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There are noirs that I like. There are noirs that I love. And then there are the noirs that I’ve seen the most. Today’s Noirvember post is looking at the top three noirs that I’ve seen more often than any others – the ones that I watch over and over again, the ones that I can turn on at any read more

I can’t get enough of what I like to call “Dame Name” noirs – Mildred Pierce, Laura, Nora Prentiss and, of course, Gilda. And you know what else I can’t get enough of? TRIVIA! So, in today’s Noirvember post, I’m combining these two loves of mine, taking a deep dive into Gilda, and coming read more

How many times have you been watching a noir and spotted a actor that you’ve seen before, but you don’t know his name? In fact, you’ve never heard his name – but that face! You know that face! Today’s Noirvember post is taking a look at one of these actors, and putting a name – Barry Kelley read more

If you love film noir – and, of course, you do! – then I know you love those awesome lines that the characters toss off like so much confetti. Some of my favorite lines are the memorable threats and put-downs, and that’s the focus of today’s Noirvember post. Enjoy! “Joe, the man has reason read more

It’s November 1st, y’all, and you know what that means: it’s the start of Noirvember! The brainchild of Marya Gates, who now blogs via her Substack newslettter, Noirvember is a month-long celebration of all things noir. And here at Shadows and Satin, I celebrate by posting every day of the month. read more

Noirvember is just around the corner (buckle up, y’all!), but TCM is going pre-Code nutty on the first day of the noir season! That’s right – on November 1st, you can settle in front of your television (or tablet, phone, or whatever you watch moving pictures on) and catch a full day of eight back-to read more

I have mixed feelings about Fallen Angel, a 20th Century Fox noir released in 1945 and directed by Otto Preminger. The story centers on Eric Stanton (Dana Andrews) a down-on-his-luck slickster who winds up in a small California town where he falls for Stella (Linda Darnell), an alluring waitress at read more

TCM is always overflowing with horror films during October, which normally makes it no small feat for me to select my film noir and pre-Code selections for the 10th month of the year. Let me tell you – I didn’t have a problem in that area this year. Shadowy Pick: The Night of the Hunter (1955 read more

I was fascinated with It Always Rains on Sunday (1947) long, long before I ever saw it. I came across a picture of the film’s poster on the Internet, was immediately drawn to it, and printed out a copy, where it decorated my work cubicle for several years. That was in the mid-2000s. I didn’t get read more

Every year, I look forward with great anticipation to the announcement of the Summer Classic Movie Book Challenge, the brainchild of Raquel Stecher over at the Out of the Past blog. This event was made for people like me who love buying classic movie-themed books, but never seem to get around to rea read more

After enjoying an absolutely stellar Summer Under the Stars on TCM, it was a delight to see that September’s line-up is chock-full of first-rate pre-Code and film noir features. Here are my picks for the month. Shadowy Pick: Frisco Jenny (1932) As much as I love this feature, I was gobsmacked to rea read more

A U.S. District courtroom in Miami, Florida. April 24, 1946. 3:20 pm. This is the setting for the opening scene of Notorious (1946), one of my many favorite Alfred Hitchcock films, starring Cary Grant, Claude Rains, Louis Calhern – and the subject of the Ingrid Bergman blogathon. Sometimes categoriz read more

I’m always in the mood for Marlene Dietrich. I don’t care if she’s speaking English, French, or German, whether the film is a pre-Code, film noir, or western – black and white or in color – or whether she’s the star or playing a supporting role. Whatever it is, I’m there. So when I learned read more

I’ve said it before, I’ll say it again – August is my favorite month! Why? Because that’s the month that TCM presents Summer Under the Stars, where they feature a different classic film star (or team, in the case of this year’s Nicholas Brothers!) and show their films for 24 hours. This year’s read more

In 1925, writer Theodore Dreiser released An American Tragedy – it was his sixth novel and followed such popular fare as Sister Carrie in 1900 and Jennie Gerhardt in 1911. The novel was, as they say, ripped from the headlines; it was based on the well-known 1906 Gillette murder case, which involved read more

I’ll admit it. I’ve only seen Betty Grable in two films. It’s not because I’m not a fan; I’ve always thought she was lovely, with a gorgeous figure – I’ve even read her biography – but she’s mostly a musical gal, and if you know me, you’ll know I’m not exactly the world’s biggest read more

TCM is serving up a smorgasbord of first-rate pre-Codes and films noirs in July, from tried-and-true favorites to little-known gems. Check out these winners . . . Satiny Pick: If I Had a Million (1932) This is an unusual pre-Code, in more than one way. First off, it’s not your typical uber-scandalou read more

Groucho Marx was onto something when he said time flies like an arrow (and fruit flies like a banana). It’s been almost three months since I returned from the 2023 TCM Film Festival – before I know it, it’ll be time to start gearing up for the 2024 event! Before that happens, let me share read more

There’s good stuff on TCM in June, y’all. Read on . . . Satiny Pick: The House on 56th Street (1933) The TCM pre-Code offerings for the month of June contain several films that I considered for my Satiny pick, including Central Park (1932), Play-Girl (1932), and Christopher Strong (1933) read more

Alfred Hitchcock Presents, a half-hour anthology series created, produced and hosted by – you guessed it – Alfred Hitchcock, aired on CBS-TV from 1955 to 1960, and on NBC-TV from 1960 to 1962. Presented as a mashup of the mystery, horror, and thriller genres, the episodes varied from the undeniably read more