Vera Miles and Paul Picerni appear in the trailer for this film, but not in the film itself.

Before the film was sold to Warner Brothers, it contained an original music score composed by Michel Michelet. Execs at Warners felt Michelet's score wasn't powerful enough so they replaced it with an original score by David Buttolph.

Deleted Scene: The 2003 DVD release reveals one shot of the Rhedasaurus that was omitted from the final film. That shot can be found in the trailer for "The Black Scorpion" (in special features) about 1/2 through the preview. (Spoiler: The Beast is walking, breast high, toward screen right. The background shows 2 buildings; one of them with fire escapes. Superimposed title card states, "You've thrilled to the terror of The Beast From 20,000 Fathoms."

During the octopus/shark sequence, some of the footage was obviously shot in an aquarium, because some of the octopus' suckers are gripping the glass.

Some film aficionados might recognize Alvin Greenman, the first character to speak after the narrator, and the first to notice the beast on on the radar. Six years earlier he played Alfred, the Macys Janitor in Miracle on 34th Street. TV aficionados though might recognize the second character to speak. Playing the part of Charlie is actor James Best, best remembered for his role as Sheriff Rosco P. Coltrane from The Dukes of Hazzard.



Some of the Arctic footage showing an avalanche triggered by movements of the Beast was "lifted" from the 1935 production of "She."

The "Coney Island Amusement Park" in the film is actually The Long Beach Amusement Park in Long Beach, California. The production was able to film at the park from 10 p.m. to 3 a.m.

The dinosaur skeleton in the museum sequence is artificial. It was obtained from storage at RKO where it had been constructed for Bringing Up Baby.

The film is based on a short story by Ray Bradbury.

This film (which was inspired by the successful 1952 re-release of KING KONG) was the first film to feature a giant creature awakened or mutated by a Nuclear Bomb.

This was said to have been one of the inspirations for Tomoyuki Tanaka to go ahead and film Godzilla.

Warner Brothers bought the film from producers Hal E. Chester and 'Jack Deitz' for $450,000.

When the radio announcer is reading the news about the monster's rampage through New York, various shots of the city are shown, mostly with panicked citizens in the street. When the announcer mentions the situation at Times Square, the accompanying footage shows the Palace Theater, whose marquee reads "Judy Garland - Live and in Person."

When the streets are being cleared once the beast comes ashore in NYC, films appearing on various theater marquees are "Detective Story", "Come Fill The Cup" and "Across The Wide Missouri".

While visiting his friend Ray Harryhausen on the set, Ray Bradbury was given a copy of the script (which was going under the working title "Monster From the Sea") and was asked if he could possibly do some rewriting on it. After reading the script, Bradbury remarked about a scene in the story (which featured the monster destroying a lighthouse) that seemed very similar to a short story that he had published in "The Saturday Evening Post" several years earlier called "The Beast From 20,000 Fathoms". Bradbury's story was about a dinosaur that destroys a lighthouse. The next day Bradbury received a telegram offering to buy the film rights to the story. After the sale, the films title was changed to "The Beast From 20,000 Fathoms". Years later when Bradbury had his story reprinted he changed the title to "The Fog Horn".


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