Oklahoma! (1955)

Curly: [to Jud] How did you get to be the way you air
[are]
Curly: anyhow? A-sittin' up here in this filthy hole
[referring to the smokehouse]
Curly: ? Why don't you do something healthy once in a while, instead of staying shut up here, a-crawlin' and a-festerin'?

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Laurey: Curly! You're sittin' on the stove!
Curly: Yeouch!
[Jumps up, feels the stove]
Curly: Cold as a hunk of ice.
Laurey: Wish it would've burned a hole in your pants.

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[first lines]
Curly: [singing] There's a bright golden haze on the meadow, There's a bright golden haze on the meadow. The corn is as high as a elephant's eye, And it looks like it's climbin' clear up to the sky. Oh, what a beautiful mornin', Oh, what a beautiful day! I got a beautiful feelin' Everything's goin' my way.

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The ending scene in the "Kansas City" routine proved to be rewarding for the "Goon Girls" (Lizanne Truex and Jane Fischer). Jumping off a moving train into the arms of the waiting cowboys entailed perfect timing. Just before the first take, a union representative called for an "adjustment", which turned out to be an additional $250 for each jump because of the hazard. Seven takes later, director Fred Zinnemann was satisfied, leading Lizanne Truex to remark that they must remember to call "Adjustment!" more often as she had a 1951 Ford to pay off.
Although James Mitchell and Bambi Linn danced the parts of Curly and Laury in the Dream Ballet, Rod Steiger did his own dancing in that sequence because there was no one who looked enough like him from the back. Despite his initial uncertainties, and after considerable coaching from choreographer Agnes de Mille, Steiger actually did a credible job, later calling it one of the biggest challenges he ever had.
Michael Todd had seen Shirley Jones in a touring performance of Oklahoma and suggested she be cast as Laurey for the film version.
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