Suspicion (1941) | |
| Director(s) | Alfred Hitchcock |
| Producer(s) | Harry E. Edington (uncredited) |
| Top Genres | Film Noir, Mystery, Romance, Thriller/Suspense |
| Top Topics | Book-Based, Husband Wife, Marriage |
Featured Cast:
Suspicion Overview:
Suspicion (1941) was a Film Noir - Mystery Film directed by Alfred Hitchcock and produced by Harry E. Edington.
The film was based on the novel Before the Fact written by Francis Iles published in 1932.
SYNOPSIS
This Hitchcock thriller has winning performances from Grant and Fontaine. In order to escape the oppression of her rigid, wealthy parents, Fontaine embraces the attention of Grant though she knows his reputation as a cad. When his friend Bruce turns up dead, Fontaine begins to think she's next and frets about the nightly glass of milk Grant brings her. Her fears reach a crescendo on a careening drive on a twisting road.
(Source: available at Amazon AMC Classic Movie Companion).
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Academy Awards 1941 --- Ceremony Number 14 (source: AMPAS)
| Award | Recipient | Result |
| Best Actress | Joan Fontaine | Won |
| Best Picture | RKO Radio | Nominated |
BlogHub Articles:
Echoes of Suspicion: Trust on Trial in “Wife vs. Secretary”
By Stephen Reginald on Jun 16, 2026 From Classic Movie ManEchoes of Suspicion: Trust on Trial in “Wife vs. Secretary” Directed by Clarence Brown, Wife vs. Secretary (1936) is a sophisticated Metro-Goldwyn-Mayer romantic drama that explores the fragile nature of marital trust and the destructive power of societal gossip. The story centers... Read full article
Shadow of Suspicion: Out of the Foxhole and Into the Noir Light with “Crossfire”
By Stephen Reginald on May 19, 2026 From Classic Movie ManShadow of Suspicion: Out of the Foxhole and Into the Noir Light with “Crossfire” Directed by Edward Dmytryk, Crossfire (1947) opens in the shadows of a dimly lit Washington, D.C. apartment, where a Jewish civilian named Joseph Samuels is beaten to death. Police Captain Finlay (Rober... Read full article
“Suspicion” drives a wedge between Cary Grant and Joan Fontaine
By Stephen Reginald on Oct 21, 2025 From Classic Movie Man“Suspicion” drives a wedge between Cary Grant and Joan Fontaine Suspicion (1941) is an American mystery-suspense film directed by Alfred Hitchcock and starring Cary Grant and Joan Fontaine. The supporting cast includes Sir Cedric Hardwicke, Nigel Bruce, Dame May Whitty, and Leo G. C... Read full article
"Suspicion" comes between Cary Grant and Joan Fontaine
By Stephen Reginald on Mar 31, 2021 From Classic Movie Man"Suspicion" comes between Cary Grant and Joan Fontaine Suspicion (1941) is a psychological romance directed by Alfred Hitchcock and starring Cary Grant and Joan Fontaine. The screenplay was written by Samson Raphaelson, Joan Harrison, and Alma Reville (Mrs. Alfred Hitchcock). The movie was base... Read full article
Beyond Suspicion (1993 TVM)
By John Grant on Apr 1, 2020 From Noirishvt Appointment for a Killing US / 92 minutes / color / Frank & Bob Films, Patricia K. Meyer, von Zerneck?Sertner, NBC Dir: William A. Graham Pr: Randy Sutter Scr: Karen Clark Story: Appointment for Murder: The Story of the Killing Dentist (1988) by Susan Crain Bakos Cine: Denis Lewiston Cast: Ma... Read full article
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Quotes from
[Lina starts to button her blouse]
Johnnie Aysgarth: Don't do that.
Lina McLaidlaw Aysgarth: Why not?
Johnnie Aysgarth: Because your ucipital mapilary is quite beautiful.
Johnnie Aysgarth: You thought I was going to kiss you, didn't you?
Lina McLaidlaw Aysgarth: Weren't you?
Johnnie Aysgarth: Of course not. I was merely reaching around you, trying to fix your hair.
Lina McLaidlaw Aysgarth: What's wrong with my hair?
Johnnie Aysgarth: Well, I'm glad you asked me that. It would've been extremely discourteous for me to bring the subject up.
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Facts about
"Lux Radio Theater" broadcast a 60 minute radio adaptation of the movie on May 4, 1942 with Joan Fontaine reprising her film role.
In interviews, 'Alfred Hitchcock (I) said that an RKO executive ordered that all scenes in which Cary Grant appeared menacing be excised from the film. When the cutting was completed, the film ran only fifty-five minutes. The scenes were later restored, Hitchcock said, because he shot each piece of film so that there was only one way to edit them together properly.
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