Since You Went Away (1944)

Mrs. Anne Hilton: [on the phone] How much will that be for three days? What? Brig, turn that thing off, I can't hear. I'm awfully sorry. Yes. Will this get into the early edition? Yes. Fireplace and bay window. Oh, all right, put in "homey atmosphere."
Bridget 'Brig' Hilton: Mother! Mother! Wait, please!
Mrs. Anne Hilton: Keep quiet, Brig. Would you send the bill to this address, please? Thank you.
Bridget 'Brig' Hilton: Mother, you don't mean you're going to rent *your* room?
Mrs. Anne Hilton: Of course I am, that's the room that will bring the most money. I'll take your room, and you can double up with Jane.
Bridget 'Brig' Hilton: But Mother, you're not going to put somebody in Pop's room? Oh, I didn't mean that.
Mrs. Anne Hilton: Now, you wouldn't want those characters in that other city to put Pop in anything but their best room, would you?
Bridget 'Brig' Hilton: But that's different. He's Pop.

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Jane Deborah Hilton: How are things out at the field?
Corporal William G. 'Bill' Smollett II: Oh, they're fine, thank you. How's everything with you?
Jane Deborah Hilton: Oh, just fine. I want to get a war job, but Mother won't let me.
Corporal William G. 'Bill' Smollett II: Well, I think she's right. You ought to stay home -
Jane Deborah Hilton: No, it isn't that at all. Mother wants me to go to college.
Corporal William G. 'Bill' Smollett II: Oh. Oh, gee. That would take four years, wouldn't it?
Jane Deborah Hilton: If I go.
Corporal William G. 'Bill' Smollett II: You don't want to go?
Jane Deborah Hilton: No, it's so silly. If I were three or four years older, I could be a Wave.
Corporal William G. 'Bill' Smollett II: Or a Wac.
Jane Deborah Hilton: Or a nurse. That's what I'd rather be most. A nurse.
Corporal William G. 'Bill' Smollett II: That would be swell if I was wounded.
Jane Deborah Hilton: You shouldn't say such things.
Corporal William G. 'Bill' Smollett II: Oh. I won't be wounded. I'll be killed.
Jane Deborah Hilton: Bill!
Corporal William G. 'Bill' Smollett II: Oh, Jane would you care?
Jane Deborah Hilton: Well, of course I'd care, silly.
Corporal William G. 'Bill' Smollett II: Well, gee, that'd be fine.
Jane Deborah Hilton: What would be fine about it?
Corporal William G. 'Bill' Smollett II: Well, I thought that if - Well, what I mean is I would be glad if you were sorry if I were killed.
Jane Deborah Hilton: What good would that do if you were dead?
Corporal William G. 'Bill' Smollett II: Yeah, I guess you're right.
Jane Deborah Hilton: I don't ever want to hear

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Major Sam Atkins: Hello, Tony. I didn't know you were in town.
Lieutenant Tony Willett: Hello, Sam. It's quite a dance you fellows are putting on here. What's the matter? You look upset.
Major Sam Atkins: Just got some bad news. Good evening, Mrs. Hilton.
Mrs. Anne Hilton: Good evening, Major.
Major Sam Atkins: Plane crash. Don't say anything about it now, it might spoil the fun.
Lieutenant Tony Willett: That's too bad. Where'd it happen?
Major Sam Atkins: Right outside town. Lost one of my best boys.
Mrs. Anne Hilton: What was his name?
Major Sam Atkins: Mahoney. He hit some wires.
Mrs. Anne Hilton: Oh, not Johnny!
Major Sam Atkins: Did you know him? Well, I hope he wasn't, uh...
Mrs. Anne Hilton: But it can't be! We were talking to him here just a little while ago.
Major Sam Atkins: I'm extremely sorry, Mrs. Hilton. I had no idea that you knew him. I shouldn't have said anything.
Mrs. Anne Hilton: It was just that I liked Johnny very much. I know his father.
Major Sam Atkins: A terrible thing.
Soldier at Dance: Beg pardon, sir. The car's ready for you now, sir.
Major Sam Atkins: Be right there.
Soldier at Dance: Yes, sir.
Major Sam Atkins: I've got to go and examine the wreck. Not a very pleasant job, I can tell you. Good night.
Lieutenant Tony Willett: Good night.
Mrs. Anne Hilton: Oh Tony, how awful. His poor parents.
Lieutenant Tony Willett: Lucky Johnny. Come on, Anne. Let's dance.
Mrs. Anne Hilton: Dance?
Lieutenant Tony Willett: Look Anne, you'll be hearing plenty of things like this. Might as well get used to them now.

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Original cinematographer George Barnes left the production to be replaced by Lee Garmes and Stanley Cortez.
David O. Selznick was credited as producer for his writing the screenplay.
This came about because David O. Selznick wanted to make a film that showed his support for the war effort. He deliberately did not want to make a traditional war movie.
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