Double Indemnity (1944) was a Crime - Film Noir Film directed by Billy Wilder and produced by Buddy G. DeSylva and Joseph Sistrom.
The film was based on the serial story of the same name written by James M. Cain published in Liberty Magazine and as a Novel (1936 magazine; 1943 novel).
Double Indemnity was inducted into the National Film Registry in 1992.
Academy Awards 1944 --- Ceremony Number 17 (source: AMPAS)
|Best Actress||Barbara Stanwyck||Nominated|
|Best Cinematography||John Seitz||Nominated|
|Best Director||Billy Wilder||Nominated|
|Best Music - Scoring||Miklos Rozsa||Nominated|
|Best Writing||Billy Wilder, Raymond Chandler||Nominated|
Double Indemnity (1944, Billy Wilder)By Andrew Wickliffe on Feb 16, 2018 From The Stop Button
Double Indemnity is mostly a character study. Theres the noir framing devicewounded insurance salesman Fred MacMurray stumbling into his office and recording his confession on a dictaphone. Turns out he met a woman and things didnt work out. MacMurray narrates the entire film. Occasionally the ac... Read full article
Five Things I Learned from Double IndemnityBy Amanda Garrett on Oct 15, 2016 From Old Hollywood Films
Today, I'm writing about the lessons I learned from the classic film noir Double Indemnity (1944), starring Fred MacMurray, Barbara Stanwyck, and Edward G. Robinson. This article is part of the Things I Learned from the Movies blogathon hosted by Speakeasy and Silver Screenings. There are many... Read full article
Double Indemnity (1944)on Jul 20, 2015 From Journeys in Classic Film
Originally published March 2012 This is my second viewing of Double Indemnity, and my first time where I actually had to study it critically as part of my Women in Film class. The first time I saw the movie was for an earlier film class and while I enjoyed it, I didn’t consider it anything sp... Read full article
The Making of Double IndemnityBy Amanda Garrett on Jul 18, 2015 From Old Hollywood Films
TCM and Fathom Events are bringing Double Indemnity starring Fred MacMurray and Barbara Stanwyck to movie screens across the US on July 19 and 20. If you haven't seen it you're in for a rare treat; if you have, now is a great time to revisit this film noir classic. This article features vintage ads ... Read full article
Double Indemnity (1944)By Cameron on Jun 18, 2015 From The Blonde At The Film
via: http://www.tcm.com/tcmdb/title/73500/Double-Indemnity/#tcmarcp-152119 Unless otherwise noted, all images are my own. In honor of TCM’s “Summer of Darkness” Film Noir Festival and online course, here’s Double Indemnity (1944), an undisputed masterpiece of the genre. But ... Read full article
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Walter Neff: Yeah. Two "F"s, like in Philadelphia, if you know the story.
Phyllis: What story?
Walter Neff: The Philadelphia Story.
Walter Neff: You'll be here too?
Phyllis: I guess so, I usually am.
Walter Neff: Same chair, same perfume, same anklet?
Phyllis: I wonder if I know what you mean.
Walter Neff: I wonder if you wonder.
Phyllis: Mr. Neff, why don't you drop by tomorrow evening about eight-thirty. He'll be in then.
Walter Neff: Who?
Phyllis: My husband. You were anxious to talk to him weren't you?
Walter Neff: Yeah, I was, but I'm sort of getting over the idea, if you know what I mean.
Phyllis: There's a speed limit in this state, Mr. Neff. Forty-five miles an hour.
Walter Neff: How fast was I going, officer?
Phyllis: I'd say around ninety.
Walter Neff: Suppose you get down off your motorcycle and give me a ticket.
Phyllis: Suppose I let you off with a warning this time.
Walter Neff: Suppose it doesn't take.
Phyllis: Suppose I have to whack you over the knuckles.
Walter Neff: Suppose I bust out crying and put my head on your shoulder.
Phyllis: Suppose you try putting it on my husband's shoulder.
Walter Neff: That tears it.
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Author James M. Cain later admitted that if he had come up with some of the solutions to the plot that screenwriters Billy Wilder and Raymond Chandler did, he would have employed them in his original novel.
In the scene where Phyllis is listening at Neff's door as he talks with Keyes, Keyes exits into the hallway and Phyllis hides behind the door. The door opens into the hallway which isn't allowed by building codes even back then, but it does give Phyllis something to hide behind and increases the tension.
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