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The images aren’t unfamiliar to those acquainted with Japan’s metropolis. A voice surmises over images of the bustling train station. “Back in Tokyo. 3 years. It makes my head spin. Why are so many people crammed into cage-like boxes?” I couldn’t agree more with our na read more

Picture yourself standing in the middle of a fight with Ray Harryhausen’s skeleton army from Jason and the Argonauts. OK, it’s not the “real” skeletons, but it’s still pretty cool experience. This movie magic is an augmented reality that is one of the outstanding features of the Scottish read more

The opening credits are more self-assured and breezy than I was expecting as the brass sounds off against a pair of kids playing cat’s cradle in the family living. Even with the rain outside, it somehow feels like a fitting depiction of postwar modernity in the 1960s. Films like Ohayo and Whe read more

Burt Reynolds as Sharky. After placing a civilian in harm's way, big city detective Tom Sharky is "demoted" from narcotics to vice. It's intended to be a humdrum assignment, but that changes quickly when Sharky (Burt Reynolds) confiscates a list of seven coded phone numbers from an affluent pimp. O read more

“On a clear day, you can see Catalina.” Drive a Crooked Road might best be labeled as a So-Cal sunshine noir, and it easily has a place at the counter next to Shack Out on 101 and equally grubby fare. Because under the right circumstances, it’s easy to see how Mickey Rooney could read more

“Mean…Moody…MagnificentJane Russell and the Marketing of a Hollywood Legend.” Facebook Live Chat with author Christina Rice I’m so happy to announce that we’ll be hosting our next Facebook Event for the Screen Classics Discussion Video Series, with University Press of Kentucky read more

“These are words of the Lord…or the federal government.” Derek Webb has a song called “Spirit.” For anyone with a religious upbringing, it might conjure up the “Holy Ghost” — the Helper meant to fill up Christian faithful as they worship God in their read more

Rich, vivid Technicolor is one of the hallmarks of the most well known and celebrated of the gorgeous, masterful films from the production team of Michael Powell and Emeric Pressburger, The Archers. From the mid-1940s into the early '50s, almost all of their films were shot in striking 3-strip Techn read more

“Mean…Moody…Magnificent!: Jane Russell and theMarketing of a Hollywood Legend”We have Four Books to Giveaway this Month! CMH is happy to announce our next Classic Movie Book Giveaway as part of our partnership with University Press of Kentucky! This time, we’ll be giving away read more

In a continuing quest to enjoy as many classic movie monsters as possible, it was time to revisit The Day of the Triffids. Seeing it with fresh eyes after so long brought a sense of Déjà vu in the most unexpected way. There, in Day of the Triffids, was one of my favorite sequences from The Walkin read more

Ida Lupino and Glenn Ford have a “Lust for Gold” Lust for Gold (1949) is an American western directed by S. Sylvan Sime and starring Ida Lupino and Glenn Ford. The supporting cast includes Gig Young, William Price, Will Geer, Edgar Buchanan, and Paul Ford. The movie is based on read more

During the last weeks, I told you that I had decided to change the header photo of my blog and its Facebook page. I picked twelve photos from a chosen theme: 60s comedies and musicals from the 60s (in colour!). And, during three rounds, you cast your vote into randomly chosen polls. And today, we fi read more

We have now reached the final round of my little photo competition, which shall determine which new photo I will use as a header for my blog and my Facebook page! Remember, I chose 12 photos from comedies and musicals made in the 60s. During the first round, you decided which six photos should move read more

Silents are Golden: A Closer Look – The General (1926) Often called one of the finest silent films of all time – some people even consider it the finest – Buster Keaton’s masterwork The General (1926) still feels wonderfully fresh nearly 100 years later. Handsomely photographed and proudly read more

I informed you that I was ready for a new header photo for this blog in my previous post. To determine which photo would have this honour, I selected 12 photos from films respecting the following theme: comedies and musicals from the 60s (in colour). I organized random matches between the photos and read more

“Surely I can be a good son and a good husband.” Whether it means to or not, the opening interlude of The Silver Cord plays like a comic inversion of typical Hollywood. It opens in Heidelberg, and they make us blink; they’re actually speaking German and Irene Dunne is one of them! read more

You know, I’ve been using that photo of The Philadelphia Story as a header for my blog for four years now. I like it, it’s a great photo but, to be honest, I’m ready for a change, something new! If you remember correctly, that cover photo was chosen thanks to your help and votes. I read more

I really have bad blogging habits these days! I have to get back in business and publish more often than I have so far in 2021. Anyway, I had the idea to discuss my monthly film challenges and, more particularly, the one I did in March. I started these challenges in January when I decided that I had read more

Claudette Colbert is a prisoner of war in “Three Came Home” Three Came Home (1950) is an American film about prisoners of war under the Japanese in North Borneo (now Sabah) and Sarawak during World War II. The film was directed by Jean Negulesco and starring Claudette Colbert, Patri read more

 Of all the movie thrillers Val Lewton produced for RKO in the 1940s, THE BODY SNATCHER, based on a story by Robert Louis Stevenson, is by far my favorite. It contains what I feel is one of Boris Karloff's greatest screen performances, along with a beautifully written script and atmospheric dir read more