All This, and Heaven Too (1940)

Henriette Deluzy-Desportes: You may not have learned much French today, but I think you have learned a little patience and tolerance and that is the same in every language.

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Duc de Praslin: Oh, please don't go. Don't even move.
Henriette Deluzy-Desportes: Why?
Duc de Praslin: I might say don't move because, as you sit there, the firelight is so beautiful on your hair. I might say don't move because this is All Souls' Day, and you mustn't disturb the spirits. And again, I might say don't move because this is a moment so full of understanding that I can't bear to see it come to an end.

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Duc de Praslin: Why are you smiling? May I share whatever pleases you so?
Henriette Deluzy-Desportes: You will think I am very silly I'm afraid, but standing here like this with the snow falling reminds of something I used to know. Do you remember a little round glass globe that...
Duc de Praslin: Oh yes, I know, with a snow scene inside. We had a paper weight on a desk at home like that. You shook it and the snow whirled around out from nowhere in a blinding storm.
Henriette Deluzy-Desportes: Yes, that's exactly what I mean.
Duc de Praslin: And if you looked closely enough the whole world seemed to be obliberated and shut out.

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While auditioning actresses for the movie, Boyer graciously offered to stand on a box to tower over actresses who were uncomfortable by being taller than he was.
Charles Boyer was incredibly uncomfortable with the idea of being abusive towards a woman which is why the director opted to use facial expressions as an indication of what was to come; reportedly Boyer's intense glares in the 'anger' scenes frightened Barbara O'Neil.
Although classed as a Love Story, the two leading characters (Henriette and the Duc) never kiss, nor does the Duc kiss his wife at any point.
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