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Touch of Evil (1958) was a Crime - Film Noir Film directed by Orson Welles and produced by Albert Zugsmith and Rick Schmidlin.
Touch of Evil was inducted into the National Film Registry in 1993.
Touch of Evil (1958) – Film-NoirBy 4 Star Film Fan on Jul 1, 2013 From 4 Star Films
Starring Charlton Heston, Janet Leigh, and Orson Welles, this film is one of the last examples of what is considered true film-noir. In a small, dangerous, run down, border town, a mysterious car bombing murder takes place. A Mexican investigator who is a newlywed (Heston) and a hardened American po... Read full article
Touch of EvilBy RBuccicone on Sep 14, 2012 From MacGuffin Movies
Touch of Evil (1958) It had been probably seven years since I had seen Touch of Evil, so when the opportunity presented itself to see it on the big screen, I said, sure, why not? I probably should have been shouting from the rafters because in the interim I had completely forgotten just how much of ... Read full article
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Ramon Miguel 'Mike' Vargas: This could be very bad for us.
Susan: For us?
Ramon Miguel 'Mike' Vargas: For Mexico, I mean.
Ramon Miguel 'Mike' Vargas: Susie, one of the longest borders on earth is right here between your country and mine. An open border. Fourteen hundred miles without a single machine gun in place. Yeah, I suppose that all sounds very corny to you.
Susan: I could love being corny, if my husband would only cooperate.
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Janet Leigh broke her left arm before filming commenced, but appeared nonetheless. The arm was in a cast, hidden from the camera, for many scenes. In the more revealing motel scenes, the cast was removed for filming, and re-applied afterwards.
Executives from Universal Pictures only found out that Marlene Dietrich was playing Tanya when they saw the rushes for that day's shooting; she had filmed her part in one day as a personal favor to Orson Welles and he had not told anyone about it. She agreed to appear at minimum union wage, but when the studio execs decided to give her on-screen credit, they had to pay her more.
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