Director(s)Jules Dassin
Producer(s)
Top GenresCrime, Drama, Film Noir, Thriller/Suspense
Top Topics,

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Rififi Overview:

Rififi (1955) was a Crime - Drama Film directed by Jules Dassin .

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Rififi

By Barry P. on Dec 1, 2021 From Cinematic Catharsis

(1955) Directed by Jules Dassin; Adapted by Jules Dassin; Based on the novel by Auguste Le Breton; Starring: Jean Servais, Carl M?hner, Robert Manuel, Janine Darcey, Claude Sylvain, Robert Hossein, Marcel Lupovici and Jules Dassin (as Perlo Vita); Available on Blu-ray and DVD Rating: ****½ ... Read full article


Rififi (1955)

By Carol Martinheira on Feb 20, 2016 From The Old Hollywood Garden

Rififi (1955) On February 20, 2016February 20, 2016 By CarolMartinheira If you haven?t seen this one, good news, it?s on Netflix. Not only is it THE greatest heist movie ever, but it?s also one of the greatest movies, of any genre in any language, ever. I?m sure you?ve... Read full article


Do Not Adjust Your Volume: Rififi and the Meditative State of a Heist Scene

By Paul on Jun 28, 2015 From Reel Distracted

Do Not Adjust Your Volume: Rififi and the Meditative State of a Heist Scene 6/28/2015 5 Comments This post is for the "...And Scene!" Blogathon hosted by Sister Celluloid. Click here to read all the other memorable scenes covered i... Read full article


Du rififi chez les hommes

By Michael on Dec 2, 2013 From Le Mot du Cinephiliaque

Du rififi chez les hommes (Jules Dassin, 1955) A band of French gangsters plan a heist to rob for 240 millions of francs worth of jewelries. This pretty film is regarded as widely influential on the French New Wave with its two jump cuts. It also was a clear influence on Stanley Kubrick’s T... Read full article


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Quotes from

No Quote for this film.

Facts about

For the scene where Jo and Mario inform Tony of their intent to "knock over" the Mappin & Webb, the crew placed a table and three chairs in front of a phony window frame in the middle of the street to create the illusion that they were sitting in a cafe across the street from the jewelers.
Visa de contrĂ´le en France # 16105.
Dassin also claims that he was brought in on the project because of his situation (the Hollywood blacklist). The novel's characters were all North Africans and at the time France was experiencing much trouble with Algeria. This was seen as possibly inflammatory so the producers wanted an American director to soften it by making them Americans instead. Dassin asked if they'd considered simply making them Frenchmen. They had not.
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