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Meet p1202-1277, one of Carole Lombard's rarer portraits in the Paramount series. It's from 1935 or '36, and shows the star in a mink stole:The rear of the photo provides information, too, but it's of a somewhat jarring nature:It's stamped with a date of June 2, 1944, two years after Lombard's death read more

“Hollywood is a Four Letter Town”We have FIVE Books to Give Away this month! “Frank and Spicy!” – The New York Times It’s time for our next book giveaway contest! CMH will be giving away FIVE COPIES of Hollywood is a Four Letter Town, by syndicated columnist James read more

 Chesley Bonestell (1888-1986) was a multifaceted and multi-talented individual. In his long life he was an illustrator, architect, matte painter, and a renowned graphic futurist. His drawings and conceptions of the solar system still inspire those working in the field of space exploration toda read more

We've run this Thanksgiving-themed Carole Lombard photo before, but since it combines several Hollywood notables, it's worth showing again.For Thanksgiving 1936, Carole and Clark Gable had a holiday dinner at the 120-acre Marwyck Ranch in Northridge, co-owned by Barbara Stanwyck and Marion Marx. Pic read more

Today’s YouTube pick is one of noir’s best-known offerings: D.O.A. (1949). It’s got a perfect noir premise, a perfect noir opening, a perfect noir end, and in between, a characteristically labryrinthine noir plot. D.O.A. also serves up a great cast that includes Edmond O’Brien, Luther Adler read more

 In 2017, Del Rey published STAR WARS--FROM A CERTAIN POINT OF VIEW, a book that celebrated the 40th anniversary of the film by featuring 40 stories that looked at the story from a different perspective. Now THE EMPIRE STRIKES BACK gets the same treatment. 40 stories by 40 writers, in roughly t read more

"They Knew What They Wanted" was Carole Lombard's second film with Charles Laughton, but it was a far cry from their late 1933 Paramount potboiler "White Woman." This was made for RKO in 1940, an adaptation of a Pulitzer Prize-winning play whose racy subject matter (waitress falls for yardhand whom read more

SCREENPLAY BY: A. I. Bezzerides On November 12, 2020 By CarolIn Uncategorized The coolest named screenwriter of them all is our SCREENPLAY BY star for Noirvember! Born in Samsun, Turkey in 1908, Albert Isaac Bezzerides emigrated with his family to the read more

It’s a Wonderful Life: The Illustrated Holiday ClassicWe have 10 Books to Giveaway Now through Dec 12! Re-live the beloved holiday classic with thislavishly illustrated storybook the entire family can share We are delighted to announce our next giveaway — just in time fo read more

Nice-looking Carole Lombard portrait, isn't it? This still is from Columbia Pictures, but since the rear of the photo is blank I have no idea which of her five films these it's meant to promote. Doesn't matter, though -- it's quite stunning.It's up for auction at eBay; as of this writing, one bid ha read more

What does Carole Lombard have in common with the cat seen just below? Both appeared in the 1928 Mack Sennett comedy short "Run, Girl, Run." The feline, named Puzzums, was a very popular film performer in the day -- we profiled it in a February 2019 entry, https://carole-and-co.livejournal.com/979753 read more

Have you voted yet? Your last chance is tomorrow; please do so. I live in California, one of the 44 states where you could vote ahead of Election Day, and did so on Friday in Inglewood -- some miles from my residence, but still in Los Angeles County, which has a countywide polling system. Why did I read more

Neither Collinson twin looks evil here.In 1970, Hammer Films launched the Karnstein trilogy, which was loosely based on Sheridan Le Fanu's 1872 novella Carmilla about a female vampire. The first two movies, The Vampire Lovers (1970) and Lust for a Vampire (1971), were modestly successful efforts chi read more

 It’s not an exaggeration to state there was nothing else like the original Phantasm when it was unleashed upon unsuspecting audiences in 1979. Don Coscarelli’s low-budget wonder employed an almost indescribable mixture of genres and tones, all under the overarching theme of th read more

Carole Lombard could vouch for the power of a good script (she's seen holding one, for 1934's "Now And Forever," in Paramount portrait p1202-812). While neither of my two completed feature screenplays is close to being produced yet, one of them made a major advancement Saturday."Stand Tall!", my rom read more

“The Hitch-Hiker,” a taunt film noir directed by Ida Lupino The Hitch-Hiker (1953) is a film noir directed by Ida Lupino and starring Edmund O’Brien, Frank Lovejoy, and William Talman. The movie is based on the true-crime spree of psychopathic murderer Billy Cook. The cinemato read more

Carole Lombard offers a fetching come-hither look -- in a swimsuit, no less -- on the cover of the July 1935 Rexall magazine. The alliance of local drug stores, dominant in the pharmaceutical industry, published this monthly; copies were sent to scores of pharmacies. This went to a drug store in Hem read more

Already six years ago, I decided to begin a blog, and I had no idea by then that it would go so far and that I’ll still be writing it today. I remember writing my articles at the university library back in 2014 and 2015. At the time, I was doing a screenwriting certificate at the University of read more

This is my entry in the CMBA Politics on Film Blogathon. Alias Nick Beal handily flips the paradigm of cinematic angels in vogue with Hollywood, specifically during the 1940s. You could make a whole subgenre out of them. As its name suggests, the lynchpin character of the whole movie is Nick, thoug read more

All the films I previously watched starring the Bert Wheeler and Robert Woolsey comedy duo were from earlier in the pre-code era and as I remember heavily reliant on scantily-clad chorus girls. The 1934 production Kentucky Kernels trades in shapely legs for the cute factor, a role perfectly filled b read more