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Day 27 of Noirvember: Post-Turkey Trivia

Shadows and Satin Posted by shadowsandsatin on Nov 27, 2015

During a recent book sale, I brought home a great haul of film-related books – one of them was the Guinness Book of Movie Facts and Feats (1991) by Patrick Robertson. For today’s Noirvember post, I’m sharing some of the trivia I found in this book on noir films and their performers. Enjoy! The read more

Day 26 of Noirvember: Happy Thanksgiving!

Shadows and Satin Posted by shadowsandsatin on Nov 26, 2015

Today’s Thanksgiving Day quote: “Decency and integrity are fancy words, but they never kept anybody well fed. And I’ve got quite an appetite.” Jack Early (Howard Duff) in Shakedown (1950).   ~ by shadowsandsatin on November 26, 2015. Posted in Uncategorized Stuff read more

Day 25 of Noirvember: Femmes Fatales on Parade

Shadows and Satin Posted by shadowsandsatin on Nov 26, 2015

Femme fatale:  an attractive and seductive woman, especially one who will ultimately bring disaster to a man who becomes involved with her. For today’s Noirvember post, I’m offering a pictorial of my favorite femmes fatales. Did yours make the list? Dr. Lillith Ritter (Helen Walker) in read more

Day 24 of Noirvember: They Won’t Believe Me Trivia

Shadows and Satin Posted by shadowsandsatin on Nov 24, 2015

They Won’t Believe Me, one of many fabulous noir features released in 1947, contains enough twists and turns to satisfy any noir fan; a would-be sympathetic protagonist who’s really a heel; and instead of a love triangle, a love QUADRANGLE. But that’s not the story I’m telling today. Today’s read more

Day 23 of Noirvember: Foreign Film Noir Posters

Shadows and Satin Posted by shadowsandsatin on Nov 23, 2015

One of the many cool features on one of my favorite blogs, Vienna’s Classic Hollywood, displays foreign posters of some of Hollywood’s greatest films. In a nod to Vienna’s blog, today’s Noirvember post serves up 10 fantastic foreign film noir posters. Enjoy! The Enforcer (195 read more

Day 21 of Noirvember: All About Jean (Hagen)

Shadows and Satin Posted by shadowsandsatin on Nov 22, 2015

Blessed with a talent for versatility, Jean Hagen is probably best known for her performance as a self-centered silent screen star in Singin’ in the Rain (1952), but she was also featured in three films noirs: The Asphalt Jungle (1950), Side Street (1950), and The Big Knife (1955). Today’s Noirvembe read more

Day 22 of Noirvember: The “What a Character!” Blogathon Presents William Conrad

Shadows and Satin Posted by shadowsandsatin on Nov 22, 2015

Perhaps most familiar to modern audiences for his television roles in the popular series Cannon and Jake and the Fatman, William Conrad possessed talents that stretched far beyond his portrayals of stocky small-screen lawmen. During his 50-year career, he served in such varied capacities as producer read more

Day 20 of Noirvember: Neville Brand’s Road to Noir

Shadows and Satin Posted by shadowsandsatin on Nov 21, 2015

Neville Brand was once told that his face looked as though the entire Russian Army had conducted a three-day battle on it in their mountain climbing boots. The actor with the craggy kisser and villainous reputation wasn’t offended. “Guys like me will be around this town a lot longer than the pretty read more

Day 19 of Noirvember: My Top 25 Noirs

Shadows and Satin Posted by shadowsandsatin on Nov 20, 2015

Thanks to a recent comment from fellow blogger Carol over at The Old Hollywood Garden, I was reminded of a list I wrote last year that consisted of my top 25 classic movies. It includes all types of films, from Gaslight to It’s a Wonderful Life to All About Eve — and six noirs! But I’ve read more

Day 18 of Noirvember: Confidential Trivia

Shadows and Satin Posted by shadowsandsatin on Nov 18, 2015

New York Confidential (1955) is one of my favorite lesser-known noirs. It stars Richard Conte – and that fact alone is worth the price of admission – who’s ably backed by a stellar line-up that includes Broderick Crawford, Anne Bancroft, J. Carroll Naish, Marilyn Maxwell, and Mike Mazurki. read more

