What Price Hollywood? (1932) was a Drama - Black-and-white Film directed by George Cukor and produced by David O. Selznick and Pandro S. Berman.
Academy Awards 1931/32 --- Ceremony Number 5 (source: AMPAS)
|Best Writing||Adela Rogers St. Johns, Jane Murfin||Nominated|
WHAT PRICE HOLLYWOOD? PART TWOBy Terry on Oct 25, 2015 From Stardust and Shadows
In the first part of this series I took a capsule look at the Studio System with a nod to the use of drugs in order to produce and package the huge amount of product. It was not a complete look as many smaller operations such as PARAMOUNT PICTURES, RKO and the Poverty Row companies such as PRC, and ... Read full article
WHAT PRICE HOLLYWOOD? PART ONEBy Terry on Jun 21, 2015 From Stardust and Shadows
THE STUDIO GATES This is a slightly different look at the Hollywood myth – mainly because we are going to take a ?hardboiled? look at some of the ideas that nostalgic sites gloss over. Not all sites do yet this is an important part of the Hollywood story.? Gloss over, just as the major studios... Read full article
Pre-Code Crazy: What Price Hollywood? (1931)By shadowsandsatin on May 2, 2015 From Shadows and Satin
In previous months, my Pre-Code Crazy pick has always been a film that I?ve seen numerous times before. And while I was initially quite certain that this month?s selection also fit into that category, it turns out that I?d actually never seen it before! Oh, I?d seen the film?s beginning countless ti... Read full article
What Price Hollywood? (1932) (2)on Mar 24, 2014 From Journeys in Classic Film
It’s safe to say I know a lot about Hollywood; whether it’s reviewing movies or, by extension, reviewing movies about the art of making movies there’s no escaping the glittering pool of the silver screen.? It could explain the proliferation of behind-the-curtain features I watch.? ... Read full article
What Price Hollywood? – The Movie That Inspired A Star Is BornBy Anne Marie on Jan 17, 2014 From We Recycle Movies
I?d like to start 2014 with a throwback. All the way back in 2012, when I started (or rather restarted) We Recycle Movies, the blog was reborn with a trio of reviews of the various versions of A Star Is Born (1937, 1954, and 1976, respectively). At the time, I remarked that they were all based on an... Read full article
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[Mary Evans is admiring a magazine photo of Clark Gable]
Mary Evans: Hmmmm. Oh, boy!
[Mary places the magazine photo against her face and pretends Gable is her lover. She speaks in an exaggerated voice]
Mary Evans: Daaahling, how I love you my daaahling, I love you I do.
[she puts the magazine down and returns to her normal voice]
Mary Evans: It's getting late and I must scram.
Lonny Borden: Oh Mary? Aren't you going to say hello?
Mary Evans: How'd you find us?
Lonny Borden: Detectives. I kidnapped Jackie because I realized I'd never be able to get in to see you any other way.
Mary Evans: Why'd you come?
Lonny Borden: Well among other things, I've a rather important mesage here from Mr. Saxe. I'll read it. "Dear Mary. Just bought a new story. It'd make a good comeback for you. You go to prison for the man you love. Exhibiters interested. Mother and I send love. Julius Saxe." There is a p.s.
[he turns the message over and pretends to read a p.s]
Lonny Borden: "You better re-marry Lonny Borden. He adores you, he always has, cause he realizes that he isn't good enough for you but he'll do anything if you only take him back." It's true. Honest and a whole lot more!
Mary Evans: Then... than you didn't go to Hollywood just to take Jackie from me?
Lonny Borden: Well of course not dear. I came out to help if you needed it.
Mary Evans: Oh Lonny.
Lonny Borden: Let's have dinner together tonight, huh? There's a hotel here with a magnificent main dining room, a thirty piece orchestra, orchids.
Mary Evans: Suppose I said no?
Lonny Borden: Well you know what happened last time.
Mary Evans: Lonny!
Miss DuPont, the Interviewer: Of course you know Miss Evans, I'm writing a series of articles on the love lives of picture stars and I want your love life for the April number.
Lonny Borden: You want what?
Miss DuPont, the Interviewer: Now of course you don't mind answering just a few intimate questions. Of course I know you married for love. But was it the thoughtful reasoning kind or was it the blind passionate ummmmph kind?
Mary Evans: Well I don't know. I suppose it was the...
Lonny Borden: Well I should say it was the, uh, ummmmph kind!
Miss DuPont, the Interviewer: That's good! Now are you planning on having a family?
Mary Evans: I hope to some day.
Miss DuPont, the Interviewer: Oh how sweet. How interesting. Have you seperate bedrooms?
Mary Evans: No.
Miss DuPont, the Interviewer: Oh I must have a photograph of your bedroom! Now Miss Evans, tell me, just how far do you think a wife should go to keep a husband's love?
Mary Evans: Well I know I'd go a long way myself.
Miss DuPont, the Interviewer: And what do you think a husband should do to keep a wife's love, Mr. Borden?
Lonny Borden: I really haven't the faintest idea. Suppose you tell me!
Miss DuPont, the Interviewer: Oh oh oh. I've never been a husband. That reminds me. Have you a photograph showing your marvelous physique?
Lonny Borden: No but I have my appendix in the other room in a bottle. Perhaps you'd like to photograph that!
[Lonny gets up and exits]
Miss DuPont, the Interviewer: Has he gone to get it?
Mary Evans: No, uh, I, I don't think so, ummm.
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David O. Selznick wanted Clara Bow for the role of Mary Evans, but she turned it down when she was offered more money from Fox.
Max Carey was modelled after Lowell Sherman himself, who was known to be an alcoholic, as well as silent film director Marshall Neilan and actor John Barrymore (who was Sherman's brother-in-law at the time).
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