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Thank you Wonderful World of Cinema and In The Good Old Summertime for having me in The Claire Trevor Blogathon!  Just this past year I’ve entered a transition period in my life. Often transitions are hard because they signal changes for each and every one of us. For me, that change came with read more

There was arguably no man more well-versed in 70s paranoia thrillers than director Alan J. Pakula and if we want to consider the genesis of his “paranoia trilogy,” we must begin with Klute. Aside from the thematic elements and Pakula’s evolving pedigree, it is the partnership with read more

I was aware that this was an Elaine May film and for a brief moment I saw Jeannie Berlin and mistakenly believed our director was making an appearance. Berlin is, of course, May’s daughter, and she’s the spitting image of her mother. The same look. The same lilt in her voice. The same c read more

In our ongoing series, we continue shining a light on classic actors we think more people should get to know. This week our focus is none other than Montgomery Clift! Monty Clift was one of the unsung champions of a new brand of acting that bridged the gap between the New York stage and the soundsta read more

There’s little quibbling over what the inciting action in this film might be. It’s titled Accident for a reason. The serenity of an English home is disrupted by screeching tires and then a horrendous, blood-curdling crash following in its wake. But the sequence is as much indebted to si read more

I am tempted to call The Swimmer a pretentious fable about the waters of life. It is set in the upper echelon of Connecticut society, but the same cross-section might hold true in California as well. In fact, one could say this film effectively extends the pool metaphor of The Graduate (1967). Becau read more

I once had the opportunity to tour Louisa May Alcott’s house on a family vacation. It’s one of those experiences I’m not sure you appreciate until you have the time and space to look back on it. However, even then I think there was this innate understanding of how this beloved book read more

“I saw a Rohmer film once; it was kinda like watching paint dry.” – Gene Hackman as Harry Moseby Gene Hackman is still with us but unlike others who are predisposed to continue working, he was content in setting a hard and fast end to his acting career. All that can be said is he read more

“When you’re 16, they call it sweet 16. When you’re 18, you get to drink, vote, and see dirty movies. What the hell do you get to do when you’re 19?” Oftentimes sports films are memorable for merely pioneering underdog stories or analogous themes meant to inspire. But t read more

Here is the latest in our ongoing series of, hopefully, manageable beginner’s guides to classic movie stars by curating 4 films to watch, while slipping in innumerable more to consider for future reference. This week our figure of note is Paul Newman actor extraordinaire who became a much-love read more

“That’s the thing about secrets. We all know stuff about each other; we just don’t know the same stuff.” The Last of Sheila is an intricate murder mystery with origins in real-life parlor games put on by Anthony Perkins and Stephen Sondheim for some of their socialite friends read more

We usually think of filmmakers like Woody Allen or even Noah Baumbach for their portrayals of New York. There’s no doubt they have left their imprint on the city, so it’s difficult not to envision it without their influences. However, in his own right, Sidney Lumet also deserves to be v read more

Martin Scorsese will always be synonymous with Taxi Driver, Raging Bull, and Goodfellas, but if we want to truly chart his ascension as a singular creative mind, Mean Streets must be our genesis. Because it essentially lays the groundwork for his entire career. In truth, it’s the strangest ga read more

With this ongoing series, our goal is to help people who are new to classic movies, get a foothold. To make it easy, we give you 4 representative choices and then some supplementary options. Sadly, with the passing of Kirk Douglas earlier this week at 103 years of age, it seemed apropos to tackle hi read more

I heard in an interview director Bong Joon-ho had the idea for Parasite percolating in his mind for a long time, and it was born out of the most curious forms of inspiration. In college, he used to tutor English for the child of a rich family. From that point of disembarkation, he started asking &# read more

One of the greats is gone. At 103 years of age, Issur Danielovitch, known to movie lovers over as Kirk Douglas has finally left us. In full transparency, if he was up against Robert Mitchum I would have probably sided with Bob. If he was facing off with Burt Lancaster I might have gravitated to Bur read more

I was trying to recall if the actual word “arabesque” was ever uttered in the movie. Granted, in a narrative like this, it’s just as easy for something to fly over your head. There’s comparable lingo bandied about pertaining to ciphers and hieroglyphs, mentioned in the conte read more

“Most people will do in the dark what they never would think of doing in the light.” Mirage takes full advantage of one of those grab-you-right-away openings. The scene commences in the dark, there’s a power outage, candles are flickering, and voices call out up and down the corri read more

I never thought I’d be saying this about a Woody Allen film, but it feels more like a technical marvel than purely a testament to story or dialogue. Although The Purple Rose of Cairo did something similarly compelling, Zelig is literally a film relying on a look that is authentic to a time per read more

“They just live in the same house and kill each other a little at a time, and I’m in the middle.” – George Hamilton The beauty of Home from The Hill is how it systematically works against our preconceived notions of what it will be, repeatedly asserting itself in new and dyn read more