Work on Tortoise Beats Hare was “well under way,” so said Merrie Melodies and Looney Tunes producer Leon Schlesinger at the first of February 1941;[1] it was normal practice for animated shorts to be finished and stockpiled upwards of six months in advance, but not so in this case. There read more
Work on Tortoise Beats Hare was “well under way,” so said Merrie Melodies and Looney Tunes producer Leon Schlesinger at the first of February 1941;[1] it was normal practice for animated shorts to be finished and stockpiled upwards of six months in advance, but not so in this case. There read more
Work on Tortoise Beats Hare was “well under way,” so said Merrie Melodies and Looney Tunes producer Leon Schlesinger at the first of February 1941;[1] it was normal practice for animated shorts to be finished and stockpiled upwards of six months in advance, but not so in this case. There read more
Director, Tex “Fred” Avery (Tex seems and sounds so much better for this merrie-looney guy) and crew appropriated the Aesop (Dave Monahan wrote the story and screenplay, leaving Aesop, un-attributed… poor Aesop) fable, “The Tortoise and the Hare,” and along the way made one read more
Director, Tex “Fred” Avery (Tex seems and sounds so much better for this merrie-looney guy) and crew appropriated the Aesop (Dave Monahan wrote the story and screenplay, leaving Aesop, un-attributed… poor Aesop) fable, “The Tortoise and the Hare,” and along the way made one read more
Director, Tex “Fred” Avery (Tex seems and sounds so much better for this merrie-looney guy) and crew appropriated the Aesop (Dave Monahan wrote the story and screenplay, leaving Aesop, un-attributed… poor Aesop) fable, “The Tortoise and the Hare,” and along the way made one read more
