’s Ocean films as far as heist pictures go. As one savvy newscaster notes within the film, it’s Oceans Seven-Eleven, if you will. Sure, the novelty of a red-neck read more

This is terribly delayed but I would be remiss if I didn’t submit an entry to this year’s addition of THE REEL INFATUATION BLOGATHON. Without further ado… I’ve only seen Allene Roberts in one film and she’s hardly even the star of the picture. That privilege goes to Ed read more

Hacksaw Ridge is not for the squeamish, its greatest irony being that for a film about a man who took on the mantle of a conscientious objector and would not brandish firearms, it is a very violent film, even aggressively so. But Mel Gibson, after all, is the man who brought us Braveheart (1995) and read more

It only became apparent to me after the fact that Isle of Dogs sounds quite close to “I love dogs.” You might even say there was a certain amount of forethought in this play on words. However, the pun only works in English as the Japanese pronunciation of the comparable kanji is “I read more

In some respects, this feels very much like a paint by numbers biopic that takes us through the many paces of such a narrative. The rise, fall, conflict, and self-actualization of our heroes that navigates us to the film’s conclusion. But this is also unequivocally a story that necessitated read more

Back to the Future zooms at us as a lovely mishmash of sci-fi thrills and 50s nostalgia that feels like pure happenstance. The one purported flaw, the fact that Marty McFly has no right to be in his family, is partially understandable. As Michael J. Fox wasn’t even slated to appear in the film. He read more

What strikes me right away about Yasujiro Ozu’s silent classic is just how relatable it feels. Yes, this is a Japanese film and yes, it’s silent too but watching the scenarios play out on screen have an undoubted timelessness. This is decidedly fresh material that’s blessed with h read more

Sufjan Stevens released a song not too long ago as an elegy to Tonya Harding. Being the modern-day folk poet that he is, he cast her as a tragic hero, championing her as a definitive portrait of an All-American girl, larger-than-life, unapologetic, and ultimately beaten back by society at large. I w read more

  George Stevens is only one among a plethora of filmmakers who came back from WWII changed. He had seen a great deal of the world’s ugliness — Dachau Concentration Camp for instance — and as a result, the films he made thereafter were more mature ruminations on humanity at l read more

There is a phenomenon in Japan called hikikomori (pulling inward). It mostly applies to 20-somethings. But in 2017 an article came out in The New York Times to document a different and yet somehow similar occurrence. Many older people risk the chance of dying alone if they have no family because ma read more

In English, it means Train Man and it finds its origins in a media franchise that now includes Manga, a book, a television show, and of course this movie. But the events of the story are purportedly based on real life when a young otaku (Japanese tech nerd) in Akihabara came to the defense of a wom read more

30 Minutes into Lost in Translation our two traveling misanthropes finally meet in the hotel lobby at the bar sharing a friendly exchange. They are two people who share one striking similarity — they are Americans in a foreign land — and they’re looking for a friend. It’s read more

Like you I know what it is to forget and yet still be endowed with memory. These are only a couple fragments from this film stitched together but in many ways, they encapsulate the essence of its core themes. I suppose such words ring true for all of us and Alain Resnais’ film is composed of read more

If Yasujiro Ozu can be considered foremost among Japan’s preeminent directors then there’s no doubt that Ohayo (Good Morning in English) is one of his most delightfully silly films. But that’s only on the surface level. Young boys are unified in their affection for watching sumo on read more

We meet a college-aged Korean guy (Cha Tae-hyun) as he relates his first encounter with the girl (Jun ji-hyun) who would ultimately become his girlfriend. In the throes of a drunken stupor, she flails perilously near the railway as an incoming train comes on so he steps in to pull her back to safet read more

It’s not something you think about often but stoners and film noir fit together fairly well. Why more people haven’t capitalized on this niche is rather surprising. Think about it for a moment. film noir in the classic sense is known for its private eyes, femme fatales, chiaroscuro cinem read more

My dad has been and forever will be a fountain of pop cultural knowledge. I learned the little I know from the best, the difference is, he lived through most of it. Still, I must admit, at times I didn’t believe some of these touchstones of yesteryear when I was a kid. How could anyone have a read more

“I’m a stranger here myself.” ~ Sterling Hayden as Johnny Guitar In watching even only a handful of Nicholas Ray films, it’s possible to discern fairly quickly that his films are often about the marginalized outsiders. Rebel Without a Cause (1955) is the most iconic example read more

Jules and Jim breaks out of the gates with a frantic burst of energy giving off the effect of a comedic circus act or a whirling carousel and at times it functions as both. Champion of the French New Wave, Francois Truffaut, at 29 years of age injects the film with this kind of frantic lifeblood te read more