One, Two, Three (1961) | |
Director(s) | Billy Wilder |
Producer(s) | I.A.L. Diamond (associate), Doane Harrison (associate), Billy Wilder |
Top Genres | Comedy, Film Adaptation |
Top Topics | Based on Play, Cold War, Politics, Satire, Secretaries |
Featured Cast:
One, Two, Three Overview:
One, Two, Three (1961) was a Comedy - Black-and-white Film directed by Billy Wilder and produced by Billy Wilder, I.A.L. Diamond and Doane Harrison.
SYNOPSIS
Yet another great Wilder effort (he also wrote the blistering screenplay with longtime collaborator Diamond), this time a sprinting comedy of clashing ideologies subverted by love. Cagney's last film finds him as a fast-talking, hard-driving head of the German branch of Coca-Cola. Worlds collide as he volunteers to babysit Tiffin, the teenage daughter of a Coke executive from the home office. He loses her, then finds her in love with East German communist beatnik, Buchholtz. Cagney frames him to get him away from Tiffin, then discovers that he and Tiffin are not just married, but expecting. Cagney rescues the kid, but then loses his job to the reformed communist. Notable score by Previn.
(Source: available at Amazon AMC Classic Movie Companion).
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Academy Awards 1961 --- Ceremony Number 34 (source: AMPAS)
Award | Recipient | Result |
Best Cinematography | Daniel L. Fapp | Nominated |
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Quotes from
Phyllis MacNamara: Whatever it is, it's all ours for the next two weeks.
[in mock Southern accent]
Phyllis MacNamara: Isn't that marvy?
[squeaky giggle]
Phyllis MacNamara: She married a communist? That's going to be the biggest thing to hit Atlanta since General Sherman threw that little barbecue. No, I don't think it's funny. They're going to live in Moscow? Now, that's funny!
Otto: They have assigned us a magnificent apartment. Just a short walk from the bathroom.
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Facts about
The building of the Berlin Wall during production badly hurt the film's marketing in Germany. It was very ill-received by German audiences and had minimal success during its initial run.
At one point Cagney says, "I wish I were in hell with my back broken," a line Billy Wilder used in at least two of his earlier films. Humphrey Bogart says the same line in "Sabrina", and Akim Tamiroff says a slight variation, "I wish I were in a black pit with my back broken," in "Five Graves to Cairo".
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