On the Waterfront (1954) was a Crime - Drama Film directed by Elia Kazan and produced by Sam Spiegel.
The film was based on the newspaper article Crime on the Waterfront from the New York Sun, 24-part series written by Malcolm Johnson published in Nov-Dec 1948.
On the Waterfront was inducted into the National Film Registry in 1989.
Academy Awards 1954 --- Ceremony Number 27 (source: AMPAS)
|Best Actor||Marlon Brando||Won|
|Best Supporting Actor||Lee J. Cobb||Nominated|
|Best Supporting Actor||Karl Malden||Nominated|
|Best Supporting Actor||Rod Steiger||Nominated|
|Best Supporting Actress||Eva Marie Saint||Won|
|Best Art Direction||Richard Day||Won|
|Best Cinematography||Boris Kaufman||Won|
|Best Director||Elia Kazan||Won|
|Best Film Editing||Gene Milford||Won|
|Best Music - Scoring||Leonard Bernstein||Nominated|
|Best Picture||Sam Spiegel, Producer||Won|
|Best Writing||Budd Schulberg||Won|
?TCM Big Screen Classics: On the Waterfront? Movie Event Ticket Giveaway (April 1 – April 16)By Annmarie Gatti on Apr 1, 2016 From Classic Movie Hub Blog
Win Tickets to see ?On the Waterfront? on the Big Screen! in Select Cinemas Nationwide?April 24 &?April 27! Okay, here we go? our?next round of monthly?movie ticket giveaways, courtesy of Fathom Events!?That said, this month, we?ll be giving away?SIX PAIRS?of tickets to see??TCM Big Screen Class... Read full article
Chicago Film Club field trip: “On the Waterfront” April 24 at ShowPlace ICON at Roosevelt RoadBy Stephen Reginald on Mar 30, 2016 From Classic Movie Man
Chicago Film Club field trip: “On the Waterfront” April 24 at ShowPlace ICON at Roosevelt Road Where: ShowPlace ICON, 150 W Roosevelt Road, Chicago, IL 60605 When: April 24 Time: 2:00 p.m. Hosted by Stephen Reginald Run Time: 2 hours (approximate) Ticketing: Tickets are avail... Read full article
On the Waterfront (1954)By Beatrice on Dec 27, 2015 From Flickers in Time
On the Waterfront Directed by Elia Kazan Written by Budd Schulberg based on his original story suggested by articles by Malcolm Johnson 1954/USA Columbia Pictures Corporation/Horizon Pictures Repeat viewing/Netflix rental #281 of 1001 Movies You Must See Before You Die Terry: Edie, you love me... Read full article
On the Waterfront (1954, Elia Kazan)By Andrew Wickliffe on Jul 3, 2015 From The Stop Button
On the Waterfront is relentlessly grim until the strangest moment in the finale. As the film finally reaches the point of savage, physical violence–it opens with the implication, but not the visualization of such violence–a supporting character (familiar but mostly background) makes a wi... Read full article
On the Waterfront, 1954, Elia KazanBy Aaron West on May 17, 2015 From Criterion Blues
May 17 Posted by aaronwest Waterfront Week was quite an experiment. This is not something I’ve done before but I’ll most likely do it again for important films as they come along. Here are the posts from the week: Kazan Naming Names – This is about Elia Kazan’s experiences w... Read full article
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Terry: Conscience... that stuff can drive you nuts!
Big Mac: The only arithmetic he ever got was hearing the referee count up to ten.
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According to Arthur Miller in his autobiography "Timebends", he had written a screenplay dealing with corruption on the New York waterfront called "The Hook". Elia Kazan had agreed to direct it, and in 1951 they went to see Harry Cohn at Columbia Pictures about making the picture. Cohn agreed in principle to make "The Hook", but his minions were troubled by the portrayal of corrupt union officials. When Cohn asked that the antagonists of the script be changed to Communists, Miller refused. Cohn sent Miller a letter telling him it was interesting that he had resisted Columbia's desire to make the movie pro-American. This film, which did include corrupt union officials, was based on articles by Malcolm Johnson. Kazan asked Miller to write the script, but he declined due to his disenchantment with Kazan's friendly testimony before the House Un-American Activities Committee. Budd Schulberg, a fellow HUAC informer, developed the story and wrote the script. The movie was produced by Sam Spiegel and distributed by Columbia, which had turned down "The Hook".
The film was shot by Elia Kazan at the aspect ratio of 1.37:1. It was originally offered to 20th Century Fox by Kazan, but was turned down by Darryl F. Zanuck because the film was shot in black & white and in the academy ratio of 1.37. Fox at the time was big into Cinemascope wide screen pictures. The film may have been exhibited in a few theaters at 1.66 or even 1.85, but was shot, and exhibited, in 1954, at 1.37:1.
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