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Dick Van Dyke

Dick Van Dyke
(as Bert / Mr. Dawes Senior)

Bert: Goodbye, Mary Poppins, don't stay away too long.

Barbra Streisand

Barbra Streisand
(as Fanny Brice)

Nick Arnstein: Goodbye, Fanny.
Fanny Brice: Bye, Nick.
[song "My Man" follows]

Peter O'Toole

Peter O'Toole
(as Henry II)

Henry II: I hope we never die.
Eleanor: So do I.
Henry II: Do you think there's any chance of it?

Maggie Smith

Maggie Smith
(as Jean Brodie)

Jean Brodie: [voiceover] Little girls, I am in the business of putting old heads on young shoulders, and all my pupils are the crème de la crème. Give me a girl at an impressionable age and she is mine for life.

José Ferrer

José Ferrer
(as Cyrano de Bergerac)

Cyrano de Bergerac: All my laurels you have riven away... and my roses; yet in spite of you there is one crown I bear away with me. And tonight, when I enter before God, my salute shall sweep away all the stars from the blue threshold! One thing without stain, unspotted from the world in spite of doom mine own
[he raises his hand high]
Cyrano de Bergerac: and that is... my white plume.


Bette Davis

Bette Davis
(as Sara Muller)

Sara Muller: When the time comes. When it comes, I will do my best.

Paul Muni

Paul Muni
(as Dr. Louis Pasteur)

[addressing The Academy of Medicine - directing his remarks to the young men in the balcony]
Dr. Louis Pasteur: You young men - doctors and scientists of the future - do not let yourselves be tainted by apparent skepticism; nor discouraged by the sadness of certain hours that creep over nations. Do not become angry at your opponents, for no scientific theory has ever been accepted without opposition. Live in the serene peace of libraries and laboratories. Say to yourselves, first, "What have I done for my instruction?" And as you gradually advance, "What am I accomplishing?" Until the time comes when you may have the immense happiness of thinking that you have contributed in some way to the welfare and progress of mankind.

Spencer Tracy

Spencer Tracy
(as Matt Drayton)

Matt Drayton: Now Mr. Prentice, clearly a most reasonable man, says he has no wish to offend me but wants to know if I'm some kind of a *nut*. And Mrs. Prentice says that like her husband I'm a burned-out old shell of a man who cannot even remember what it's like to love a woman the way her son loves my daughter. And strange as it seems, that's the first statement made to me all day with which I am prepared to take issue... cause I think you're wrong, you're as wrong as you can be. I admit that I hadn't considered it, hadn't even thought about it, but I know exactly how he feels about her and there is nothing, absolutely nothing that you son feels for my daughter that I didn't feel for Christina. Old- yes. Burned-out- certainly, but I can tell you the memories are still there- clear, intact, indestructible, and they'll be there if I live to be 110. Where John made his mistake I think was in attaching so much importance to what her mother and I might think... because in the final analysis it doesn't matter a damn what we think. The only thing that matters is what they feel, and how much they feel, for each other. And if it's half of what we felt- that's everything. As for you two and the problems you're going to have, they seem almost unimaginable, but you'll have no problem with me, and I think when Christina and I and your mother have some time to work on him you'll have no problem with your father, John. But you do know, I'm sure you know, what you're up against. There'll be 100 million people right here in this country who will be shocked and offended and appalled and the two of you will just have to ride that out, maybe every day for the rest of your lives. You could try to ignore those people, or you could feel sorry for them and for their prejudice and their bigotry and their blind hatred and stupid fears, but where necessary you'll just have to cling tight to each other and say "screw all those people"! Anybody could make a case, a hell of a good case, against your getting married. The arguments are so obvious that nobody has to make them. But you're two wonderful people who happened to fall in love and happened to have a pigmentation problem, and I think that now, no matter what kind of a case some bastard could make against your getting married, there would be only one thing worse, and that would be if - knowing what you two are and knowing what you two have and knowing what you two feel- you didn't get married. Well, Tillie, when the hell are we gonna get some dinner?

Charlie Chaplin

Charlie Chaplin
(as A Factory Worker)

A gamin: What's the use of trying?
A factory worker: Buck up - never say die. We'll get along.

Ann Doran

Ann Doran
(as Mrs. Carol Stark)

Jim Stark: Mom. Dad. This is Judy. She's my friend.
Mrs. Carol Stark: He's...
[Frank speaks, overlapping so their words become unintelligible]

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