By Movie StarAlfred HitchcockAudrey HepburnAva GardnerBarbara StanwyckBasil RathboneBette DavisBilly WilderBob HopeBoris KarloffBurt LancasterBuster KeatonCarole LombardCary GrantCharlie ChaplinClara BowClark GableClaudette ColbertDana AndrewsDeanna DurbinDebbie ReynoldsDoris DayElizabeth TaylorErnst LubitschErrol FlynnEsther WilliamsFranchot ToneFred AstaireFred MacMurrayGary CooperGene KellyGeorge CukorGinger RogersGloria SwansonGrace KellyGreer GarsonGregory PeckGreta GarboHarold LloydHedy LamarrHenry FondaHoward HawksHumphrey BogartIda LupinoIngrid BergmanIrene DunneJack BennyJack LemmonJames CagneyJames StewartJane RussellJean ArthurJean HarlowJeanette MacDonaldJeanne CrainJoan CrawfordJoan FontaineJohn FordJohn WayneJudy GarlandKatharine HepburnKay FrancisKirk DouglasLana TurnerLauren BacallLillian GishLon ChaneyLoretta YoungLouise BrooksMae WestMarilyn MonroeMarion DaviesMarlene DietrichMary AstorMary PickfordMickey RooneyMiriam HopkinsMyrna LoyNatalie WoodNorma ShearerOlivia de HavillandOrson WellesPaul NewmanPaulette GoddardPreston SturgesRichard WidmarkRita HayworthRobert MitchumRudolph ValentinoShirley TempleSidney PoitierSpencer TracySteve McQueenTeresa WrightTyrone PowerVincent PriceVivien LeighWilliam HoldenWilliam PowellWilliam WylerWoody Allen By HolidayNew Year's DayPresident's DayValentine's DayEasterMother's DayFather's DayMemorial DayJuly 4thLabor DayColumbus DayHalloweenThanksgivingChristmasBlack History MonthWomen's History Month All Blogs4 Star Films (3514)50 Most Influential Disney Animators (58)A Person in the Dark (367)All Good Things (815)Backlots (412)Caf? Muscato (572)Caftan Woman (904)Carole & Co. (3081)Cary Grant Won't Eat You (495)Cinema Crossroads (42)Cinematic Catharsis (939)Cinematically Insane (268)CineMaven's Essays from the Couch (152)Classic Cinema Gold (319)Classic Film & TV Cafe (1293)Classic Film Review (14)Classic Movie Hub Blog (1987)Classic Movie Man (993)Classic Movies (3247)Classic Reel Girl (95)Comet Over Hollywood (1357)Creme de la Creme (32)Criterion Blues (770)Critica Retro (1480)Curtains (58)Durnmoose Movie Musings (1105)Film Reviews and Anything Else I Get Inspired by (27)Finding Franchot: Exploring the Life and Career of Franchot Tone (161)Flickers in Time (2221)GlamAmor (587)Hitchcock Master (147)Hollywood Revue (532)Hometowns to Hollywood (878)How Sweet It Was (86)In The Good Old Days Of Classic Hollywood (154)Lady Eve's Reel Life (733)Le Mot du Cinephiliaque (945)Love Letters to Old Hollywood (150)MacGuffin Movies (362)Movies Silently (1029)Noir and Chick Flicks (1998)Noirish (1273)Once Upon a Screen (420)Outspoken and Freckled (140)Phantom Empires (60)Pop Culture ImagineMDD (103)Serendipitous Anachronisms (82)Shadows and Satin (1024)Silver Scenes - A Blog for Classic Film Lovers (1955)Smum County (115)Stardust and Shadows (120)Studies in Cinema (118)The Baz (165)The Blonde At The Film (333)The Bogie Film Blog (147)The Cinema Dilettante (110)The Giddy Blog (152)The Great Katharine Hepburn (240)The Hitless Wonder Movie Blog (1801)The Jeanette MacDonald Blog (94)The Man on the Flying Trapeze (643)The Old Hollywood Garden (467)The Timothy Carey Experience (1181)The Vintage Cameo (134)The Wonderful World of Cinema (641)Timeless Hollywood (73)True Classics (573)Virtual Virago (1636)Where Danger Lives (136)Wolffianclassicmoviesdigest (642)

With the opening number “We’re In The Money,” this musical sticks it to The Great Depression and gives their audience a respite from the poverty waiting outside the theater doors. The tone is set as Ginger Rogers, surrounded by rows of scantily clad coin-covered women, sings out o read more

“Sawyer, you’re going out a youngster but you’ve got to come back a star!” – Warner Baxter to Ruby Keeler 42nd Street essentially feels like hallowed ground even today because it single-handedly gave an entire generation of films plentiful ammunition for tropes while j read more

