Alias Nick Beal Overview:

Alias Nick Beal (1949) was a Mystery - Drama Film directed by John Farrow and produced by Endre Bohem.

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Alias Nick Beal (1949): Ray Milland’s a Devil

By 4 Star Film Fan on Oct 21, 2020 From 4 Star Films

This is my entry in the CMBA Politics on Film Blogathon. Alias Nick Beal handily flips the paradigm of cinematic angels in vogue with Hollywood, specifically during the 1940s. You could make a whole subgenre out of them. As its name suggests, the lynchpin character of the whole movie is Nick, though... Read full article

Alias Nick Beal (1949)

By Raquel Stecher on Nov 30, -0001 From Out of the Past - A Classic Film Blog

It's a story as old as time. A mortal sells his soul to the devil for what he really wants only to suffer the consequences later. Bargaining with evil always comes at a cost. "I'd give my soul to nail him." - Joseph Foster Joseph Foster (Thomas Mitchell) is a good man by all accounts. He's devot... Read full article

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Quotes from

Rev. Thomas Garfield: You've changed, Joseph.
Joseph Foster: How?
Rev. Thomas Garfield: Well, your clothes, for one thing.
Joseph Foster: Oh, well, what are clothes?
Rev. Thomas Garfield: And there are rumors about you and Miss Allen. I know I shouldn't mention them, or the story that you and Martha are estranged. Is it true?
Joseph Foster: Well, in a way... What's my personal trouble got to do with it?
Rev. Thomas Garfield: They're all indications of change. Then there's the influence that this Nick Beal seems to have over you.
Joseph Foster: Influence, nothing. He loaned me some money and I'll pay it back, and that's all.
Rev. Thomas Garfield: I wonder. Have you signed anything with him, any sort of contract?
Joseph Foster: Of course not. What are you driving at?
Rev. Thomas Garfield: I don't know exactly, but there's something strange about him, something eerie.
Joseph Foster: It's a pose to impress people.
Rev. Thomas Garfield: How did he get out of your house the night we were there? Why was he afraid to read the Bible?
Joseph Foster: Are you serious?
Rev. Thomas Garfield: I know I can't be, but I am. And there's another thing - somewhere I've seen a portrait of him, a medieval drawing or woodcut. I'm trying to remember where.
Joseph Foster: A drawing as what?
Rev. Thomas Garfield: Lucifer.
Joseph Foster: We're in the 20th century, Tom. Nobody's believed in such things since the Salem witch burnings. Besides, aren't there a few items missing? Where's the tail and the horns? Where's the smell of sulfur and brimstone? And where's the contract you're talking about, signed in blood and promising the delivery of one slightly used soul?
Rev. Thomas Garfield: Maybe the devil knows it's the 20th century too, Joseph.

Joseph Foster: Sit down, sit down, gentlemen. The furniture's reliable.

Bum: Yes brethren, every word is true. I've walked in the darkness, glory be. I've wrestled the Devil and thrown him. I've pinned his shoulders to the mat. Yes, I've pinned his shoulders to the mat.
Nick Beal: I wonder if he knows it's two falls out of three?

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Facts about

A marquee from Loew's Delancy Theater (NYC) showing this film is shown near the end of The Naked City behind actor Paul Ford.
"The Screen Guild Theater" broadcast a 30 minute radio adaptation of the movie on December 8, 1949 with Ray Milland reprising his film role.
One of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by MCA ever since.
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Also directed by John Farrow

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Also released in 1949

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