Double Indemnity (1944) | |
| Director(s) | Billy Wilder |
| Producer(s) | Buddy G. DeSylva (executive uncredited), Joseph Sistrom (uncredited) |
| Top Genres | Crime, Film Noir, Thriller/Suspense |
| Top Topics | Book-Based, Infidelity |
Featured Cast:
Double Indemnity Overview:
Double Indemnity (1944) was a Crime - Film Noir Film directed by Billy Wilder and produced by Buddy G. DeSylva and Joseph Sistrom.
The film was based on the serial story of the same name written by James M. Cain published in Liberty Magazine and as a Novel (1936 magazine; 1943 novel).
SYNOPSIS
Perhaps the most famous film noir of all. An insurance salesman (MacMurray) looking for a bigger score than the next whole-life policy and a scheming blond viper with bangs, shades, and an intriguing anklet persuade her husband to sign a policy that pays double to accidental death - an accident they plan to make happen. MacMurray's past tense voice-over adds a rueful, bitterly world-weary tone. The electrifying script was written by Wilder and Chandler, based on the novel by James M. Cain.
(Source: available at Amazon AMC Classic Movie Companion).
.Double Indemnity was inducted into the National Film Registry in 1992.
Academy Awards 1944 --- Ceremony Number 17 (source: AMPAS)
| Award | Recipient | Result |
| Best Actress | Barbara Stanwyck | Nominated |
| Best Cinematography | John Seitz | Nominated |
| Best Director | Billy Wilder | Nominated |
| Best Music - Scoring | Miklos Rozsa | Nominated |
| Best Picture | Paramount | Nominated |
| Best Writing | Billy Wilder, Raymond Chandler | Nominated |
BlogHub Articles:
Noirvember Day 29: That Double Indemnity Patter
By shadowsandsatin on Nov 29, 2024 From Shadows and SatinAs we make our way to the conclusion of Double Indemnity week, it?s a pleasure to take this opportunity to salute one of the best things about this gem: the exquisite writing. Whether it was one liners, monologues, or dialogues between characters, Double Indemnity served up some of the most deliciou... Read full article
Noirvember Day 27: Things I’m Thankful – Double Indemnity Edition
By shadowsandsatin on Nov 28, 2024 From Shadows and SatinIt’s my favorite noir and one of my favorite films of all time. So you know there’s lots about Double Indemnity that I’m thankful for. Here are just a few… The opening of the film, which depicts the silhoette of a behatted man on crutches, slowly moving toward us, accompanied... Read full article
Noirvember Day 27: The Double Indemnity Quiz
By shadowsandsatin on Nov 27, 2024 From Shadows and SatinI love lots of things ? baking sweet treats (like tonight’s apple turnovers), reorganizing cabinets, browsing the stacks at my downtown library . . . And taking classic movie quizzes. I hope you do, too, because I’m serving up a super-sized quiz on this week’s focus film, Double In... Read full article
Noirvember Day 25: Trivia Double Indemnity Tidbits
By shadowsandsatin on Nov 25, 2024 From Shadows and SatinAs we enter the last week of this year?s Noirvember celebration, what better time to dive into some trivia on our focus film? Pull up a chair and snack on some trivial tidbits on Double Indemnity . . . The first name of Phyllis?s hapless husband was never spoken. Billy Wilder was nominated for an Os... Read full article
Noirvember Day 22: I Love Double Indemnity!
By shadowsandsatin on Nov 22, 2024 From Shadows and SatinIt?s Friday, y?all ? and you know what that means! It?s time to ring up the ol? curtain on the fourth and final noir that I?ll be spotlighting during this month. And if you know me at all, you?ve known that one of my focus films this month would have to be my all-time favorite noir (drum roll, pleas... Read full article
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Quotes from
Phyllis: I guess so, I usually am.
Walter Neff: Same chair, same perfume, same anklet?
Phyllis: I wonder if I know what you mean.
Walter Neff: I wonder if you wonder.
[Norton, Keyes's boss, has just tried, unsuccessfully, to convince a client that her husband's death was a suicide]
Barton Keyes: You know, you, uh, oughta take a look at the statistics on suicide some time. You might learn a little something about the insurance business.
Edward S. Norton: Mister Keyes, I was RAISED in the insurance business.
Barton Keyes: Yeah, in the front office. Come now, you've never read an actuarial table in your life, have you? Why they've got ten volumes on suicide alone. Suicide by race, by color, by occupation, by sex, by seasons of the year, by time of day. Suicide, how committed: by poison, by firearms, by drowning, by leaps. Suicide by poison, subdivided by *types* of poison, such as corrosive, irritant, systemic, gaseous, narcotic, alkaloid, protein, and so forth; suicide by leaps, subdivided by leaps from high places, under the wheels of trains, under the wheels of trucks, under the feet of horses, from *steamboats*. But, Mr. Norton, of all the cases on record, there's not one single case of suicide by leap from the rear end of a moving train. And you know how fast that train was going at the point where the body was found? Fifteen miles an hour. Now how can anybody jump off a slow-moving train like that with any kind of expectation that he would kill himself? No. No soap, Mr. Norton. We're sunk, and we'll have to pay through the nose, and you know it.
Barton Keyes: Now that's enough out of you, Walter. Now get outta here before I throw my desk at you.
[looks in his pocket for a match]
Walter Neff: [takes a match of his own and lights Keyes' cigar] I love you, too.
[voiceover]
Walter Neff: I really did, too, you old crab. Always yelling your head off, always sore at everybody. You never fooled me with your song and dance, not for a second. I kinda always knew that behind all the cigar ashes on your vest was a heart as big as a house.
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Facts about
The movie was based on the novel by James M. Cain, which in turn was based on the true story of Ruth Snyder, the subject of a notorious 1920s murder trial.
Silver dust was mixed with some subtle smoke effects to create the illusion of waning sunlight in Phyllis Dietrichson's house.
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