Detour (1945) was a Film Noir - Drama Film directed by Edgar G. Ulmer and produced by Leon Fromkess and Martin Mooney.
Detour was inducted into the National Film Registry in 1992.
Day 9 of Noirvember: Al Roberts in Detour (1945)By shadowsandsatin on Nov 9, 2021 From Shadows and Satin
Today?s Noirvember post shines the spotlight on one unlucky dude ? Al Roberts in Detour (1945). WHAT?S DETOUR ABOUT? New York piano player Al Roberts (Tom Neal) hitch-hikes his way across the country to reunite with his singer-girlfriend, who made the trek to the Golden State to try her hand at the ... Read full article
YouTube Noir — Noirvember Day 5: Detour (1945)By shadowsandsatin on Nov 5, 2020 From Shadows and Satin
If you?ve never seen Detour (1945), you?re in for a down and dirty, noirishly good treat. I envy you. Detour is one of those ?B? noirs you may have heard about, with a budget so low that the director, Edgar Ulmer, used his own car for filming. But it doesn?t feel cheap, and it packs a noir punch tha... Read full article
Day Thirteen of Noirvember: Savage DetourBy shadowsandsatin on Nov 13, 2018 From Shadows and Satin
Detour (1945) is 68 minutes of cracking good lines, an edge-of-your-seat plot, and a perfect noir ending. And then there?s Ann Savage. In the film, Savage plays Vera, a hitch-hiker picked up on the side of the road by Al Roberts (Tom Neal), who?s on his way from New York to California to meet up wit... Read full article
Detour (1945): Noir’s unlikely masterpieceBy Carol Martinheira on Nov 4, 2018 From The Old Hollywood Garden
Detour (1945): Noir’s unlikely masterpiece On November 4, 2018 By CarolIn Uncategorized About eight years ago, I watched Detour (1945) for the very first time. I was in the early stages of my film buff-ness, and I wanted to consume as many movies as possible. Fil... Read full article
Detour (1945)By 4 Star Film Fan on Dec 15, 2015 From 4 Star Films
Hollywood is really missing out, because with the direction that the industry has gone there really is no space for a film like Detour to be made by conventional methods anymore. It was shot in less than two weeks. It cost a minuscule amount compared to the contemporary A-Pictures, and yet it used i... Read full article
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Shot quickly in mostly two locations: the hotel room apartment, and the car in front of a rear projection screen on a soundstage at PRC. The actual shooting schedule was 28 days, including a brief location shoot in Lancaster, California for the desert scenes, and backplates for rear projection.
It is frequently reported that this film was shot only in one week. In truth, the shooting schedule was 28 days. The "one week" myth appears to be based on an off-hand remark by director Edgar G. Ulmer toward the end of his life.
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