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The Phantom Creeps (1939, Ford Beebe and Saul A. Goodkind), Chapter 9: Speeding Doom

The Stop Button Posted by Andrew Wickliffe on May 6, 2018

Speeding Doom once again has the good guys, bad guys, and Bela Lugosi trying to get Lugosi’s box. In the box is a powerful meteorite, which allows for all of Lugosi’s inventions. But the good guys and bad guys don’t know about it yet. They still aren’t sure Lugosi’s alive. Until the bad guys read more

The Phantom Creeps (1939, Ford Beebe and Saul A. Goodkind), Chapter 8: Trapped in the Flames

The Stop Button Posted by Andrew Wickliffe on May 5, 2018

Trapped in the Flames is yet another exciting installment of The Phantom Creeps. Yet again, the Feds (led by Robert Kent) pursue the foreign agents (Anthony Averill’s the chief henchman, Edward Van Sloan’s the boss) trying to find Bela Lugosi’s missing box. No one but Lugosi (presumed dead by read more

The Phantom Creeps (1939, Ford Beebe and Saul A. Goodkind), Chapter 7: The Menacing Mist

The Stop Button Posted by Andrew Wickliffe on May 3, 2018

The Menacing Mist is endless. It starts with Bela Lugosi trying to kill Robert Kent with his remote control robot, but then he has to deal with some insurrection from lackey Jack C. Smith. Kent’s just doing action, so at least he’s not doing bad acting. Smith, on the other hand, is doing some bad read more

The Phantom Creeps (1939, Ford Beebe and Saul A. Goodkind), Chapter 6: The Iron Monster

The Stop Button Posted by Andrew Wickliffe on May 1, 2018

Phantom Creeps hits the halfway point with some intrigue involving one of the cast possibly being a double agent (fingers crossed as it’d give the plot something engaging) and Bela Lugosi getting a new weapon, a kind of ray gun. The ray gun doesn’t get much usage after the demonstration because read more

The Phantom Creeps (1939, Ford Beebe and Saul A. Goodkind), Chapter 5: Thundering Rails

The Stop Button Posted by Andrew Wickliffe on Apr 30, 2018

Thundering Rails is mostly vehicular action. It starts with Robert Kent and Dorothy Arnold trying to land a damaged plane while dropping hand grenades on the foreign spies (being careful not to hurt good guys Regis Toomey and Edwin Stanley). Then there’s a bunch of car chases. The cliffhanger–which read more

The Phantom Creeps (1939, Ford Beebe and Saul A. Goodkind), Chapter 4: Invisible Terror

The Stop Button Posted by Andrew Wickliffe on Apr 29, 2018

I suppose Invisible Terror, which doesn’t feature much invisible terror, is an improvement over the previous chapter. Terror does have Edward Van Sloan in a full flight suit waving a gun around threateningly. Not many opportunities to see such a thing. The story continues to be Feds versus gangster read more

The Phantom Creeps (1939, Ford Beebe and Saul A. Goodkind), Chapter 3: Crashing Towers

The Stop Button Posted by Andrew Wickliffe on Apr 26, 2018

If Crashing Towers is any indication, the only thing keep The Phantom Creeps creeping along is top-billed Bela Lugosi. He’s not in the chapter much–more often than not he’s invisible–and, wow, are things rough without him. In addition to the predictable bad acting from Robert Kent and Dorothy read more

The Phantom Creeps (1939, Ford Beebe and Saul A. Goodkind), Chapter 2: Death Stalks the Highways

The Stop Button Posted by Andrew Wickliffe on Apr 24, 2018

Despite a stupefying cliffhanger resolution–disasters happen, people just don’t get hurt–Death Stalks the Highways turns out not too bad. Comparatively. Take Bela Lugosi for instance. He tries real hard with some of his acting. It’s not good, but he’s trying. The trying gets him ahead of Robert read more

The Phantom Creeps (1939, Ford Beebe and Saul A. Goodkind), Chapter 1: The Menacing Power

The Stop Button Posted by Andrew Wickliffe on Apr 23, 2018

The Menacing Power does all right setting up the hook of The Phantom Creeps–Bela Lugosi is a mad scientist with various technological inventions he’s going to use for nefarious purposes–and even manages to gracefully segue between the expository setup and the chapter’s cliffhanger. So far Lugosi’s read more
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