The Gay Divorcee Overview:

The Gay Divorcee (1934) was a Comedy - Musical Film directed by Mark Sandrich and produced by Pandro S. Berman.

The film was based on the musical Gay Divorce written by Dwight Taylor performed at the Ethel Barrymore Theatre, NY & Shubert Theatre, NY from Nov 29, 1932 - Jul 1, 1933.

Academy Awards 1934 --- Ceremony Number 7 (source: AMPAS)

Best Art DirectionVan Nest Polglase, Carroll ClarkNominated
Best Music - ScoringRKO Radio Studio Music Department, Max Steiner, head of department (Score by Kenneth Webb and SamueNominated
Best Music - SongMusic by Con Conrad; Lyrics by Herb MagidsonWon
Best PictureRKO RadioNominated

BlogHub Articles:

Silver Screen Standards: The Gay Divorcee (1934)

By Jennifer Garlen on May 11, 2021 From Classic Movie Hub Blog

Silver Screen Standards: The Gay Divorcee (1934) The Gay Divorcee (1934) I knew I wanted to write about Fred Astaire and Ginger Rogers for this month?s column, but with ten movies to choose from the hard part was deciding which one I particularly wanted to watch again. Top Hat (1935) and Swing... Read full article

The Gay Divorcee (1934): The Astaire & Rogers Foolproof Formula

By 4 Star Film Fan on May 5, 2020 From 4 Star Films

The plots to the Astaire and Rogers musicals are usually deceptively simple. Thus, thanks be to their dancing transcending it all. The affair opens in some posh corner of Europe where the always dithering Edward Everett Horton is sitting with Fred Astaire who has to prove his identity to get out of ... Read full article

Musical Monday: The Gay Divorcee (1934)

on Feb 27, 2017 From Comet Over Hollywood

It?s no secret that the Hollywood Comet loves musicals. In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals. This week?s musical: “The Gay Divorcee̶... Read full article

The Gay Divorcee (1934)

By smumcountry on Dec 30, 2016 From Smum County

December 30, 2016 by smumcounty With the recent release of ?La La Land? (2016) in theaters, the first big budget musical in many moons, it got me thinking about what makes a great musical and what attracts people to them, or, at least, used to attract people to them. With this in mind, let?s look at... Read full article

The Gay Divorcee (1934)

on Jul 27, 2015 From Journeys in Classic Film

The final week of The July Five is upon us. But don’t be too sad…we’re gonna end ?the month dancing with the illustrious duo, Fred Astaire and Ginger Rogers! I’ve included several of their films on previous TCM Top Ten lists, but have only seen one, The Barkleys of Broadway (... Read full article

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Quotes from

Mimi Glossop: [singing] Beautiful music... Dangerous rhythm... It's something daring, The Continental. A way of dancing that's really 'entre nous'. It's very subtle, The Continental, because it does what you want it to do. It has a passion, The Continental. An invitation to moonlight and romance. It's quite the fashion, The Continental, because you tell of your love while you dance. Your lips whisper so tenderly. Her eyes answer your song. Two bodies swaying, The Continental, and you are saying just what you're dreaming of. So keep on dancing, The Continental. For it's a song of romance and of love. You kiss while you're dancing... The Continental, it's continental. You sing while you're dancing. Your voice is gentle and sentimental. You stroll together arm in arm. You non-challantly glide along with grace and charm. You will find while you're dancing that there's a rhythm in your heart and soul -- a certain rhythm that you can't control and you will do the Continental all the time.

Guy Holden: [singing] It's just like looking for a needle in a haystack. Searching for a moonbeam in the moon. Still I've gotta find you. It's just like looking for a raindrop in the ocean. Searching for a dewdrop in the dew. Still I've gotta find you. I'll roam the town in hope that we'll meet. Look at each face I pass on the street. Sometimes I feel the beat of your feet. But it's just imagination. Though it's like looking for a needle in a haystack. Still I'll follow every little clue 'cause I've gotta find you.

Guy Holden: Chance is the fool's name for fate.

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Facts about

After Flying Down to Rio, Fred Astaire was reluctant to make a second movie with Ginger Rogers. He had previously been part of a dance duo with his sister, Adele Astaire, but wanted to establish himself as a solo dancer. Astaire sent a note to his agent about Rogers. "I don't mind making another picture with her, but as for this team idea, it's out! I've just managed to live down one partnership and I don't want to be bothered with any more." But when the critics praised the Astaire-Rogers pairing in "Rio," Astaire was persuaded, and he and Rogers made the second film in their partnership, _The Gay Divorcee (1934)_ (QV).
The jumpsuit that Betty Grable wears in the "Let's Knock Knees" dance number was a garment previously worn by Dolores del Rio in Flying Down to Rio.
Helen Broderick was asked to play the role of Hortense but was unavailable.
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Best Music - Song Oscar 1934

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Also directed by Mark Sandrich

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Also produced by Pandro S. Berman

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