Affair in Trinidad (1952) was a Drama - Film Noir Film directed by Vincent Sherman and produced by Rita Hayworth, Vincent Sherman and Virginia Van Upp.
Academy Awards 1952 --- Ceremony Number 25 (source: AMPAS)
|Best Costume Design||Jean Louis||Nominated|
Affair in Trinidad (1952)By Beatrice on Oct 1, 2015 From Flickers in Time
Affair in Trinidad Directed by Vincent Sherman Written by Oscar Saul and James Dunn; story by Virginia Van Upp and Berne Giler 1952/USA Columbia Pictures Corporation/The Beckworth Corporation First viewing/Netflix rental The story, a mash-up of Gilda and Notorious, falls rather flat. ?Not so Rita... Read full article
Affair in Trinidad (1952)By Angela on Jul 9, 2012 From Hollywood Revue
For three years, Chris Emery (Rita Hayworth) has been living in Trinidad with her husband Neal.? He’s an artist, she’s a nightclub singer and dancer.? After one of her performances, she comes off stage to find Inspector Smythe (Torin Thatcher) waiting to break the news that her husband i... Read full article
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Max Fabian: Everything thrives in the tropics, including gossip. It might be better if I didn't.
Chris Emery: You're Steve - Domenique told me.
Steve Emery: ..and I know who you are. I read about you in the paper.
Trinidad Band: [singing] A chick-a-chick boom, a chick-a-chick boom / Announces your in the room with the Trinidad Lady. / A chick-a-chick boom, a chick-a-chick boom / Your ticker goes boom-boom-boom for the Trinidad Lady.
Chris Emery: [singing] It's only that I do what I love and love what I do / Can't help the mad desire that's deep inside of you. / You realize the fault isn't mine, you are to blame / You want what you can't have, and you're just the same.
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Hayworth practiced hard to try and do her own singing, but finally Morris Stoloff hired Jo Ann Greer to dub Rita's voice. Greer and Hayworth worked well together and she later dubbed Rita in "Miss Sadie Thompson" and "Pal Joey".
The production of "Affair in Trinidad" is credited to the Beckworth Corporation, named for Rita Hayworth and her daughter Rebecca Welles, but Beckworth wasn't an actual production company. It was a tax dodge set up by Hayworth and Columbia Pictures president Harry Cohn to allow her fee for the film to be considered a capital gain rather than a salary, and therefore taxed at a lower rate.
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