Rear Window (1954) was a Mystery - Romance Film directed by Alfred Hitchcock and produced by Alfred Hitchcock.
The film was based on the short story It Had to Be Murder written by Cornell Woolrich published in Dime Detective Magazine in Feb 1942.
Rear Window was inducted into the National Film Registry in 1997.
Academy Awards 1954 --- Ceremony Number 27 (source: AMPAS)
|Best Cinematography||Robert Burks||Nominated|
|Best Director||Alfred Hitchcock||Nominated|
|Best Writing||John Michael Hayes||Nominated|
The Directors’ Chair: Rear WindowBy Theresa Brown on Aug 25, 2020 From Classic Movie Hub Blog
The Directors’ Chair: Rear Window (Hitchcock, 1954) ?REAR WINDOW? (1954) – CURIOSITY KILLED THE… James Stewart, Rear Window Holed up in his apartment with a broken leg, a photo journalist played by James Stewart, whiles away his recuperative time watching his neighbor... Read full article
Rear Window (1954): Visual Cinema and “Lisa”By 4 Star Film Fan on Apr 7, 2018 From 4 Star Films
There are such a vast number of levels to appreciate Rear Window on and one of those is its impeccable use of sound as well as a?score courtesy of Franz Waxman. In fact, it is quite easy to consider it as a film with a wholly diegetic soundtrack but it’s really a complicated weaving of sound o... Read full article
Rear Window Photo GalleryBy Amanda Garrett on Jun 22, 2017 From Old Hollywood Films
Today, I'm featuring photos, posters, and sketches from director Alfred Hitchcock's classic thriller Rear Window (1954). The photo above shows Hitch conferring with stars James Stewart and Grace Kelly. Director Alfred Hitchcock's Rear Window (1954) is a crackling suspense story about a photograp... Read full article
DOUBLE BILL #1 Rear Window (1954) and Vertigo (1958)By Carol Martinheira on Apr 10, 2017 From The Old Hollywood Garden
DOUBLE BILL #1 Rear Window (1954) and Vertigo (1958) On April 10, 2017 By CarolIn Uncategorized A while ago, I wrote an article about the many similarities and differences between All About Eve (1950) and Sunset Boulevard (1950). It wasn?t really a comparison piece per... Read full article
Rear Window (1954, Alfred Hitchcock)By Andrew Wickliffe on Jan 14, 2017 From The Stop Button
Rear Window is an absurdly good time. It?s breathtakingly produced and the set is a marvel on its own, but it?s also an absurdly good time. You?ve got Thelma Ritter chastising James Stewart not just for peeping, she also chastises him for not being serious enough about Grace Kelly. How could it not ... Read full article
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Jeff: [stunned] You mean that you can explain everything strange that has been going on over there, and is still going on?
Lt. Doyle: No, and neither can you. That's a secret private world your looking into out there. People do a lot of things in private they couldn't possibly explain in public.
Lisa: Like killing their wives?
Lt. Doyle: Get that idea out of your head. It will only lead you in the wrong direction.
Lisa: What's he doing? Cleaning house?
Jeff: He's washing and scrubbing down the bathroom walls.
Stella: Must've splattered a lot.
[both Jeff and Lisa look at Stella with disgust]
Stella: Come on, that's what were all thinkin'. He killed her in there, now he has to clean up those stains before he leaves.
Lisa: Stella... your choice of words!
Stella: Nobody ever invented a polite word for a killin' yet.
Lisa: You can't ignore the wife dissapearing, and the trunk, and the jewelery.
Lt. Doyle: I checked the railroad station. Yesterday at 6:20 am, he bought a ticket. Ten minutes later, he put his wife on a train. Destination: Meritsville. I asure you, the witnesses are that deep.
Lisa: That might have been a woman, but it couldn't have been Mrs. Thorwald. That jewelery...
Lt. Doyle: Look, Miss Fremont, that feminine intuition stuff sells magazines, but in real life it's still a fairy tale. I don't know how many times I chased down leads based on women's intuition.
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Alfred Hitchcock supposedly hired Raymond Burr to play Lars Thorwald because he could be easily made to look like his old producer David O. Selznick, who Alfred Hitchcock felt interfered too much.
While shooting, Alfred Hitchcock worked only in Jeff's "apartment." The actors in other apartments wore flesh-colored earpieces so that he could radio his directions to them.
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