On the Waterfront (1954) was a Crime - Drama Film directed by Elia Kazan and produced by Sam Spiegel.
The film was based on the newspaper article Crime on the Waterfront from the New York Sun, 24-part series written by Malcolm Johnson published in Nov-Dec 1948.
On the Waterfront was inducted into the National Film Registry in 1989.
Academy Awards 1954 --- Ceremony Number 27 (source: AMPAS)
|Best Actor||Marlon Brando||Won|
|Best Supporting Actor||Lee J. Cobb||Nominated|
|Best Supporting Actor||Karl Malden||Nominated|
|Best Supporting Actor||Rod Steiger||Nominated|
|Best Supporting Actress||Eva Marie Saint||Won|
|Best Art Direction||Richard Day||Won|
|Best Cinematography||Boris Kaufman||Won|
|Best Director||Elia Kazan||Won|
|Best Film Editing||Gene Milford||Won|
|Best Music - Scoring||Leonard Bernstein||Nominated|
|Best Picture||Sam Spiegel, Producer||Won|
|Best Writing||Budd Schulberg||Won|
?TCM Big Screen Classics: On the Waterfront? Movie Event Ticket Giveaway (April 1 – April 16)By Annmarie Gatti on Apr 1, 2016 From Classic Movie Hub Blog
Win Tickets to see ?On the Waterfront? on the Big Screen! in Select Cinemas Nationwide?April 24 &?April 27! Okay, here we go? our?next round of monthly?movie ticket giveaways, courtesy of Fathom Events!?That said, this month, we?ll be giving away?SIX PAIRS?of tickets to see??TCM Big Screen Class... Read full article
Chicago Film Club field trip: “On the Waterfront” April 24 at ShowPlace ICON at Roosevelt RoadBy Stephen Reginald on Mar 30, 2016 From Classic Movie Man
Chicago Film Club field trip: “On the Waterfront” April 24 at ShowPlace ICON at Roosevelt Road Where: ShowPlace ICON, 150 W Roosevelt Road, Chicago, IL 60605 When: April 24 Time: 2:00 p.m. Hosted by Stephen Reginald Run Time: 2 hours (approximate) Ticketing: Tickets are avail... Read full article
On the Waterfront (1954)By Beatrice on Dec 27, 2015 From Flickers in Time
On the Waterfront Directed by Elia Kazan Written by Budd Schulberg based on his original story suggested by articles by Malcolm Johnson 1954/USA Columbia Pictures Corporation/Horizon Pictures Repeat viewing/Netflix rental #281 of 1001 Movies You Must See Before You Die Terry: Edie, you love me... Read full article
On the Waterfront (1954, Elia Kazan)By Andrew Wickliffe on Jul 3, 2015 From The Stop Button
On the Waterfront is relentlessly grim until the strangest moment in the finale. As the film finally reaches the point of savage, physical violence–it opens with the implication, but not the visualization of such violence–a supporting character (familiar but mostly background) makes a wi... Read full article
On the Waterfront, 1954, Elia KazanBy Aaron West on May 17, 2015 From Criterion Blues
May 17 Posted by aaronwest Waterfront Week was quite an experiment. This is not something I’ve done before but I’ll most likely do it again for important films as they come along. Here are the posts from the week: Kazan Naming Names – This is about Elia Kazan’s experiences w... Read full article
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Charlie: So, how'd it go?
Terry: He up on the roof.
Charlie: The "pigeon"?
Terry: Uh, yeah, it worked.
Charlie: Look, kid, I - how much you weigh, son? When you weighed one hundred and sixty-eight pounds you were beautiful. You coulda been another Billy Conn, and that skunk we got you for a manager, he brought you along too fast.
Terry: It wasn't him, Charley, it was you. Remember that night in the Garden you came down to my dressing room and you said, "Kid, this ain't your night. We're going for the price on Wilson." You remember that? "This ain't your night"! My night! I coulda taken Wilson apart! So what happens? He gets the title shot outdoors on the ballpark and what do I get? A one-way ticket to Palooka-ville! You was my brother, Charley, you shoulda looked out for me a little bit. You shoulda taken care of me just a little bit so I wouldn't have to take them dives for the short-end money.
Charlie: Oh I had some bets down for you. You saw some money.
Terry: You don't understand. I coulda had class. I coulda been a contender. I coulda been somebody, instead of a bum, which is what I am, let's face it. It was you, Charley.
Terry: Conscience... that stuff can drive you nuts!
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In 2007, the American Film Institute ranked this as the #19 Greatest Movie of All Time.
Although the part of Edie Doyle properly is a lead, producer Sam Spiegel listed Eva Marie Saint as a Supporting Actress in the hopes of getting her a nomination. The ploy worked, and she won the Oscar.
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