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Charles M. Schultz was one of the great memorializers of WWII in that he kept events like the D-Day invasion or the art of Bill Maudlin in the public forum for as long as Peanuts was syndicated. If I remember correctly, it was also through his strip I first became aware of the name Ernie Pyle. It&# read more

“One-hundred and thirty-one days after December 7, 1941, a handful of young men, who had never dreamed of glory, struck the first blow at the heart of Japan. This is their true story we tell here.” It’s easy enough to lump Air Force and Destination Tokyo with this subsequent film read more

“Montmartre is both heaven and…hell.”  While Melville would continue to cultivate his own unique canvass and pulp sensibilities, Bob Le Flambeur, as a slightly earlier work, shows its deep abiding debt to the American noir cycle. Because it was at this juncture in time where read more

The opening crawl of Zoltan Korda’s Sahara sets the scene, though contemporary audiences were probably already well aware of current events. This war film details the exploits of members of the Armored Corps of the Army Ground Forces. In June 1942 an American detachment joined British forces read more

For modern audiences especially, the movie’s opening crawl gives us a bit of helpful context. It’s June, 1942.  Field Marshall Erwin Rommel’s Afrika Corps was pounding the Brits back toward Cairo and the Suez Canal. His notoriety as a tactician and “The Desert Fox” is read more

On only two occasions have I had the pleasure of watching a Jacques Becker film, and I hold him in the highest esteem even based on this admittedly meager sample size. It seems a fitting observation to acknowledge how closely he was tied to one of France’s foremost titans, Jean Renoir, servin read more

“This is sort of a blind date. We’ll just have to wait and see what happens.” – Cary Grant as Captain Cassidy No pretense can be made to suggest Destination Tokyo functions as an original entry of a “men on a mission movie” from a couple decades later. For one th read more

At times, Air Force functions like a staged documentary. It feels both instructive and informed by Howard Hawks’ own passion for aviation. It has the simple task of making sure the folks at home can empathize with their boys up in the air. In fact, it falls short of being a mere instructional read more

During WWII there’s no question John Garfield was integral to the war effort despite having never served in the military. He did yeoman’s work when it came to morale, through his pictures at Warner Bros, originating the famed Hollywood Canteen with Bette Davis, and going on war bond tou read more

Gary Cooper and Babe Ruth Given its hallowed place as American’s original national pastime, I thought it would be worthwhile to share some of the best baseball movies classic Hollywood ever offered during its heyday. I’m not sure if the industry ever made a baseball masterpiece during th read more

You know the drill. In the throes of the Depression, the idle rich fritter their wealth away at such social events as striptease and then attend the ensuing night court until they get bored with the whole affair. Tod Newton (Franchot Tone) is one of their ilk, but he’s more engaged than other read more

We open up on the Acme Paper Box Co., which has a down-and-dirty industry strewn about its edges. If the people flooding out of the factory are any indication, this will be a dusty, grubby, little picture. Two of their employees are Al Manning (Wallace Ford) and Marian Martin (Joan Crawford). He read more

source: IMDb The L.A. Times headline in 1951 read: “Peggy Dow Sketches Future as She Quits Hollywood to Wed” Many people recall how Grace Kelly famously married Prince Rainier of Monaco and from thenceforward left her stirling Hollywood career behind out of a sense of love and duty. That read more

Our Dancing Daughters is an inflection point of silent film for the very fact it stands out for setting Joan Crawford up to be in incandescent star for generations to come. She calls upon her flapper talents and bouncy effervescence fully embodying the jazz age through the character of “Dange read more

This is my entry in the CMBA Politics on Film Blogathon. Alias Nick Beal handily flips the paradigm of cinematic angels in vogue with Hollywood, specifically during the 1940s. You could make a whole subgenre out of them. As its name suggests, the lynchpin character of the whole movie is Nick, thoug read more

  As someone always trying to steep myself in more and more silent cinema, I still have much to contend with when it comes to the careers of Tod Browning and Lon Chaney. However, from everything I can gather, The Unknown is a wonderful melding of their talents, Browning drawing on his penchant read more

Peggy Dow Helmerich hasn’t been a Hollywood starlet for about 70 years. However, she still delights fans years later in her movies including Harvey, starring Jimmy Stewart in one of his incomparable performances. I recently took a look back at some of her other movies that saw her starring al read more

This is my post in The 120 “Screwball” Years of Jean Arthur Blogathon put on by the Wonderful World of Cinema! Mr. Kirby (Edward Arnold), or A.P. as his deferential colleagues call him, is a business magnate with innumerable successful endeavors. He has the full pockets to go along with a career read more

Recently, it’s come to my attention there is really is a dearth of colonial America pictures between the likes of Disney’s Johnny Tremain and Mel Gibson’s The Patriot. The reasons seem somewhat obvious at least in the current day and age. Period pieces cost money and such material read more

Reputed screenwriting scribe Nunnally Johnson starts off on clever footing by giving his mythic western hero an obvious antagonist. It was the railroad — that lawless iron horse — forcing Jesse James into the position of a criminal. Though he would evolve over time into the complicated read more