The Cincinnati Kid (1965) was a Drama - Film Adaptation Film directed by Norman Jewison and produced by John Calley and Martin Ransohoff.
The Cincinnati Kid (1965)By 4 Star Film Fan on Jun 16, 2019 From 4 Star Films
The opening images of The Cincinnati Kid are nearly inexplicable but that doesn’t mean they can’t be fun. Steve McQueen brushes past a funeral procession of African-Americans complete with a groovin’ brass band. Then there’s a bit of a needless opening gambit where he’s... Read full article
The Cincinnati Kid (1965)By Beatrice on Aug 24, 2018 From Flickers in Time
The Cincinnati Kid Directed by Norman Jewison Written by Ring Lardner Jr. and Terry Southern from a novel by Richard Jessup 1965/USA Filmways Pictures/Solar Productions First viewing/Netflix rental Lancey Howard: I recollect a young man putting the same question to Eddie the Dude. “Son,”... Read full article
The Cincinnati Kid (1965)By Google profile on Nov 4, 2011 From Out of the Past - A Classic Film Blog
About MeBlogger, Out of the Past - A Classic Film Blog and more. Please add my Google profile to your circles. "You're just not ready for me yet" - Cincinnati Kid Most classic film enthusiasts consume films at a high rate. I am not one of those people. My slow rate of consumption leaves for a l... Read full article
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Shooter: Melba, why do you do that?
Melba: So it'll fit, stupid.
Shooter: No, I'm not talking about that. What I'm asking is... do you, uh, have to cheat at everything?
Melba: At everything?
Shooter: Yes. At... solitaire. I've yet to see you play one game of solitaire without cheating.
Melba: So what?
Shooter: Look, you're just cheating yourself, don't you understand? You'll be the loser, no one else but yourself!... You've ruined the puzzle, now, that doesn't go in there.
[She forces the altered piece into place]
Melba: Does now.
Lancey Howard: Women are a universal problem in our business. Of course, uh, it's purely an academic question wuth me now, but, looking back, I think it's best not to look for a fixed thing. Just tie into something nice when you're away from the action and let it wear itself out.
Slade: Six stacks, is that right, Shooter?
Slade: Well, we've been playing 30 hours... uh, that rate, six thousand, that makes roughly, uh, $200 an hour. Thank you for the entertainment, gentlemen. I am particularly grateful to Lancey, here; it's been a rewarding experience to watch a great artist at work. Thank you for the privilege, sir.
Lancey Howard: Well now, you're quite welcome, son. It's a pleasure to meet someone who understands that to the true gambler, money is never an end in itself, it's simply a tool, as a language is to thought. Good evening, uh... Mr. Slade.
Slade: Good evening, Mr. Howard.
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Final film of Harry Wilson.
Sharon Tate was replaced in the film by Tuesday Weld after Sam Peckinpah was fired by producer Martin Ransohoff.
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