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A Shock to the System is almost a success. It’s real close. It has all the right pieces, it just doesn’t have enough time at the end to put them away in their new arrangement. Everything’s in disarray because the film changes into a thriller—with a different protagonist—for a while in the read more

A Shock to the System is almost a success. It’s real close. It has all the right pieces, it just doesn’t have enough time at the end to put them away in their new arrangement. Everything’s in disarray because the film changes into a thriller—with a different protagonist—for a while in the read more

A Shock to the System is almost a success. It’s real close. It has all the right pieces, it just doesn’t have enough time at the end to put them away in their new arrangement. Everything’s in disarray because the film changes into a thriller—with a different protagonist—for a while in the read more

A Shock to the System is almost a success. It’s real close. It has all the right pieces, it just doesn’t have enough time at the end to put them away in their new arrangement. Everything’s in disarray because the film changes into a thriller—with a different protagonist—for a while in the read more

And this has nothing to do with Carole Lombard's final film for Paramount (titled "True Confession," no "s"), which put her on the cover in February 1938......and also released a tie-in seen above. Rather, this deals with the April 1936 issue where Carole graced the cover (https://carole-and-co.live read more

Silents are Golden: A Closer Look at: Intolerance (1916) Along with my “Silent Superstars” series, I thought it would be fun to dive into the history behind specific films. Let’s start with a look at one of biggest spectacles ever put on film–Intolerance! It is one of the grandest, read more

Of the three talking feature films Carole Lombard made for Pathe (while she was billed as Carol Lombard), "Big News" is probably the least known. A shame, because it's directed by Gregory La Cava some seven years before he and Lombard would reteam for the brilliant "My Man Godfrey." Moreover, it's t read more

Have you ever fallen under the spell of a film? Of course you have, otherwise you wouldn't be here. Certain films and characters have a way of mesmerizing us and drawing us into their world. Count me 100% under the spell of one Margo Sperling, the lady with the missing cat in 1977's "The late Show." read more

A Fera da Cidade (1932) e a gênese da femme fatale The Beast of the City (1932) and the genesis of the femme fatale Podemos traçar as origens de muitos traços dos filmes noir para mais de uma década antes que o primeiro “noir verdadeiro” – “O Falcão Maltês̶ read more

The single light bulb of interrogation now shines on Marie Windsor as Mrs. Frankie Neall in the model B classic picture  THE NARROW MARGIN (1952).  The  subject is the  Femme  Fatale.  The term Femme Fatale is defined loosely as “a mysterious and seductive woman whose charms ensnare her read more

In the area of London’s Finsbury Park locally nicknamed Crappy, TV producer Alex Mercer and his 11-year-old son Max discover their neighbor, the enigmatic Bryce, electrocuted in his bathtub, victim of an apparent suicide. That would be horrific enough, but it emerges in fairly short order tha read more

Ruta Lee made her big screen acting debut in Seven Brides for Seven Brothers in 1953 at the age of eighteen. She has been performing ever since! Her film roles have run the gamut from portraying Tyrone Power's girlfriend in Witness for the Prosecution (1957) to starring opposite the whole Rat P read more

Born in East L.A. is a much lighter comedy than expected. Maybe not more than writer-director-star Cheech Marin portends—and a lot of the film’s ineffectiveness isn’t first time feature director Marin’s fault, he needed one of his four editors to have some clue about creating narrative continuity. read more

Born in East L.A. is a much lighter comedy than expected. Maybe not more than writer-director-star Cheech Marin portends—and a lot of the film’s ineffectiveness isn’t first time feature director Marin’s fault, he needed one of his four editors to have some clue about creating narrative continuity. read more

Born in East L.A. is a much lighter comedy than expected. Maybe not more than writer-director-star Cheech Marin portends—and a lot of the film’s ineffectiveness isn’t first time feature director Marin’s fault, he needed one of his four editors to have some clue about creating narrative continuity. read more

Born in East L.A. is a much lighter comedy than expected. Maybe not more than writer-director-star Cheech Marin portends—and a lot of the film’s ineffectiveness isn’t first time feature director Marin’s fault, he needed one of his four editors to have some clue about creating narrative continuity. read more

There they are, my favorite classic Hollywood actress and director, Carole Lombard and Ernst Lubitsch, in preparation for "To Be Or Not To Be" on the United Artists lot in 1941.While many fans of the Golden Age are aware of Lubitsch and his "touch," there still are numerous movie buffs unfamiliar wi read more

Carole Lombard is shown with Kay Francis in one of the two films they made together, "Ladies' Man" (Paramount, 1931). Tomorrow, Turner Classic Movies in the U.S. is showing 10 of Kay's films, although neither "Ladies' Man" nor her other collaboration with Carole ("In Name Only," RKO, 1939) is among read more

The RiverRun International Film Festival has been held since 1998. Originally held in Brevard, NC, the festival now takes place in Winston-Salem. Held this year from April 4 – 14, 2019, the festival is screening 172 films from 47 countries—71 features and 101 shorts. Each year, a pillar in the film read more

Celebrating 10 years of Comet Over Hollywood “The Loneliness of a Classic Film Watcher.” That could be a film title for anyone who loved classic films long after the movie’s initial release, but was also before chatting about films online with strangers became mainstream. You were considered odd read more