The Magnificent Ambersons (1942) was a Drama - Romance Film directed by Orson Welles and Fred Fleck and produced by Orson Welles, Jack Moss and George Schaefer.
The film was based on the novel of the same name written by Booth Tarkington published in 1918.
The Magnificent Ambersons was inducted into the National Film Registry in 1991.
Academy Awards 1942 --- Ceremony Number 15 (source: AMPAS)
|Best Supporting Actress||Agnes Moorehead||Nominated|
|Best Art Direction||Art Direction: Albert S. D'Agostino; Interior Decoration: Darrell Silvera, Al Fields||Nominated|
|Best Cinematography||Stanley Cortez||Nominated|
1001 Classic Movies: The Magnificent AmbersonsBy Amanda Garrett on May 26, 2017 From Old Hollywood Films
The Magnificent Ambersons (1942) is one of the 1001 classic movies you should see. This Orson-Welles directed drama about a turn-of-the-century Indiana family stars from left: Richard Bennett; Joseph Cotten; Dolores Costello; Don Dillaway; Agnes Moorehead, and Ray Collins. This series will now ap... Read full article
The Magnificent Ambersons (1942)By Carol Martinheira on May 2, 2017 From The Old Hollywood Garden
The Magnificent Ambersons (1942) On May 2, 2017May 2, 2017 By CarolIn Uncategorized The Magnificent Ambersons (1942) was one of the many, many movies I saw in the glorious summer of 2007. That was the year I fell in love with classic movies, and that summer I watched a... Read full article
The Magnificent AmbersonsBy Amanda Garrett on Dec 5, 2016 From Old Hollywood Films
Today, I'm reviewing director Orson Welles drama The Magnificent Ambersons (1942), starring (from left) Richard Bennett; Joseph Cotten; Dolores Costello; Don Dillaway; Agnes Moorehead, and Ray Collins. This article is part of The Agnes Moorehead Blogathon hosted by In the Good Old Days of Classic... Read full article
The Magnificent Ambersons (1942, Orson Welles)By Andrew Wickliffe on May 9, 2016 From The Stop Button
Unfortunately, I feel the need to address some of the behind the scenes aspects of The Magnificent Ambersons. Not because I plan on talking about them, but because director Welles’s career is filled with a lack of control. There are always questions–what did editor Robert Wise do on his ... Read full article
The Magnificent AmbersonsBy Michael on Jul 23, 2014 From Le Mot du Cinephiliaque
The Magnificent Ambersons (Orson Welles, 1942) The spoiled young heir to the decaying Amberson fortune comes between his widowed mother and the man she has always loved. The Magnificent Ambersons plays like a nice classical music from a classic composer, it is a story about pride, richness, family... Read full article
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George: Oh, lots of useless guff.
Lucy: Why don't you study some useful guff?
George: What do you mean, useful?
Lucy: Something you'd use later in your business or profession.
George: I don't intend to go into any business or profession.
Lucy: Why not?
George: Well, just look at them. That's a fine career for a man, isn't it? Lawyers, bankers, politicians. What do they ever get out of life, I'd like to know. What do they know about real things? What do they ever get?
Lucy: What do you want to be?
George: [fatuously] A yachtsman!
[Lucy reacts with astonishment]
Narrator: George Amberson-Minafer walked home through the strange streets of what seemed to be a strange city. For the town was growing... changing... it was heaving up in the middle, incredibly; it was spreading incredibly. And as it heaved and spread, it befouled itself and darkened its skies. This was the last walk home he was ever to take up National Avenue, to Amberson Edition, and the big old house at the foot of Amberson Boulevard. Tommorow they were to move out. Tomorrow everything would be gone.
Eugene: Fanny, I wish you could have seen Georgie's face when he saw Lucy. You know what he said to me when we went into that room? He said, "You must have known my mother wanted you to come here today, so that I could ask you to forgive me." We shook hands. I never noticed before how much like Isabel Georgie looks. You know something, Fanny? I wouldn't tell this to anybody but you. But it seemed to me as if someone else was in that room. And that through me, she brought her boy unto shelter again. And that I'd been true at last, to my true love.
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The set for the Ambersons mansion was one of the most elaborate and expensive sets ever built at the time. RKO would utilize the standing set for other films.
Several cast members in studio records/casting call lists apparently were eliminated during the final editing process. These were (with their character names): Jesse Graves (Servant), Lillian Nicholson (Landlady), Robert Pittard (Charles Johnson) and Sam Rice (Attendee at Funeral). Don Dillaway (Wilbur Minafer) is not mentioned in Welles' oral credits, but he appears in three scenes in the opening minutes of the film: As Isabel and Wilbur emerge from a store, Isabel spurns suitor Eugene's attentions; Wilbur reads aloud a letter complaining about son George's misbehavior as George, Major Amberson, and Isabel listen; and Wilbur has lines in several shots of the ball scene.
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