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A Gathering of Eagles Overview:

A Gathering of Eagles (1963) was a Drama - Romance Film directed by Delbert Mann and produced by Sy Bartlett.

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Quotes from

Gen. Aymes: I just wonder if your timing is good.
Col. Jim Caldwell: Because of the ORI?
Gen. Aymes: No. Because it might look as if you have personal reasons. There's been talk, Jim. About Hollis and Victoria.
Col. Jim Caldwell: Even the grapevine around here is below par. I can't run a wing on what people think. I want him out of here.


Col. Hollis Farr: [Singing "The SAC Song" by Tom Lehrer] Here at SAC we're filled with pride There's just one thing we can't decide Which we'd rather be clobbered by-- An enemy attack or ORI! Our wing commander's got a racket, But sometimes it's hard to hack it, Whenever he gets his wife alone, Ding-a-ling-aling goes the little red phone! Oh we start a seven day alert, For a week we will not see a skirt, But we know it's part of SAC's main goal, To test our positive control! Absence makes the heart grow fonder, Whatever became of the Wild Blue Yonder? How we wish the good old days were back-- at SAC!


Col. Jim Caldwell: It's been one big happy family, hasn't it? The fishing's good at Grant's Pass? Tell Hollis Farr; he'll OK a leave! You don't like the seven-day alert? Tell Hollis Farr; he aims to please! He's not out on any limb; no sir! Let the wing commander stick his neck out! Hang on as vice-commander until something cushier turns up - and don't ever get in a spot where they can turn the heat on you. Well, it's about time somebody did. And if a man can't stand the heat, the best thing to do is stay out of the kitchen.
[turns to leave his office]
Col. Hollis Farr: [shoves the door closed with the palm of his hand] You know something. I once said you didn't have enough heel in you to be a wing commander. You've got enough for the entire Air Force!


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Facts about

Jerry Goldsmith's opening fanfare was licensed by Cinema International Corporation (CIC) for its vanity plate fanfare. CIC was an international film distribution company, part owned by Universal (with Paramount and, later, Metro-Goldwyn-Mayer).
The scene where Mary Peach's character goes out "on the town" shows her exiting a theater into a grand lobby where she meets friends. That lobby is the actual foyer of the San Francisco Opera House, which looks virtually the same to this day.
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