The King of Kings (1927) | |
Director(s) | Cecil B. DeMille |
Producer(s) | Cecil B. DeMille |
Top Genres | Drama, Historical, Silent Films |
Top Topics | Bible, Religious |
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The King of Kings (1927) was a Silent Films - Historical Film directed by Cecil B. DeMille and produced by Cecil B. DeMille.
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Silents are Golden: A Closer Look At ? The King of Kings (1927)
By Lea Stans on Apr 21, 2022 From Classic Movie Hub BlogSilents are Golden: A Closer Look At ? The King of Kings (1927) In the mid-1920s, after being known primarily for melodramas and light comedies with battle-of-the-sexes themes, famed director Cecil B. DeMille was starting to move in a more ?epic? direction. Being interested in religious themes, a... Read full article
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Cecil B. DeMille intended that the role of the Jesus Christ go to J.B. Warner, a handsome and popular actor in westerns at the time. By the time production began, Warner had passed away of tuberculosis at age 29. Instead, H.B. Warner (Henry B. Warner) was cast as Jesus. Contrary to popular misconception, the two were not actually brothers. According to an in-depth article on J.B. Warner "Classic Images" by Grange B. McKinney, the two were not even related. J.B.'s real name was James B. Tobias, and he adopted the surname of Warner after H.B. Warner's family took him in and raised him. This familial error appears in several reference books.
The Temple of Jerusalem set was constructed on the Pathe (later, RKO) backlot in Culver City. It was redressed as the "Great Wall" set that the title character breaks through in King Kong. It was later reused in David O. Selznick's The Garden of Allah and finally went out in a blaze of glory after it was redressed with Civil War era building fronts, burned and pulled down by a tractor to represent the burning of Atlanta munitions warehouses in Selznick's Gone with the Wind.
While Cecil B. DeMille was shooting the Crucifixion scene, pioneering director D.W. Griffith visited the set, and the two talked for a while. Just before DeMille got ready to shoot the next scene, he impulsively handed Griffith the megaphone and said, "You shoot this". Griffith then shot a scene of a group of Christ's persecutors gathered around the foot of the Cross.
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The Temple of Jerusalem set was constructed on the Pathe (later, RKO) backlot in Culver City. It was redressed as the "Great Wall" set that the title character breaks through in King Kong. It was later reused in David O. Selznick's The Garden of Allah and finally went out in a blaze of glory after it was redressed with Civil War era building fronts, burned and pulled down by a tractor to represent the burning of Atlanta munitions warehouses in Selznick's Gone with the Wind.
While Cecil B. DeMille was shooting the Crucifixion scene, pioneering director D.W. Griffith visited the set, and the two talked for a while. Just before DeMille got ready to shoot the next scene, he impulsively handed Griffith the megaphone and said, "You shoot this". Griffith then shot a scene of a group of Christ's persecutors gathered around the foot of the Cross.
read more facts about The King of Kings...