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Kim Novak as the title character. With such a prestigious pedigree, I expected more from The Notorious Landlady (1962). Here's a British comedy headlined by Kim Novak, Jack Lemmon, and Fred Astaire with a screenplay penned by the writers who were responsible for The Pink Panther movi read more

I was recently a guest on a podcast, on which I was asked about Mae Clarke, and I am mortified to admit that, at the time, I couldn’t think of the name of a single, solitary one of her movies. This would have been bad enough if it had been just any classic movie star, but Mae Clarke?!? One of read more

In one of its many surveys, the site ranker.com asks readers to rank the best romantic comedies of the 1930s (https://www.ranker.com/list/best-30s-romantic-comedies/ranker-film). Carole Lombard fans can help her move up in the world.Her 1936 classic "My Man Godfrey" is currently ranked second, trail read more

While Land of the Dead is almost always an unfortunate misfire, it’s also never an unmitigated disaster. It’s full of missed opportunities, but they’re usually missed because director Romero just can’t crack the scene. And when he doesn’t crack a set piece, he often goes in the entirely different read more

While Land of the Dead is almost always an unfortunate misfire, it’s also never an unmitigated disaster. It’s full of missed opportunities, but they’re usually missed because director Romero just can’t crack the scene. And when he doesn’t crack a set piece, he often goes in the entirely different read more

A Besta de Berlim (1939) / Hitler – Beast of Berlin (1939) Alguns dias atrás lembramos os 80 anos desde o começo da Segunda Guerra Mundial. O filme de baixo orçamento “A Besta de Berlim” estreou um mês após o início da guerra. Trata-se de um artefato histórico muito read more

While Land of the Dead is almost always an unfortunate misfire, it’s also never an unmitigated disaster. It’s full of missed opportunities, but they’re usually missed because director Romero just can’t crack the scene. And when he doesn’t crack a set piece, he often goes in the entirely different read more

While Land of the Dead is almost always an unfortunate misfire, it’s also never an unmitigated disaster. It’s full of missed opportunities, but they’re usually missed because director Romero just can’t crack the scene. And when he doesn’t crack a set piece, he often goes in the entirely different read more

It's been a while since we've contemplated Carole Lombard's lone film for Warners, the 1938 comedy "Fools For Scandal." This vehicle essentially ran like a jalopy, made at a studio with no real feel for the specifics of screwball comedy and a lead character for whom one never developed any sympathy. read more

James Garner as Jess. From the opening strains of Neal Hefti's guitar-driven theme, it's apparent that Duel at Diablo (1966) wants to break from the conventional Western movie mold. Its acting credits confirm that, with an eclectic cast headed by James Garner, Sidney Poitier (in his first Western), read more

Now that TCM has announced the dates for next year’s Turner Classic Movies Film Festival (April 16-19, 2020), it’s the perfect time for another installation in my ongoing look at this year’s event! Today, I’m taking a look at the only poolside screening I attended – well, I actually didn’t read more

A Sétima Cruz (1944) / The Seventh Cross (1944) ESTA CRÍTICA TEM SPOILERS THIS ARTICLE HAS SPOILERS A guerra mais violenta, degradante e mortal de todas começou em 1939, mas os horrores já estavam acontecendo há anos na terra de Hitler. Os nazistas chegaram ao poder na Alemanha em read more

Per 24 Hours in the Life of a Clown, those twenty-four hours go from sad to happy. Well, wait; they actually go from narrating man in the shadows, face in said shadows, only the brim of his fedora visible—because l’inconnu fantôme wants to tell you all about Beby the clown. Once the short get read more

Per 24 Hours in the Life of a Clown, those twenty-four hours go from sad to happy. Well, wait; they actually go from narrating man in the shadows, face in said shadows, only the brim of his fedora visible—because l’inconnu fantôme wants to tell you all about Beby the clown. Once the short get read more

Per 24 Hours in the Life of a Clown, those twenty-four hours go from sad to happy. Well, wait; they actually go from narrating man in the shadows, face in said shadows, only the brim of his fedora visible—because l’inconnu fantôme wants to tell you all about Beby the clown. Once the short get read more

Per 24 Hours in the Life of a Clown, those twenty-four hours go from sad to happy. Well, wait; they actually go from narrating man in the shadows, face in said shadows, only the brim of his fedora visible—because l’inconnu fantôme wants to tell you all about Beby the clown. Once the short get read more

Since breaking into movies in the 1920s, Carole Lombard knew her figure was a major selling point, as this publicity shot for "Mr. & Mrs. Smith" shows. Another still for the film, almost certainly suppressed by Joseph Breen's office, reveals far more skin than the industry allowed at the time:Now in read more

Carole Lombard always enjoyed eating out with a friend or cohort, as she did with Fredric March after they left the Hollywood Brown Derby on Vine Street, just north of Hollywood Boulevard. That venue is long gone, but another restaurant in Hollywood is still with us and next month celebrates a miles read more

This is my contribution to the "Vive La France Blogathon" hosted by the dynamic duo of Christian at Silver Screen Modes and Patty a.k.a The Lady Eve at The Lady Eve's Reel Life. Click here for more cinematic inspiration from the land of the City of Lights and beyond. Liliom (1934) Why "Lilio read more

This Carole Lombard image has been hanging around cyberspace for some time, and yet I've never done anything with it. Perhaps it's because she's wearing furs or because she's holding a cigarette in her right hand. Or maybe it's because that as color pics of Lombard go, I never deemed it all that spe read more