The Snake Pit (1948)

Mrs. Greer: Good afternoon, my dear. I don't think I've had the pleasure of seeing you here before.
Virginia Stuart Cunningham: I'm Virginia Cunningham. I came from Five.
Mrs. Greer: Nobody comes to One from Five. Even I had to spend a few days in Two before coming here. And I, my dear, have money.
Virginia Stuart Cunningham: That must be convenient.
Mrs. Greer: My husband, Mr. Greer, is very wealthy. I have more jewels than I can possibly wear. You, of course, are a charity patient?
Virginia Stuart Cunningham: Oh, no. It so happens that my husband, Mr. Cunningham, is very wealthy. My diamonds simply weigh me down.
Mrs. Greer: I have the Hope Diamond!
Virginia Stuart Cunningham: I have the Hopeless Emerald! It carries the Cunningham curse. You've probably read about it.
Mrs. Greer: Mr. Greer...
Virginia Stuart Cunningham: Your husband?
Mrs. Greer: Mr. Greer, my husband, considered buying it, but it has a flaw. You see, you can't put an imperfect stone on the most beautiful hands in the world.

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Virginia Stuart Cunningham: It was strange, here I was among all those people, and at the same time I felt as if I were looking at them from some place far away, the whole place seemed to me like a deep hole and the people down in it like strange animals, like... like snakes, and I've been thrown into it... yes... as though... as though I were in a snake pit...
Doctor Mark Kik: A snake pit?
Virginia Stuart Cunningham: Later, weeks later, I understood. I remembered once reading in a book that long ago they used to put insane people into pits full of snakes. I think they figured that something which might drive a normal person insane, might shock an insane person back into sanity. Did you ever hear of that?
Doctor Mark Kik: Yes.
Virginia Stuart Cunningham: Well, it was just as though they'd thrown me into a snake pit. And I was shocked into thinking that maybe I wasn't as sick as the others... and I really might get well.

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Celia Sommerville: And we're so crowded already. I just don't know where it's all gonna end!
Virginia Stuart Cunningham: I'll tell you where it's gonna end, Miss Somerville... When there are more sick ones than well ones, the sick ones will lock the well ones up.

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In his autobiography, writer Arthur Laurents said that he had been hired by director Anatole Litvak to rewrite the first draft of the screenplay by Frank Partos and Millen Brand, which he did. Partos and Brand wanted the WGA to rule that they were the only writers and to delete Laurents' credit, so they submitted the script to an arbitration and presented carbon copies of Laurents' work as their own. The WGA removed Laurents' credit, even though several years later, Brand admitted to Laurents that he and Partos had created forged carbons to make Laurents' work look like theirs.
Director Anatole Litvak insisted that the cast and crew spend three months visiting mental institutions and attending psychiatric lectures to prepare themselves for the film. Olivia de Havilland willingly threw herself into the research. She attended patient treatments at the institutions, and observed electric shock therapy and hydrotherapy first-hand. When permitted, she sat in on doctor-patient therapy sessions. She also attended social events for patients at the institutions. After seeing the film, a "Daily Variety" columnist questioned whether any mental institution would really allow violent inmates to dance with each other at a social event. De Havilland personally called the columnist to confirm that she had attended several such dances at institutions.
The British censor insisted on a foreword explaining that everyone in the film was an actor and that conditions in British mental hospitals were unlike those depicted.
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