Sunset Boulevard (1950) | |
| Director(s) | Billy Wilder |
| Producer(s) | Charles Brackett |
| Top Genres | Drama, Film Noir |
| Top Topics | Fame |
Featured Cast:
Sunset Boulevard Overview:
Sunset Boulevard (1950) was a Drama - Film Noir Film directed by Billy Wilder and produced by Charles Brackett.
Sunset Boulevard was inducted into the National Film Registry in 1989.
Academy Awards 1950 --- Ceremony Number 23 (source: AMPAS)
| Award | Recipient | Result |
| Best Actor | William Holden | Nominated |
| Best Supporting Actor | Erich von Stroheim | Nominated |
| Best Actress | Gloria Swanson | Nominated |
| Best Supporting Actress | Nancy Olson | Nominated |
| Best Art Direction | Art Direction: Hans Dreier, John Meehan; Set Decoration: Sam Comer, Ray Moyer | Won |
| Best Cinematography | John F. Seitz | Nominated |
| Best Director | Billy Wilder | Nominated |
| Best Film Editing | Arthur Schmidt, Doane Harrison | Nominated |
| Best Music - Scoring | Franz Waxman | Won |
| Best Picture | Paramount | Nominated |
| Best Writing | Charles Brackett, Billy Wilder, D. M. Marshman, Jr. | Won |
BlogHub Articles:
Sunset Boulevard (1950, Billy Wilder)
By Andrew Wickliffe on Jun 15, 2018 From The Stop ButtonThe third act of Sunset Boulevard just gets darker and darker. The film digs down into one level, then finds another, then another, then maybe even another. Director Wilder and co-writers Charles Brackett and D.M. Marshman Jr. find a way to fully condemn the film?s setting?Hollywood, with Paramount ... Read full article
Win Tickets to see “TCM Big Screen Classics: Sunset Boulevard” (Giveaway runs through April 28)
By Aurora Bugallo on Apr 6, 2018 From Classic Movie Hub BlogWin tickets to see “Sunset Boulevard” on the big screen! In Select Cinemas Nationwide Sun May 13 and Wed May 16! “They took the idols and smashed them, the Fairbankses, the Gilberts, the Valentinos! And who’ve we got now? Some nobodies!” CMH continues into our?3rd year ... Read full article
1001 Classic Movies: Sunset Boulevard
By Amanda Garrett on Jan 16, 2017 From Old Hollywood FilmsSunset Boulevard (1950), starring William Holden, Gloria Swanson, and Erich von Stroheim, is one of the 1001 classic movies you should see. Each Monday, I'm going to recommend a classic movie you should see (for the reasons behind the 1001 series and reviews of earlier films covered go here). Jan... Read full article
Sunset Boulevard: But What about the Monkey?
By FlickChick on Sep 9, 2016 From A Person in the DarkNo, I don't think he committed suicide..... I can’t help it. I want to know more about Norma Desmond’s monkey. Monkey, we hardly knew you..... Oh sure, we know he’s dead, and that he serves as the plot device to get Joe Gillis into Norma’s cage, but, really, who was he?... Read full article
William Holden in Sunset Boulevard: The Perfect Old Hollywood Boyfriend
By Amanda Garrett on Jun 14, 2016 From Old Hollywood FilmsToday, I'm making a list of reasons why William Holden in Sunset Boulevard (1950) is the perfect old Hollywood boyfriend. This article is part of the Reel Infatuation Blogathon hosted by Font & Frock and Silver Screenings. On paper, the character of Joe Gillis in Sunset Boulevard (1950) i... Read full article
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Quotes from
Joe Gillis: So they were turning after all, those cameras. Life, which can be strangely merciful, had taken pity on Norma Desmond. The dream she had clung to so desperately had enfolded her.
Joe Gillis: [voice-over] The whole place seemed to have been stricken with a kind of creeping paralysis - out of beat with the rest of the world, crumbling apart in slow motion.
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Facts about
Billy Wilder and Charles Brackett's 17th and final screenplay collaboration. After the completion of "Sunset Boulevard," Wilder shocked his longtime collaborator by announcing that he wished to dissolve their partnership. The two men never worked together again.
Highly unusual at the time, Charles Brackett and Billy Wilder had Joe Gillis narrate, from beyond the grave, the sad tale of the final months of his life, while the film simultaneously depicts the still-living Gillis experiencing those events unaware of the fate his dead self already knows. This parallel narrative - two perspectives from the same character, one omniscient, the other blissfully ignorant - that converge at the moment of Joe's death, are a major reason the film retains such dramatic and emotional power.
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