The Great Escape Overview:

The Great Escape (1963) was a Adventure - Drama Film directed by John Sturges and produced by James Clavell and John Sturges.

Academy Awards 1963 --- Ceremony Number 36 (source: AMPAS)

AwardRecipientResult
Best Film EditingFerris WebsterNominated
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BlogHub Articles:

Cinemallennials: The Great Escape (1963)

By Dave Lewis on Jun 16, 2021 From Classic Movie Hub Blog

Cinemallennials: The Great Escape (1963) For those of you who are unfamiliar with Cinemallennials, it is a bi-weekly podcast in which I, and another millennial, watch a classic film that we?ve never seen before, and discuss its significance and relevance in today?s world. In today?s ... Read full article


The Great Escape (1963) (2)

By Beatrice on Jan 5, 2018 From Flickers in Time

The Great Escape Directed by John Sturges Written by James Clavell and W.R. Burnett from a book by Paul Brickhill 1963/USA The Mirisch Company Repeat viewing/Netflixrental One of 1001 Movies You Must See Before You Die I’ve loved this movie since I was a kid. The German Luftwaffe gets the b... Read full article


The Great Escape (1963, John Sturges)

By Andrew Wickliffe on Jul 21, 2014 From The Stop Button

While The Great Escape runs nearly three hours, director Sturges and screenwriters James Clavell and W.R. Burnett never let it feel too long. Part of the quick pace comes from the first half hour being told in something like real time and another big part of it is the aftermath of the escape taking ... Read full article


The Great Escape (1963) (1)

By 4 Star Film Fan on Apr 25, 2014 From 4 Star Films

Based on true events, this film describes the heroic exploits of POWs in a German Stalag during World War II. With extreme heart and teamwork the men take upon the task of making a?massive?escape. Led by Richard Attenbourough, Steve McQueen, James Garner, and Charles Bronson to name a few, they begi... Read full article


The Great Escape (1963) (3)

By 4 Star Film Fan on Apr 25, 2014 From 4 Star Films

Based on true events, this film describes the heroic exploits of POWs in a German Stalag during World War II. With extreme heart and teamwork the men take upon the task of making a?massive?escape. Led by Richard Attenbourough, Steve McQueen, James Garner, and Charles Bronson to name a few, they begi... Read full article


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Quotes from

Goff: [Sedgewick has just descended into the tunnel entrance] Was that Sedgewick with his steamer trunk?
POW: Who else?
Goff: I wish he was back in Australia with his kangaroos.


Flight Lt. William Dickes "The Tunneler": This is the dirt from the compound.
Danny: This is from the tunnel.
[Mac takes a handful of tunnel dirt and sprinkles it onto the mound from the compound]
MacDonald: Wherever we put it, they're going to spot it a mile away.
Flight Lt. William Dickes "The Tunneler": Well, maybe we could put it under the huts. The dirt's dark there.
MacDonald: Nah. No, it's the first place the ferrets would look. I saw one measuring the height under a hut yesterday.
Flight Lt. William Dickes "The Tunneler": Well, maybe we could dry it out the same color.
Danny: We'll have fifty tons of it.
Flight Lt. William Dickes "The Tunneler": Well, I was just thinking out loud.
Bartlett: If you must think, for God's sake, think clearly. Where the devil is Ashley-Pitt?
MacDonald: We can't destroy the dirt, and we can't eat it. The only thing left to do is... camouflage it. That's as far as my thinking takes me.
[Ashley-Pitt enters]
Bartlett: Didn't they teach you promptness in the R.N.?
Lt. Cmdr. Eric 'Dispersal' Ashley-Pitt: You'll never believe it, but I think I have the solution. The problem is somehow to get rid of this tunnel dirt over the compound.
Bartlett: Well, of course.
Lt. Cmdr. Eric 'Dispersal' Ashley-Pitt: Would you mind?
[Eric hands Danny and Willie a blanket, which they set on the floor, while Eric gets his contraption ready]
Lt. Cmdr. Eric 'Dispersal' Ashley-Pitt: Now... you fill these bags with the dirt from the tunnel. Then, wearing them *inside* your trousers, you wander out into the compound, where you pull these strings in your pockets. Out come the pins...
[Eric pulls the pins out to demonstrate]
Danny: Eric, it's good.
Lt. Cmdr. Eric 'Dispersal' Ashley-Pitt: All you have to do is... kick it in. Unless you're a complete fool, the ferrets will never see a thing.
MacDonald: It's indecently brilliant. What do you think, Roger?
Bartlett: We'll try it first thing tomorrow.
Lt. Cmdr. Eric 'Dispersal' Ashley-Pitt: I already have. It works.


[the Gestapo have captured Bartlett and MacDonald]
Preissen: Ah, Herr Bartlett. And Herr MacDonald. We are together again. You're going to wish you had never put us to so much trouble!


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Facts about

The newspaper that Ashley-Pitt ('David McCallum') reads on the train is the 'Völkischer Beobachter', a real newspaper produced for 25 years by the National Socialist German Workers Party. It served as a propaganda sheet for the Nazis and helped bring Hitler to power. At its height, it had a circulation of approximately 1.4 million. The headline for the issue seen in the film translates roughly to "Day after day, the Soviets have high, bloody losses." Given that the escape in the film occurs in the summer of 1944, this too can be viewed as propaganda. The Nazis had transferred hundreds of thousands of troops to Normandy to stop the Allied advances after D-Day, allowing for the Soviet's to launch Operation Bagration on 22 June, which pushed the Nazis back into Poland by the beginning of 13 July and sparked the Warsaw uprising. In all, the Soviet advance caused German losses of approximately 670,000 dead, missing, wounded and sick, including 160,000 captured. Although the date of the escape is unclear, given the green pastures around the Alps that the escapees encounter, one can easily surmise that the newspaper was putting a positive spin on the battles in the east.
Steve McQueen held up production because he demanded that the script be rewritten to give his character more to do.
Wally Floody, the real-life "Tunnel King" (he was transferred to another camp just before the escape), served as a consultant to the filmmakers, almost full-time, for more than a year.
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Best Film Editing Oscar 1963






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Also directed by John Sturges




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Also produced by James Clavell




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Also released in 1963




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More "World War II" films



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