The High and the Mighty (1954) was a Action - Adventure Film directed by William A. Wellman and produced by John Wayne and Robert Fellows.
Academy Awards 1954 --- Ceremony Number 27 (source: AMPAS)
|Best Supporting Actress||Jan Sterling||Nominated|
|Best Supporting Actress||Claire Trevor||Nominated|
|Best Director||William A. Wellman||Nominated|
|Best Film Editing||Ralph Dawson||Nominated|
|Best Music - Scoring||Dimitri Tiomkin||Won|
|Best Music - Song||Music by Dimitri Tiomkin; Lyrics by Ned Washington||Nominated|
The High and the Mighty (1954)on Jul 28, 2014 From Journeys in Classic Film
It’s all about the Duke this week as I enter the uncharted territory (personally) of John Wayne’s filmography. The High and the Mighty entered this list after watching a TV commercial for it during a panel about marketing TCM at the TCM Classic Film Festival. Something about the movie... Read full article
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Tim Garfield: So Long. So long, you ancient pelican.
Ben Sneed: Hey fella, ain't you Dan Roman?
Dan Roman: Yeah.
Ben Sneed: I heard you whistlin' and I said to myself only one guy does that just so.
Ken Childs: Keep talking, please keep talking; I'm frightened...
May Holst: Talking? Honey, you dont know what you're asking. Tell you a good joke on me: You know, I always dreaded the idea of becoming an old woman. And the way things look now, I won't have to worry about it any more. You know, I haven't been whistled at in years, and the idea of growing roses for the rest of my life is really beginning to haunt me. There oughta be a home for dames like me. Yup - we shoulda organized. You know, a house somewhere with no mirror in it, far away where we never have to look at a young girl. They have homes for unmarried mothers but everybody forgets about the girls who - who never quite managed to make things legal. I think I could start one! Yeah - I could call it the May Holst Home for Broken-Down Broads. I kind of like that, don't you?
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The lyrics to the famed title song are only heard at the very end, are sung by a large choral group, and are different than the familiar lyrics heard in the popular-song record releases of the time.
John Wayne's role was first offered to Spencer Tracy. However, Tracy, a Democrat who opposed blacklisting, wanted nothing to do with Wayne's Batjac production company and turned the part down.
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