Two or Three Things I Know About Her (1967)

Narrator: How do you render events? How to say or show that at 4:10 p.m. that afternoon, Juliette and Marianne came to the garage where Juliette's husband works? Right way, wrong way - how can one say exactly what happened? Of course, there is Juliette, her husband, the garage. But are these the words and images to use? Are there no others? Am I talking too loud, looking too close?

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Narrator: Should I have talked about Juliette or the leaves, since it's impossible to do both at once? Let's say that both, on this October evening, trembled slightly.

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Narrator: Objects exist, and if we pay them more attention than we do people, it is because they exist more than those people. Dead objects live on. Living people are often dead already.

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In the scene where Juliette drops off her daughter at the day care/brothel, there is a painting on the wall of a screen shot of Nana (Anna Karina) in Vivre Sa Vie.
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