I'll Be Seeing You (1944) was a Drama - Family Film directed by George Cukor and William Dieterle and produced by David O. Selznick and Dore Schary.
Ver-te-ei Outra Vez (1944) / I'll Be Seeing You (1944)By L? on Sep 7, 2018 From Critica Retro
Ver-te-ei Outra Vez (1944) / I'll Be Seeing You (1944) Uma das verdades da vida ? que todas as pessoas que conhecemos est?o vivendo batalhas internas que mal podemos imaginar. Olhos pl?cidos podem esconder o tormento da alma e pessoas com mentes agitadas podem esconder a ansiedade com gestos ... Read full article
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Saleslady: Sixty-nine dollars.
Mary Marshall: Oh? Would you take the tag off, please?
[Handing her some money]
Mary Marshall: Look, here's thirty dollars. And when my aunt asks you the price, will you tell her that it's thirty-nine instead of sixty-nine dollars?
Saleslady: It's a bargain.
Mary Marshall: Thank you.
Mrs. Marshall: [Saleslady leaves the dressing room, and joins Mrs. Marshall outside] Miss, how much was that dress?
Saleslady: Thirty-nine dollars.
Mrs. Marshall: Look, I'll give you twenty dollars. When I ask you again, how much it was, you tell me it's nineteen dollars.
Mary Marshall: [coming out of the dressing room] Do you like it?
Mrs. Marshall: Oh, it's darling on you.
Mary Marshall: Isn't it sweet?
Mrs. Marshall: It was made for you. Um, Miss, how much is this dress?
Saleslady: Nineteen dollars.
Mrs. Marshall: Oh, that's a wonderful buy.
[Mary realizes what happened and laughs]
Mary Marshall: [getting into a cab] Bye.
Zachary Morgan: Bye.
Mary Marshall: [to cab driver] 617 North Elm Street.
Zachary Morgan: Oh, wait. If, uh, if anybody tried to telephone you, how could they get you?
Mary Marshall: Well, uh, my uncle's name is in the telephone book. Henry Marshall.
Zachary Morgan: Henry Marshall? Good. Oh! What's your name?
Mary Marshall: Mary. Mary - Mary Marshall.
Zachary Morgan: Mary Marshall. Good-bye.
Mary Marshall: Good-bye.
Zachary Morgan: Wait a minute. Um, if somebody calls and says it's Zachary Morgan, that's me.
Mary Marshall: [laughing] Oh. Glad to meet you.
Zachary Morgan: Merry Christmas.
Mary Marshall: Merry Christmas.
Mary Marshall: [after Barbara had partitioned all their stuff] Barbara, what I'm in prison for isn't catching.
Barbara Marshall: I'm sorry, Mary, I... I keep hurting you, and... I really don't want to.
Mary Marshall: I guess it is uncomfortable for you to meet somebody who's been in prison. Maybe when you get to know me, you'll feel differently.
Barbara Marshall: I want to know you, Mary. Really, I do.
Mary Marshall: How much do you know about me?
Barbara Marshall: Not much. Mother and Dad still treat me like a child. Everything's a big secret.
Mary Marshall: I don't think it would hurt for you to know. As a matter of fact, I think it might help. When I was your age, my mother died.
Barbara Marshall: Oh, I remember her. Way back when I was young. She used to make clothes for my favorite doll.
Mary Marshall: Yes, she was wonderful with her hands. And some time after that, my father went north on business. And then, when he died, I was on my own. I got a very good job as a secretary, and my job brought me in contact with a lot of very nice men, one of whom, might have turned out, I thought, to be the one who would give me all the things that you dream about when you're twenty and lonely. One day, when I was called into my boss's office, he invited me to a party in his apartment. He was single, and I started dreaming. Bosses do marry their secretaries. I took what money I'd saved and I bought an evening dress. I thought it was very fancy. I wanted to look good in front of his high class friends. He had sent me an orchid, a white orchid, the first one I'd ever had. I was wearing it. When the door opened, I walked into the biggest apartment I'd ever seen. I thought it was rich and elegant. I'd wanted to impress him, so I got there a little late. I'd wanted to make an entrance all by myself, but nobody else was there. I should have had sense enough then to get out, but I didn't. He'd been drinking a long time before I got there, I guess, and he kept right on. He told me that he hadn't invited anyone else, and that the white orchid, and all that was just his way of getting me up there. I - I tried to talk my way out, and then when that didn't work, I made a break for it. I didn't scream. I was too frightened, I guess. I tried to get away from him, but I couldn't. He seemed to be everywhere. Oh, it was all mixed up like some terrible kind of a dream. Once, I almost got away, when he f
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"Lux Radio Theater" broadcast a 60 minute radio adaptation of the movie onDecember 24, 1945 with Joseph Cotten reprising his film role.
Director George Cukor was replaced by William Dieterle.
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