To Kill a Mockingbird (1962) was a Crime - Drama Film directed by Robert Mulligan and produced by Alan J. Pakula.
The film was based on the novel of the same name written by Harper Lee published in 1960.
To Kill a Mockingbird was inducted into the National Film Registry in 1995.
Academy Awards 1962 --- Ceremony Number 35 (source: AMPAS)
|Best Actor||Gregory Peck||Won|
|Best Supporting Actress||Mary Badham||Nominated|
|Best Art Direction||Art Direction: Alexander Golitzen, Henry Bumstead; Set Decoration: Oliver Emert||Won|
|Best Cinematography||Russell Harlan||Nominated|
|Best Director||Robert Mulligan||Nominated|
|Best Music - Scoring||Elmer Bernstein||Nominated|
|Best Picture||Alan J. Pakula, Producer||Nominated|
|Best Writing||Horton Foote||Won|
To Kill a Mockingbird (1962, Robert Mulligan)on Jan 10, 2020 From The Stop Button
During To Kill a Mockingbird?s exceptional opening titles, I wondered how it was possible the film was going to look so amazing yet had no reputation for being some exquisitely, precisely directed piece of cinema. Then up came Stephen Frankfurt?s credit for title design, which kind of dulled my exci... Read full article
Win Tickets to see ?TCM Big Screen Classics: To Kill a Mockingbird? (Giveaway runs now through Mar 9)By Annmarie Gatti on Feb 10, 2019 From Classic Movie Hub Blog
Win tickets to see ?To Kill a Mockingbird? on the Big Screen! In Select Cinemas Nationwide?Sun Mar 24 & Wed Mar 27 ?You never really understand a person until you consider things from his point of view… Until you climb inside of his skin and walk around in it.? CMH continues with?our?4th y... Read full article
To Kill a Mockingbird: The Casting of Scout and JemBy Annmarie Gatti on Aug 27, 2018 From Classic Movie Hub Blog
The Filming of To Kill a Mockingbird: The Casting of Scout & Jem Exclusive Excerpt from ?Why to Kill a Mockingbird Matters? Another Big Thank You to author Tom Santopietro for hand-picking another excerpt for us – this time about the casting of Scout and Jem – from his book??Why to K... Read full article
To Kill a Mockingbird: The Casting of Atticus FinchBy Annmarie Gatti on Aug 20, 2018 From Classic Movie Hub Blog
The Filming of To Kill a Mockingbird: The Casting of Atticus Finch Exclusive Excerpt from “Why to Kill a Mockingbird Matters” A Big Thank You to author Tom Santopietro for hand-picking this excerpt about the casting of Atticus, from his book “Why to Kill a Mockingbird Matters”... Read full article
Why To Kill a Mockingbird Matters, Book Giveaway (now through August 18)By Annmarie Gatti on Jul 9, 2018 From Classic Movie Hub Blog
Why To Kill a Mockingbird Matters: What Harper Lee’s Book and the Iconic American Film Mean To Us Today Book Giveaway Meticulous attention to detail… Readers not familiar with the stories behind the novel and film will find much to relish.??-Publishers Weekly We’re super excited ab... Read full article
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Atticus Finch: [his closing statement] To begin with, this case should never have come to trial. The state has not produced one iota of medical evidence that the crime Tom Robinson is charged with ever took place... It has relied instead upon the testimony of two witnesses, whose evidence has not only been called into serious question on cross-examination, but has been flatly contradicted by the defendant. Now, there is circumstantial evidence to indicate that Mayella Ewel was beaten - savagely, by someone who led exclusively with his left. And Tom Robinson now sits before you having taken the oath with the only good hand he possesses... his RIGHT. I have nothing but pity in my heart for the chief witness for the State. She is the victim of cruel poverty and ignorance. But my pity does not extend so far as to her putting a man's life at stake, which she has done in an effort to get rid of her own guilt. Now I say "guilt," gentlemen, because it was guilt that motivated her. She's committed no crime - she has merely broken a rigid and time-honored code of our society, a code so severe that whoever breaks it is hounded from our midst as unfit to live with. She must destroy the evidence of her offense. But what was the evidence of her offense? Tom Robinson, a human being. She must put Tom Robinson away from her. Tom Robinson was to her a daily reminder of what she did. Now, what did she do? She tempted a Negro. She was white, and she tempted a Negro. She did something that, in our society, is unspeakable. She kissed a black man. Not an old uncle, but a strong, young Negro man. No code mattered to her before she broke it, but it came crashing down on her afterwards. The witnesses for the State, with the exception of the sheriff of Maycomb County have presented themselves to you gentlemen, to this court in the cynical confidence that their testimony would not be doubted, confident that you gentlemen would go along with them on the assumption... the evil assumption that all Negroes lie, all Negroes are basically immoral beings, all Negro men are not to be trusted around our women. An assumption that one associates with minds of their caliber, and which is, in itself, gentlemen, a lie, which I do not need to point out to you. And so, a quiet, humble, respectable Negro, who has had the unmitigated TEMERITY to feel sorry for a white woman, has had to put his word against TWO white people's! The defendant is not guilty - but somebody in this courtroom is. Now, gentlemen, in this country, our courts are the great levelers. In our courts, all men are created equal. I'm no idealist to believe firmly in the integrity of our courts and of our jury system - that's no ideal to me. That is a living, working reality! Now I am confident that you gentlemen will review, without passion, the evidence that you have heard, come to a decision and restore this man to his fami
Scout: Atticus, do you defend niggers?
Atticus Finch: [startled] Don't say 'nigger,' Scout.
Scout: I didn't say it... Cecil Jacobs did; that's why I had to fight him.
Atticus Finch: [sternly] Scout, I don't want you fightin'!
Scout: I had to, Atticus, he...
Atticus Finch: I don't care what the reasons are: I forbid you to fight.
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It has been reported that this film was Gregory Peck's favorite work.
When he attended the Academy Awards, Gregory Peck was completely convinced that his friend Jack Lemmon would beat him to the Best Actor Oscar for his searing portrayal of an alcoholic in Days of Wine and Roses.
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