The opening gambit of Crazy Rich Asians feels like the scene some Asian moviegoers have been waiting for all their lives. We’re in a stuffy hotel lobby with the snooty staff looking to deny service to Eleanor Sung-Young (Michelle Yeoh) and by the end of the conversation she winds up mopping th read more

Tom Cruise is the closest thing we have to a modern marvel on the current cinema landscape. Despite being over 50 years old, it seems like he continues to redefine what it means to be an action hero in the 21st century. A lot of his brilliance stems from taking a page out of the playbook from genera read more

Tyrone Power was a handsome fellow and it led to a meteoric rise among Hollywood’s elite. But as often is the case, a pretty face can be your undoing as people only see a movie idol and not an actor. Daryl Zanuck for one saw one of his biggest box office draws in Tyrone Power and he was prote read more

If you make your way to this swashbuckler you’ll find a movie set in The Spanish Main as England has just brokered a peace treaty with their imperialistic competitors. As you probably already surmised, you might as well leave your textbooks on maritime history at home because there’s no read more

There’s little doubt Blood and Sand was a follow up to The Mark of Zorro (1940) meant to capitalize on the lucrative romantic pairing of devilishly handsome heartthrob Tyrone Power and winsome ingenue Linda Darnell. But what it sets out to do, it achieves through an ability to capture us read more

The first time I ever saw My Darling Clementine I couldn’t get over how unimpressive it seemed. If nothing else it certainly didn’t give off any self-aware sense of its own importance. There was nothing that struck me as outright epic and monumental. And yet this western has been a hera read more

Without question, Hangover Square is in many respects analogous to The Lodger with the reteaming of director John Brahm with Laird Cregar and George Sanders. However, the biggest difference is that we have Cregar putting on on a new persona and losing over 100 pounds! Among other things, it forced d read more

“Love is very close to hate. Did you know that?” – Laird Cregar as Mr. Slade Some perceptive viewers might well know that The Lodger is based off a novel by Marie Belloc Lowndes and it garnered a fairly high profile silent adaptation by Alfred Hitchcock followed by a sound version read more

Rene Clair makes no justifications for his flights of fancy and it’s true that the stuff is unabashedly whimsical to the zenith. He made a reputation for himself in his native France for his playful cinema and for the decade or so he was in Hollywood (1935-1945) he continued much in the same read more

“Tell me the story of the foot soldier and I’ll tell you the story of all wars.” The date might seem arbitrary but we are told that this story takes place over the course of one day: Sept 6, 1950. Robert Ryan might as well be the stand-in for a Bill Mauldin G.I. as he leads a batt read more

If there was an atypical even offbeat Anthony Mann picture, then God’s Little Acre would probably fit the bill. Based on the wildly popular and vehemently decried Depression-era work of the same name by Erskine Caldwell, it essentially serves as a second outing for much of the cast and crew read more

The proverbial stranger rides into town looking for a place to wash up and grab a bite to eat. We get the sense he might be sticking around. Except, soon enough, he turns right back around and buys a ticket on the first train out of town. Because he has business to attend to. The train gets ambushed read more

“You can master a gun if you have the knack. Harder to learn men.” ~ Henry Fonda as Morgan Hickman A veteran bounty hunter rides into town with a corpse slung over the rear of his horse and gets the whole town gawking. They don’t quite fancy this entrance because they’re abo read more

What can I say? I am one of the proud and the many who loved The Beatles before they loved any other type of music. So when I watch Help! I look for all the best in it because that’s all that I can do. However, if you are familiar with this follow-up to the frenzy and the success surrounding A read more

The title says it all. James Stewart is the eponymous stranger who rides into town delivering a load of supplies to an isolated outpost called Coronado. But that’s not his main business at hand. He’s searching for someone because he has some personal matters to take care of. In this sma read more

“I don’t need help. I don’t need people. I can take care of me.” ~ James Stewart as Jeff Webster This Alaskan Northwestern opens and it’s almost like we’ve missed something. Jeff Webster (James Stewart) rides into a town with two men and promptly gives them back read more

James Stewart carries over his persona from Bend of the River (1952) to continually redefine his career in the post-war years. He is a man under a different name who nevertheless is seething with the same raw fury. In this regard, there are numerous parallel themes in this subsequent collaboration read more

Madeline’ Madeline takes the very individualistic nature of its title and boldly realizes it through POV and metaphor to begin digging around in the perplexing head-space of a teenager. The first words we hear are as follows, “The emotions you are having are not your own, they are someone read more