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It was Howard Hawks who knew that John Huston wanted to direct. He suggested that Huston do The Maltese Falcon which was already owned by Warner Brothers and had been adapted to film twice before. Unlike the previous productions, Hawks suggested that Huston "film the book." Before going on a vacation, John Huston gave his secretary a copy of the book and told her to type it up in screenplay form. Studio chief Jack L. Warner saw the script, read it, and gave it a green light even before John Huston has a chance to read it.

Kasper Gutman's (Sydney Greenstreet) repeated phrase of "By gad, sir..." was originally written to be "By God;" however, the script underwent changes when it clashed with the censors.

Most of the film was shot sequentially.

Much of the movie is filmed over Humphrey Bogart's shoulder so that the audience can be in on his point of view.

One of the first films admitted to the National Film Registry in its inaugural year, 1989.



Ranked #6 on the American Film Institute's list of the 10 greatest films in the genre "Mystery" in June 2008.

Sam Spade refers to Wilmer as a "gunsel", a term the censors assumed was a slang reference to a gunman. The Yiddish term "gunsel", literally "little goose", *may* be a vulgarism for homosexual (the word "faigle", or "little bird", is usually used in that manner). It is more usually an "underground" term which refers to a person who is either a "fall guy" or a "stool pigeon", in which case Spade is making both a direct and an indirect reference to Wilmer's character.

The "Maltese Falcon" itself is said to have been inspired by the "Kniphausen Hawk," a ceremonial pouring vessel made in 1697 for George William von Kniphausen, Count of the Holy Roman Empire. It is modeled after a hawk perched on a rock and is encrusted with red garnets, amethysts, emeralds and blue sapphires. The vessel is currently owned by the Duke of Devonshire and is part of the Chatsworth collection.

The William Shakespeare reference that ends the film was suggested by Humphrey Bogart.

The climactic confrontation scene lasts nearly twenty minutes, one-fifth of the entire running time of the film. It involves all five principal characters, and filming required over one full week (one day - 4 July 1941 - was taken off).

The first pairing of Sydney Greenstreet and Peter Lorre who would go on to make nine more movies together.

The now-famous seven-minute take - truly innovative in its day - took two days to rehearse.

The opening scroll about the history of the Maltese Falcon is entirely made up.

The revolver used to shoot Miles is correctly identified by Sam as a Webley-Fosbery. All Sam says about it is, "They don't make 'em anymore." Much more than that, it was an experiment to get a handgun to automatically reload and cock itself between shots. We're familiar with a typical semi-automatic pistol with a moving slide, but this was a revolver that used its backward momentum to cock the hammer and rotate the cylinder, readying it for the next pull of the trigger. They are very sought after by collectors. (see also Goofs)

The role of Brigid O'Shaughnessy was first offered to 27-year-old Geraldine Fitzgerald. Although the studio desperately wanted the newcomer in the role, she turned it down flat because it interfered with a scheduled trip to the East Coast. Other candidates for the role included Olivia de Havilland, Rita Hayworth, and Ingrid Bergman.

The scene where Sydney Greenstreet tries to get Humphrey Bogart to take a drink which is drugged was the former's first time in front of a Hollywood camera.

The total cost of designing, casting and painting all of the Maltese Falcons prepared for the film was less than $700.00.

There is an inordinate amount of smoking done by the main actors in this film. According to then-studio employee (and future screenwriter) Stuart Jerome, this resulted in a feud between stars Humphrey Bogart and Peter Lorre, and studio head Jack L. Warner. Warner hated to see actors smoking on the screen, fearing it would prompt smokers in the movie audience to step out into the lobby for a cigarette. During the filming of _Maltese Falcon, The (1941)_, Warner told director John Huston that smoking in the film should be kept to a minimum. Bogart and Lorre thought it would be fun to annoy Warner by smoking as often as possible, and got their co-stars, Mary Astor and Sydney Greenstreet to go along with the joke. During the initial filming of the climactic confrontation, all four actors smoked heavily. After seeing the rushes, Warner furiously called Huston to his office and threatened to fire him from the picture if he didn't tell Bogart and Lorre to knock it off. Realizing their prank had backfired, Bogart and Lorre agreed to stop smoking on camera. However, when the next series of rushes came back, i

There were several 11-1/2" tall falcon props made for use in the film. Some were cast of plastic resin, some of lead. Only two 45 lb. lead falcons and two 5 lb., 5.4 oz resin falcons are verified to be in existence today. One lead Falcon has been displayed for years at various venues. The second, which was marred at the end of the movie by Sydney Greenstreet, was a gift to William Conrad by studio chief Jack L. Warner. It was auctioned in December 1994, nine months after Conrad's death for $398,500 to Ronald Winston of Harry Winston, Inc. At that time, it was the highest price paid for a movie prop ever sold for. It was used to model a 10 lb. gold replica displayed at the 69th Academy Awards. The replica has Burmese ruby eyes, interchangeable claws (one set of gold, one set of coral) and holds a platinum chain in its beak with a 42.98 flawless diamond at the end. It's valued at over $8 million. The lead and resin falcons are valued in excess of $2 million - coincidentally the value placed on the "real" Maltese Falcon by Kasper Gutman, Greenstreet's character in the 1941 classic movie.

There's only one scene in the film - the pistol that kills Miles Archer - that doesn't involve the presence of Sam Spade. It was put in at the studio's insistence.

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