Double Indemnity (1944) was a Crime - Film Noir Film directed by Billy Wilder and produced by Buddy G. DeSylva and Joseph Sistrom.
The film was based on the serial story of the same name written by James M. Cain published in Liberty Magazine and as a Novel (1936 magazine; 1943 novel).
Double Indemnity was inducted into the National Film Registry in 1992.
Academy Awards 1944 --- Ceremony Number 17 (source: AMPAS)
|Best Actress||Barbara Stanwyck||Nominated|
|Best Cinematography||John Seitz||Nominated|
|Best Director||Billy Wilder||Nominated|
|Best Music - Scoring||Miklos Rozsa||Nominated|
|Best Writing||Billy Wilder, Raymond Chandler||Nominated|
Noir Nook: Just the Facts on Double IndemnityBy Karen Burroughs Hannsberry on Sep 12, 2019 From Classic Movie Hub Blog
Noir Nook: Just the Facts on Double Indemnity Not long ago, I was interviewed on a podcast about my very favorite film noir ? Double Indemnity (1944). I had an absolute ball talking about the superb writing and direction, the distinctive cinematography and music, and the first-rate performances b... Read full article
Cinema Style File - Barbara Stanwyck Straight Down the Line in 1944's DOUBLE INDEMNITYon Jul 8, 2019 From GlamAmor
A little over a week ago, I started my Pre-Code screening series The Style of Sin at the Egyptian Theatre and my first star was Barbara Stanwyck. As we saw while watching Ladies of Leisure (1930) and Baby Face (1933), she was a talented actress from the very beginning of her career. And though a fil... Read full article
Double Indemnity (1944, Billy Wilder)By Andrew Wickliffe on Feb 16, 2018 From The Stop Button
Double Indemnity is mostly a character study. There?s the noir framing device?wounded insurance salesman Fred MacMurray stumbling into his office and recording his confession on a dictaphone. Turns out he met a woman and things didn?t work out. MacMurray narrates the entire film. Occasionally the ac... Read full article
Five Things I Learned from Double IndemnityBy Amanda Garrett on Oct 15, 2016 From Old Hollywood Films
Today, I'm writing about the lessons I learned from the classic film noir Double Indemnity (1944), starring Fred MacMurray, Barbara Stanwyck, and Edward G. Robinson. This article is part of the Things I Learned from the Movies blogathon hosted by Speakeasy and Silver Screenings. There are many... Read full article
Double Indemnity (1944)on Jul 20, 2015 From Journeys in Classic Film
Originally published March 2012 This is my second viewing of Double Indemnity, and my first time where I actually had to study it critically as part of my Women in Film class. ?The first time I saw the movie was for an earlier film class and while I enjoyed it, I didn’t consider it anything sp... Read full article
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Barton Keyes: [chuckles]
Barton Keyes: but it isn't twice as safe. It's ten times twice as dangerous. They've committed a *murder*! And it's not like taking a trolley ride together where they can get off at different stops. They're stuck with each other and they got to ride all the way to the end of the line and it's a one-way trip and the last stop is the cemetery. She put in her claim... I'm gonna throw it right back at her.
[Walter hands Keyes a light]
Barton Keyes: Let her sue us if she dares. I'll be ready for her *and* that somebody else. They'll be digging their own graves.
Walter Neff: That was all there was to it.Nothing had slipped, nothing had been overlooked.There was nothing to give us away. And yet, Keyes, as I was walking down the street to the drugstore, suddenly, it came over me that everything would go wrong. It sounds crazy Keyes, but it's true, so help me, I couldn't hear my own footsteps. It was the walk of a dead man.
Walter Neff: Do I laugh now, or wait 'til it gets funny?
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Silver dust was mixed with some subtle smoke effects to create the illusion of waning sunlight in Phyllis Dietrichson's house.
The scene where Neff and Dietrichson can't get their car started after the murder was added by Wilder after his car wouldn't start at the end of a shooting day.
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