12 Angry Men (1957)

[Juror #9 has pointed out that the woman witness across the street had marks on her nose indicating she normally wore glasses]
Juror #8: [to Juror #4] Do you wear glasses when you go to bed?
Juror #4: No. I don't. No one wears eyeglasses to bed.
Juror #8: It's logical to assume that she wasn't wearing them when she was in bed. Tossing and turning, trying to fall asleep.
Juror #3: How do you know?
Juror #8: I don't know - I'm guessing! I'm also guessing that she probably didn't put her glasses on when she turned to look casually out of the window. And she, herself, testified the killing took place just as she looked out. The lights went off a split second later - she couldn't have had time to put them on then. Here's another guess: maybe she honestly thought she saw the boy kill his father - I say she only saw a blur.
Juror #3: How do you know WHAT she saw? How does he know all that? How do you know what kind of glasses she wore? Maybe they were sunglasses. Maybe she was far-sighted. What do you know about it?
Juror #8: I only know the woman's eyesight is in question now.
Juror #11: She had to be able to identify a person sixty feet away - at night - without glasses.
Juror #2: You can't send someone off to die on evidence like that!
Juror #3: Oh, don't give me that.
Juror #8: Don't you think the woman might have made a mistake?
Juror #3: No.
Juror #8: It's not POSSIBLE?
Juror #3: No, it's not possible!
Juror #3: [Juror #8 goes to Juror #12] Is it possible?
Juror #12: [nods] Not guilty.
Juror #8: [#8 goes to #10] Do you think he's guilty?
[#10 shakes his head 'no']
Juror #3: I think he's guilty!
Juror #8: [#8 goes to #4] Do you?
Juror #4: No. I'm convinced. Not guilty.
Juror #3: What's the matter with you?
Juror #4: I have a reasonable doubt, now.
Juror #9: Eleven to one!

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Juror #10: I don't understand you people! I mean all these picky little points you keep bringing up. They don't mean nothing. You saw this kid just like I did. You're not gonna tell me you believe that phony story about losing the knife, and that business about being at the movies. Look, you know how these people lie! It's born in them! I mean what the heck? I don't have to tell you. They don't know what the truth is! And lemme tell you, they don't need any real big reason to kill someone, either! No sir!
[Five gets up from his seat]
Juror #10: They get drunk... oh, they're real big drinkers, all of 'em - you know that - and bang: someone's lyin' in the gutter. Oh, nobody's blaming them for it. That's the way they are! By nature! You know what I mean? VIOLENT!
Juror #10: [Nine rises and crosses to the window] Where're you going?
Juror #10: Human life don't mean as much to them as it does to us!
[Eleven gets up and walks to the other window]
Juror #10: Look, they're lushing it up and fighting all the time and if somebody gets killed, so somebody gets killed! They don't care! Oh, sure, there are some good things about 'em, too. Look, I'm the first one to say that.
[Eight gets up and walks to the nearest wall]
Juror #10: I've known a couple who were OK, but that's the exception, y'know what I mean?
[Two and Six get up from the table. Everyone's back is to Ten]
Juror #10: Most of 'em, it's like they have no feelings! They can do anything! What's goin' on here? I'm trying to tell you... you're makin' a big mistake, you people! This kid is a liar! I know it. I know all about them! Listen to me! They're no good! There's not a one of 'em who is any good! I mean, what's happening in here? I'm speaking my piece, and you...
[the Foreman gets up and walks away. So does Twelve]
Juror #10: Listen to me. We're... This kid on trial here... his type, well, don't you know about them? There's a, there's a danger here. These people are dangerous. They're wild. Listen to me. Listen.
Juror #4: I have. Now sit down and don't open your mouth again.

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[after Juror #10 explains that he believes the boy is guilty because of the testimony of the woman across the street]
Juror #8: I'd like to ask you something: you don't believe the boy's story; how come you believe the woman's? She's one of 'them', too, isn't she?
Juror #10: You're a pretty smart fella, aren't you?

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Despite numerous critical accolades, the film was not a box office success on first release.
In 1957, United Artists distributed this film on a double bill with Five Steps to Danger starring Ruth Roman and Sterling Hayden.
Reginald Rose's TV play script was left virtually intact in its move to feature film.
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