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Before I knew the word “auteur” I think subconsciously I began to realize Orson Welles was gifted with this kind of innate artistic force that cemented all his pictures together. It’s part of what made him such a terror to work with and simultaneously a genius of such mammoth acco read more

In the thick of the war years, Cover Girl stands as a beacon of unadulterated Technicolor lavishness permeating the screen. It proved a fine diversion from the day-to-day, which was wildly popular in its time as a vehicle for beloved screen star and Pin-Up, Rita Hayworth. Watching Cover Girl now, i read more

Buenos Aires conjures up a very specific Rita Hayworth film — the one that remains emblematic of her career and also typecasted her — you probably know it too, Gilda (1946). Thus, when You Were Never Lovelier opens in the same city, there’s this instant evocation in the parallel w read more

Man’s Favorite Sport was meant to be a Cary Grant and Katharine Hepburn reunion that never materialized. Because, of course, put together with Howard Hawks that only means one film — the most outrageous, cockamamie, frenzied escapade ever captured on celluloid — Bringing up Baby (1 read more

Howard Hawks always had a knack for creating worlds and subsequently building camaraderie between his characters simply by stringing scenes together one after the other. Only Angels Have Wings sets up a premise — revolving around a South American outpost — then settles in on two flyers. read more

Author Edna Ferber in both her plays and novels had a penchant for sprawling familial tales of Americana which were indubitably fortified by social issues. Come and Get It gives the initial impression of another Howard Hawks movie released the same year, Barbary Coast (1936). In fact, that’s read more

The Pre-Code era of Hollywood is a legitimate marvel because in a span of only a few solitary years was a period of filmmaking bursting at the seams with vice, corruption, and licentiousness that we would never see again until the late 1960s. One could say that each of these elements was merely an e read more

Admittedly at times, I fall into the trap of getting so caught up in the context of a film and its history I miss out on elements of the experience. However, when I watched Ride the High Country it didn’t feel like I was getting distracted by how this story pertained to others — at leas read more

There’s not a more fitting place to start a horror film set in England than with Stonehenge, those relics of old that we can easily imagine being hexed with pagan cults and rituals summoning some unknown evil into the world. Jacques Tourneur is no stranger to horror films and Night of the Dem read more

To begin to compare Nightfall with Jacques Tourneur’s Out of The Past (1947), his film noir masterpiece from a decade earlier is a deeply unfair proposition from the outset. One could argue the films feel nothing alike — like apples and oranges — and they came into being in two ve read more

The backdrop is important to understand where we’re at in America’s history. It’s the 1860s. We’re in the Colorado Territory but it’s the eve of the most egregious war that ever was fought on American soil. Already blood is boiling between diehard Northerners and the S read more

I didn’t know my Grandpa too well because he passed away when I was fairly young but I always remembered hearing that he really enjoyed reading Louis L’Amour. It’s not much but a telling statement nonetheless. I’ve read and seen Hondo (1953), which stars John Wayne and Gerald read more

In the region of Italy called Lombardy, Dardo Bartoli (Burt Lancaster) is a bit of an Italian Robin Hood. However, his acclaim as an outlaw is brought on by personal conviction and a blatant disregard for authority. Others are captivated by his lionhearted bravado and fearlessness that, even as a p read more

For me, it’s fascinating to consider directors who did not simply direct remakes but they actually reworked their earlier films. Prominent examples are, of course, Alfred Hitchcock, Yasujiro Ozu, Cecil B. DeMille, and Frank Capra, just to name a few. The reasons could range from any number of read more

Portland, Oregon 1856 could lead us to many places but in these circumstances, it guides us to an enterprising mercantile store owner named Logan Stuart (Dana Andrews). Though he’s the main driving force behind the story, there’s little doubt this is a tale of pioneering far grander tha read more

Gambit is a film that looks as if it could be so very cut-and-dried, a simple run through and reworking of what we’ve seen time and time again in the age of James Bond, heist films, and romantic thrillers. I’m not saying that still can’t be fun but at a certain point, the ideas ha read more

Maybe I’m simply partial to Medieval forms of entertainment but it’s hard to imagine a finer vehicle for Danny Kaye than The Court Jester. It needs to be lithe enough to accommodate his goofy even acrobatic brand of song-and-dance buffoonery. What better arena for Kaye than the kingR read more

Maybe I’m simply partial to Medieval forms of entertainment but it’s hard to imagine a finer vehicle for Danny Kaye than The Court Jester. It needs to be lithe enough to accommodate his goofy even acrobatic brand of song-and-dance buffoonery. What better arena for Kaye than the kingR read more

In many ways, it seems short stories are the best sources for feature-length films because they allow the narrative to take the spark of an idea and extrapolate and mold it into something new and hopefully ingenious in its own right. Author James Thurber didn’t seem to think that was the case read more

I won’t make any pretense that The Boatniks is a great movie by any means but surely it speaks to some favorable quality when you enjoy something for its sheer goofiness, a certain sense of nostalgia, and the overall familiarity that pervades the material. Yes, it’s a long sitcom episod read more