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The Third Man Overview:

The Third Man (1949) was a Film Noir - Mystery Film directed by Carol Reed and produced by Carol Reed, David O. Selznick, Alexander Korda and Hugh Perceval.

The film was based on the novel of the same name written by Graham Greene published in 1949.

Academy Awards 1950 --- Ceremony Number 23 (source: AMPAS)

AwardRecipientResult
Best CinematographyRobert KraskerWon
Best DirectorCarol ReedNominated
Best Film EditingOswald HafenrichterNominated
.

BlogHub Articles:

The Third Man At 70

By 4 Star Film Fan on Oct 16, 2019 From 4 Star Films

Oh, how I love The?Third Man (or The 3rd Man). Regardless of how you write it, Carol Reed‘s post-war noir is one of those special films that was a case of love at first sight.? I knew some of the reasons already, but watching the film with a friend (on his first viewing) teased them out even m... Read full article


The Third Man (1949): Out of the Rubble

By 4 Star Film Fan on Nov 2, 2017 From 4 Star Films

Like the fella says, in Italy for 30 years under the Borgias they had warfare, terror, murder, and bloodshed, but they produced Michelangelo, Leonardo da Vinci, and the Renaissance. In Switzerland they had brotherly love – they had 500 years of democracy and peace, and what did that produce? T... Read full article


The Third Man (1949): Out of the Rubble

By 4 Star Film Fan on Nov 2, 2017 From 4 Star Films

Like the fella says, in Italy for 30 years under the Borgias they had warfare, terror, murder, and bloodshed, but they produced Michelangelo, Leonardo da Vinci, and the Renaissance. In Switzerland they had brotherly love – they had 500 years of democracy and peace, and what did that produce? T... Read full article


The Third Man (1949, Carol Reed)

By Andrew Wickliffe on Jul 16, 2016 From The Stop Button

The Third Man runs just over a hundred minutes and takes place over a few days. It’s never clear just how many; director Reed and writer Graham Greene are both resistant to the idea of making the film too procedural. Greene’s scenes, even when they’re expository, still strive again... Read full article


The Third Man

By Amanda Garrett on Apr 10, 2016 From Old Hollywood Films

Today, I'm reviewing The Third Man (1949), starring Joseph Cotten. This article is part of Words! Words! Words! A Chatty CMBA Blogathon from the members of the Classic Movie Blog Association. Holly Martins, as played by Joseph Cotten in the classic Cold War thriller The Third Man (1949), is n... Read full article


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Quotes from

Anna Schmidt: A person doesn't change just because you find out more.


Harry Lime: Nobody thinks in terms of human beings. Governments don't. Why should we? They talk about the people and the proletariat, I talk about the suckers and the mugs - it's the same thing. They have their five-year plans, so have I.
Martins: You used to believe in God.
Harry Lime: Oh, I still do believe in God, old man. I believe in God and Mercy and all that. But the dead are happier dead. They don't miss much here, poor devils.


Martins: Have you ever seen any of your victims?
Harry Lime: You know, I never feel comfortable on these sort of things. Victims? Don't be melodramatic. Look down there. Tell me. Would you really feel any pity if one of those dots stopped moving forever? If I offered you twenty thousand pounds for every dot that stopped, would you really, old man, tell me to keep my money, or would you calculate how many dots you could afford to spare? Free of income tax, old man. Free of income tax - the only way you can save money nowadays.


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Facts about

Ranked #5 on the American Film Institute's list of the 10 greatest films in the genre "Mystery" in June 2008.
Somewhat apocryphal stories are abound about Carol Reed discovering musician Anton Karas while scouring Vienna bars and nightclubs. Reed actually heard Karas playing at a production party and insisted the Austrian zither player come to Reed's hotel room and record songs to use for the contract. Later in production, Reed realized he wanted to use Karas' music for the whole film and flew Karas out to London to record the score. Karas became a top-selling musician thanks to the film and opened a nightclub called "The Third Man" in Vienna, which he ran to the end of his days.
In one shot in the Wienkanal, a security officer passes by a wall with the engraving "O5," which was the secret symbol of the Austrian resistance against Nazi occupation. ("O5" represents "OE" or "Ö," the first letter of "Österreich," the native name for Austria.)
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