Day 17 of Noirvember: Fun with Tommy Udo

Shadows and Satin Posted by shadowsandsatin on Nov 17, 2015

Did you catch Kiss of Death on TCM the other night? You know, the one where Richard Widmark rolls a wheelchair-bound Mildred Natwick down a flight of stairs, and then cracks up laughing? (Yikes.) For today’s Noirvember post, here’s one of my favorite lines from the film, delivered by Wid read more

Day 16 of Noirvember: Remembering Barbara

Shadows and Satin Posted by shadowsandsatin on Nov 16, 2015

Barbara Payton’s life was more noirish than the noiriest noir. But that’s not the story we’re telling today. (Some snowy night, in front of the fire, as Margo Channing would say.) Instead, we’re simply remembering this lovely but tragic actress on the occasion of her birth, N read more

Day 15 of Noirvember: Noir Observations

Shadows and Satin Posted by shadowsandsatin on Nov 16, 2015

Film noir is not the easiest era of moviemaking to describe or define. It disdains absolute definitions, flaunts exceptions, and welcomes interpretations. Interestingly, as difficult as noir is to clarify, one can glean an understanding of the period by examining the titles of the films themselves. read more

Day 16 of Noirvember, Part 2: The Trials of Tom Neal

Shadows and Satin Posted by shadowsandsatin on Nov 16, 2015

Tom Neal’s life was like a movie. A tragic one. He was born with the proverbial “silver spoon,” received a quality education at the nation’s finest schools – he was the All-American boy. When he decided to pursue an acting career, he had little trouble getting started, and while his films read more

Day 14 of Noirvember: Femme Fatale Faves

Shadows and Satin Posted by shadowsandsatin on Nov 14, 2015

There’s a whole lot to love about film noir. The oh-so-quotable dialogue. The shadowy urban locales. The edge-of-your-seat plot twists. But one of the best things about noir is the femmes fatales. Beautiful, mercenary, conniving, intelligent, sexy, and always out for number one, the femmes of read more

Day 13 of Noirvember: Notes on Nora Prentiss (1947)

Shadows and Satin Posted by shadowsandsatin on Nov 13, 2015

Ann Sheridan was known during her career as the “Oomph Girl.” It was a label that she reportedly despised, but one look at this sultry dame certainly lends an understanding to the designation. Sheridan demonstrated her comedic chops in films like I Was a Male War Bride (1949) opposite Cary Grant, read more

Day 12 of Noirvember: Anthony Mann’s Desperate (1947)

Shadows and Satin Posted by shadowsandsatin on Nov 12, 2015

It’s a typical noir storyline – a regular Joe gets in dutch with the law, a gang of hoods, or both, and before you can say “Bob’s your uncle,” he’s in over his head. Way over. That’s the basic premise of Desperate (1947), starring Steve Brodie, Audrey Long, and Raymond Burr. But in the read more

Day 11 of Noirvember: Top 5 Things I Love About The Killers (1946)

Shadows and Satin Posted by shadowsandsatin on Nov 11, 2015

Based in part on a short story by Ernest Hemingway, The Killers is about a former boxer known as “The Swede” (Burt Lancaster) who is murdered by two hitmen because, in his words, he “did something once.” The rest of the film shows the efforts of an insurance investigator to unearth the circumstances read more

Day 9 of Noirvember: A Word to the Wise

Shadows and Satin Posted by shadowsandsatin on Nov 10, 2015

(NOTE: My Day 9 Noirvember post was delayed by real life – for nearly 24 hours, I was stranded at the airport in Atlanta, suffering the ignominious, rather noirish experience of having my flight delayed six times and cancelled twice. The post-that-should-have-been is below.) “The biggest mistake read more

Day 10 of Noirvember: Trivial Siodmak

Shadows and Satin Posted by shadowsandsatin on Nov 10, 2015

Robert Siodmak (pronounced See-ODD-mack) was one of the most prolific directors in film noir, helming no fewer than eight features from the era. He also directed what were, arguably, some of film noir’s best, including Phantom Lady (1944), The Killers (1946), and Criss Cross (1949). Without question read more
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