Charly (1968)

Charly Gordon: Marry me, pretty girl, marry me.
Alice Kinnian: We will marry at... quarter past Wednesday on the 74th of November, and our anniversary will happily be... on those days where we both remember.

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[Alice slaps Charly on the face after been hardly kissed by him]
Alice Kinnian: You - you think anyone would ever want you, you stupid moron!
[Charly leaves Alice crying]

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Convention speaker #5: Modern science.
Charly Gordon: Rampant technology, conscience by computer.
Convention speaker #1: Modern art.
Charly Gordon: Dispassionate draftsmen.
Convention speaker #4: Foreign policy.
Charly Gordon: Brave new weapons.
[laughter]
Convention speaker #1: Today's youth.
Charly Gordon: Joyless, guideless.
Convention speaker #6: Today's religion.
Charly Gordon: Preachment by popularity polls.
Convention speaker #3: Standard of living.
Charly Gordon: A TV in every room.
[laughter]
Convention speaker #4: Education.
Charly Gordon: [agitated] A TV in every room.
[more laughter]
Convention speaker #1: The world's future, Mr. Gordon.
Charly Gordon: Brave new hates, brave new bombs, brave new wars.
Convention speaker #7: The coming generation.
Charly Gordon: Test-tube conception, laboratory birth, TV education, brave new dreams, brave new hates, brave new wars; a beautifully purposeless process of society suicide.
[silence]
Charly Gordon: Any more questions?

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Cliff Robertson saw more than one TV production he'd starred in turned into hit movies with other actors (such as Days of Wine and Roses), so when he starred in the 1961 The United States Steel Hour production of "The Two Worlds of Charlie Gordon," based on the novel "Flowers for Algernon" by Daniel Keyes, he bought the rights and later was responsible for turning that story into this film.
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